Monsiváis, Carlos.  “Mexican Cinema: Of Myths and Demystifications.”  Mediating Two Worlds: Cinematic Encounters in the Americas.  Ed. John King, Ana M. López, and Manuel Alvarado.  London: British Film Institute, 1993.  139-146.

Noble, Andrea.  “The Formation of a National Cinema Audience.”  Mexican National Cinema. Abingdon: Routledge, 2005.  70-94.

Stavans, Ilan.  “The Riddle of Cantinflas.”  The Riddle of Cantinflas: Essays on Hispanic Popular Culture.  Albuquerque: University of New Mexico Press, 1998.  30-52.

Pilcher, Jeffrey M.  “Ambiguous Profiles.”  Cantinflas and the Chaos of Mexican Modernity.  Wilmington, DE: Scholarly Resources, 2001.  33-64.

Jones, Julie.  “Interpreting Reality: Los olvidados and the Documentary Mode.”  Journal of Film and Video 57.4 (Winter 2005): 18-31.

Foster, David William.  “Human Geographies.”  Mexico City in Contemporary Mexican Cinema.  Austin: University of Texas Press, 2002.  45-97.

Noble, Andrea.  “Sexuality and Space in Jorge Fons’ El callejón de los milagros.”  Framework 44.1 (2003): 22-35.  (NB This article will be distributed separately.)

Badt, Karin.  “No Slave to Realism: An Interview with Carlos Reygadas.”  Cineaste 31.3 (Summer 2006): 21-23.

Noble, Andrea.  “Seeing Through ¡Que viva México!  Eisenstein’s Travels in Mexico.”  Journal of Iberian and Latin American Studies 12.2-3 (August/December 2006): 173-187.

Pease, Donald E.  “Borderline Justice / States of Emergency: Orson Welles’ Touch of Evil.”  CR: The New Centennial Review 1.1 (2001): 75-105.

Schrader, Paul.  “Sam Peckinpah going to Mexico.”  Cinema Magazine 5.3 (1969): 18-25.

Adams, Jon-K.  “The Layering of History in Peckinpah’s The Wild Bunch.”  Zeitschrift fur Anglistik und Amerikanistik 53.3 (2005): 285-290.

Bhabha, Homi.  “The Other Question: Stereotype, Discrimination and the Discourse of Colonialism.”  The Location of Culture.  London: Routledge, 1994.  66-84.

—–.  “The Other Question . . .  Homi K. Bhabha Reconsiders the Stereotype and Colonial Discourse.”  Screen 24.6 (November-December 1983): 18-36.

Beckham, Jack M.  “Border Policy / Border Cinema: Placing Touch of Evil, The Border, and Traffic in the American Imagination.”  Journal of Popular Film and Television 33.3 (Fall 2005): 130-141.

Shaw, Deborah.  “‘You Are Alright, But . . .’: Individual and Collective Representations of Mexicans, Latinos, Anglo-Americans and Afro-Americans in Steven Soderbergh’s Traffic.”  Quarterly Review of Film and Video 22 (2005): 211-233.

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