My research pursues queries about queer, minor and collectivist performances at the intersection of literary, social and cultural theory. My recent work analyzes verbal figurations of imagined communities, and critiques the social production of adherences and identifications. My fields include 20th century British, Irish and South Asian literatures in English, modernism, critical and cultural theory, literature and environment, literature and mind, and critical university studies. My current monograph is in review under the provisional title  Modernism’s Agile Crowds. The project discovers a genealogy of the contemporary political multitude in literary modernism’s representations of crowds, and focuses on the crowd’s status as a strategic political articulation acting in competition with established imagined communities. It compares verbal figurations produced during the period named to models operating in the realms of psychoanalysis, political philosophy and social theory. It posits that these figurations taken together constitute a coherent, intertextualized project among a group of modernist writers which aspires to anatomize the modern crowd, to explore alternative collective forms of experience, and to imagine the crowd’s futurity. It proposes a reading of the fictional crowd that offers a fresh account of its sense of authorization and efficacy, concluding that the crowd recognizes itself as an agile network that supervises its own world-making and negotiates its material and cultural exchanges.

My publications so far include:


  • “Music, Intermediality, and Shock in Ulysses,” James Joyce Quarterly,  53.3-4 (in print 2018), 115-32.
  • “Problems with Theory of Mind in Victory,” Conradiana 46.1-2 (in print 2015), 95-107.
  • “‘An Infected Carrier of the Past’: Modernist Nature as the Ground of Anti-Realism,” Interdisciplinary Studies in Literature and Environment, 20.4 (Autumn 2013), 778-794.
  • “Conrad’s Agile Crowds,” The Conradian 38.1 (Spring 2013), 1-21.
  • “Trifling Farce or Lyric Drama? The Clue Tendered by Algy’s Romantic Blunder in The Importance of Being Earnest,” The Wildean 39 (July 2011), 116-20.
  • “Grammar by Ear: Teaching Grammar Skills by Immersion and Imitation,” coauthored with Dr. Toni Glover, Louisiana English Journal 9 (2005), 35-48.


  • “Frustrated Energies in Modernism’s Female Arrangements,” in Affective Materialities: Reorienting the Body in Modernist Literature, edited by Robin Hackett, Molly Volanth Hall, and Kara Watts. Gainesville, FL: UP of Florida, 2019, pp. 103-122.

Reviews, interview, encyclopedia entry, and conference reports

  • “Clever, very,” author interview by the James Joyce Quarterly,, March 2018.
  • “Temporizing Modernities: Review of Nicholas, Jane, The Modern Girl: Feminism Modernities, the Body, and Commodities in the 1920s and Gifford, James, Personal Modernisms: Anarchist Networks and the Later Avant-Gardes,” Canadian Literature 225 (Summer 2015), 141-2.
  •  “Review of Robert Hampson’s Conrad’s Secrets,” Conradiana 46.3 (in print 2016).
  • “Adaptive Anxieties: Strategic Confrontations in Eco-Joyce: The Environmental Imagination of James Joyce. Eds. Robert Brazeau and Derek Gladwin. Cork: Cork
    University Press, 2014.” Journal of Ecocriticism: A New Journal of Nature, Society and Literature, 8.1, 10-12.
  • “’Patternmind’ and ‘paradigmatic ear’: Review of Joyce a long the Krommerun, XXIV International James Joyce Symposium, Utrecht University, 15-20 June, 2014,” James Joyce Literary Supplement, 28.2.
  • “Franz Rosenzweig,” Routledge Encyclopedia of Modernism, 2016.
  • “‘A beautiful pure sweet mellow English tenor’: ‘Joyce and England’ at the 18th Irregular Miami J’yce Birthday Conference, Jan. 31-Feb. 2, 2013,” The James Joyce Quarterly, 49.1 (Fall, 2013), 18-21.


New Work:

A new monograph project, tentatively titled Minor Attachments: A History of Revolution in Vernacular Modernisms, carries on my interests in how collectivities cohere, flourish and coexist by examining the materiality of minor literatures with origins in postcolonial Ireland, the Caribbean, France, Africa, South Asia and working-class and postcolonial modern Britain. The project outlines a continuing radical democratic response to anomie and apathy, and analyzes formal translational and narrative experiments to register a movement separating collective subjects from dominant notions of home and emplacement. Perceptions of the world are colored by group projects in the world; by locating healing qualities in how the mind works with aesthetic pattern as an apparatus of personal integration, satisfaction and defense, I find that these works respond altruistically to their mass communities’ crises of conflict, risk and economic transformation.

Journal articles in progress:

“Mary Beton and the Male Critic”

“Non-Conforming Sexual and Gender Identities and Repentant Communities in Isaac Bashevis Singer’s Shtetl Stories”

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