Readings
Monsiváis, Carlos. “Mexican Cinema: Of Myths and Demystifications.” Mediating Two Worlds: Cinematic Encounters in the Americas. Ed. John King, Ana M. López, and Manuel Alvarado. London: British Film Institute, 1993. 139-146.
Noble, Andrea. “The Formation of a National Cinema Audience.” Mexican National Cinema. Abingdon: Routledge, 2005. 70-94.
Stavans, Ilan. “The Riddle of Cantinflas.” The Riddle of Cantinflas: Essays on Hispanic Popular Culture. Albuquerque: University of New Mexico Press, 1998. 30-52.
Pilcher, Jeffrey M. “Ambiguous Profiles.” Cantinflas and the Chaos of Mexican Modernity. Wilmington, DE: Scholarly Resources, 2001. 33-64.
Jones, Julie. “Interpreting Reality: Los olvidados and the Documentary Mode.” Journal of Film and Video 57.4 (Winter 2005): 18-31.
Foster, David William. “Human Geographies.” Mexico City in Contemporary Mexican Cinema. Austin: University of Texas Press, 2002. 45-97.
Noble, Andrea. “Sexuality and Space in Jorge Fons’ El callejón de los milagros.” Framework 44.1 (2003): 22-35. (NB This article will be distributed separately.)
Badt, Karin. “No Slave to Realism: An Interview with Carlos Reygadas.” Cineaste 31.3 (Summer 2006): 21-23.
Noble, Andrea. “Seeing Through ¡Que viva México! Eisenstein’s Travels in Mexico.” Journal of Iberian and Latin American Studies 12.2-3 (August/December 2006): 173-187.
Pease, Donald E. “Borderline Justice / States of Emergency: Orson Welles’ Touch of Evil.” CR: The New Centennial Review 1.1 (2001): 75-105.
Schrader, Paul. “Sam Peckinpah going to Mexico.” Cinema Magazine 5.3 (1969): 18-25.
Adams, Jon-K. “The Layering of History in Peckinpah’s The Wild Bunch.” Zeitschrift fur Anglistik und Amerikanistik 53.3 (2005): 285-290.
Bhabha, Homi. “The Other Question: Stereotype, Discrimination and the Discourse of Colonialism.” The Location of Culture. London: Routledge, 1994. 66-84.
—–. “The Other Question . . . Homi K. Bhabha Reconsiders the Stereotype and Colonial Discourse.” Screen 24.6 (November-December 1983): 18-36.
Beckham, Jack M. “Border Policy / Border Cinema: Placing Touch of Evil, The Border, and Traffic in the American Imagination.” Journal of Popular Film and Television 33.3 (Fall 2005): 130-141.
Shaw, Deborah. “‘You Are Alright, But . . .’: Individual and Collective Representations of Mexicans, Latinos, Anglo-Americans and Afro-Americans in Steven Soderbergh’s Traffic.” Quarterly Review of Film and Video 22 (2005): 211-233.
