Category: Visual Art

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There’s Food at Home

You have to choose. Do you want to be one of them. Or one of us.

Creator:
Haniya Syed (she/her)

So many things stay with us in our memories – the flavour of meals, the aroma of food, the sights and sounds of meal time, and the emotions of being around families and friends. In this cookbook, Haniya shares with you some of her most treasured family recipes that map onto her parents’ migration history, and her experience growing up in a multiracial family set within a society filled with racialization. To complement the amazing recipes, Haniya sprinkles this cookbook with offerings of scrumptious poetry, dashes of mouth-watering food photographs, and heaping portions of heart-warming family pictures. As you read through this cookbook full of amazing recipes set to immense nostalgia and reminiscence, what foods draw out some of your fondest childhood memories – and why?

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A Tale of Two Vases

Creator:
Amalee Truong (she/her)

A common experience among minoritized artists is the internal struggle associated with creating art that is traditional to their culture. For example, a Chinese Canadian artist might want to showcase Chinese styles in their art because that is what best represents them; however, the question of whether one is “enough” of that minoritized culture to even use that style often comes up. It makes them question whether they have the credibility to use such cultural styles, and whether they would be seen as merely appropriating a style that they don’t have enough credibility to use. And does using that style create the perception that their usage signals representation? This all creates additional pressures on the artist to do a really good job, lest their potential failure reflects poorly on their entire community. With all of these pressures, though, it is still imperative that minoritized artists push forward and create a style that is their own. Dive into Amalee’s thought process as she discusses similar struggles while creating two ceramic vases to represent her and her brother. If you were in a similar position, how would you reconcile the need for representation with the worries about being too much of an imposter to engage in representation?

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Planting a Seed

Ruolee holds the seed, like how Ah-ma held her hands. “I know it will grow now. It certainly will.”

Creator:
Maya Wu 吳妤蕎 (she/her)

Leaving a home to set up a new home elsewhere is as much a source of excitement as it is a source of sorrow. We often end up in a double-bind of experiencing sadness for leaving behind people we love and cherish, and also struggling with the loneliness of social isolation and cultural adjustment in a new environment. This is especially difficult for children who, while culturally and linguistically adjusting, also end up shouldering the domestic load of being the liaison between their families and the outside world. And sometimes, all it takes is that one serendipitous encounter with that one individual who helps change perspectives, provides assurances, and gives confidence to the immigrant child to know how to find a niche for themselves in this new cultural environment. If you had been in a similar situation, who was that one person for you – or perhaps it was a group of people? And what changes occurred as a result of that encounter? Read through Maya’s beautifully illustrated story of just such an encounter and I dare you to not feel like smiling at the end.

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量太麻烦了 – It’s too much trouble to measure ingredients

The same dish, a slightly different taste every time, but always with the same love, care, and intent on healing

Creator:
Sorella Zhang 张筱媚 (she/her)

Medicine isn’t just about curing diseases and ailments – it can also be able preventing diseases and ailments, and maintaining good health. This kind of perspective about health is characteristic of a various traditional systems of medicine, whether it’s traditional Mongolia, Iranian, Indigenous, or Chinese medicine, amongst others. By seeing medicine as preventative rather than reactive, this allows edible items with medicinal properties to be incorporated into food that can nourish and heal people on a continuous basis. Sorella presents a cookbook filled with recipes involving ingredients that are known to have various medicinal properties in Traditional Chinese Medicine; but it also is filled with a lot of love. The central them is certainly food; but one can see/feel/sense the love and intimate connections that emanate from these recipes. How can we all incorporate traditional medicinal ingredients into our food in a responsible manner?

Click on the following to reveal (first) the cookbook, and (second) the creator’s notes (Note: PDF viewer not compatible with some mobile platforms; but it is available for download or to view via mobile PDF viewers)

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Thresholding

“So, what did nice conservative gay white men do? They sell a community that liberated them down the river” – Sylvia Rivera

Artist:
Tiffany Ou 欧倩怡 (she/her)

Queerness. Queerness is an identity, and it’s also a way of existing. Queerness, though, isn’t just about being queer. What many boil down to a single point of discourse is actually a complex interplay of multiple identities and intersectionalities at the same time. Tiffany’s illustration/animation shows the viewer a simple yet effective visual representation of how cultural and historical discourse often oversimplifies the richness of queerness into a single issue. In the context of a society with lots of societal defaults, the erasure of the richness of queerness and the diversity among queer folks fighting for liberation often converges into the image of a struggle for White cisgender gay men’s recognition. What implications does this have for racialized queer folks fighting (/who fought) for liberation, and what more needs to be done?

Click on the following to reveal the artist’s statement (Note: PDF viewer not compatible with some mobile platforms; but it is available for download or to view via mobile PDF viewers)

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Where is “Home?”

But what if home no longer accepts you?

Artist:
Meriwether Morris (they/them)

The idea of belongingness and home can often be an elusive one for diasporic folks. There is the oft-repeated and clichéd trope of existing in a liminal space, frustrated by being simultaneously both and neither. It being a cliché, though, does not stop it from being true. Compounding this struggle is the additional frustration of not knowing how to react when disaster strikes in one’s “heritage home” – does being away from that “home” automatically make one less? Does being away from the crisis take away one’s ability to claim to be? All of this comes down to the diaspora wondering about their obligations and belongingness. All of this is to say, for many in the Asian diaspora, one of the primary questions is, “Where is home?”

Click on the following to reveal the comic and subsequent artist’s statement (Note: PDF viewer not compatible with some mobile platforms; but it is available for download or to view via mobile PDF viewers)

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A Life Coloured by Expectations

Hidden Behind Colours: Art Piece & Reflection on the Impact of Cultural Identity on Mental Health

Artist:
Nichole Hui Ping Goh (she/hers)

Humans, being a social species, all live while subject to societal expectations; but the extent to which people are constrained in society by expectations are often indicative of their marginalization. This combination of repressive expectations, constraints, and marginalization can have strong negative impact on one’s mental health. Through her art piece, Goh uses different panels to speak to the multifaceted nature of the pressures that society places onto nonya/nyonya, an identity that places Goh (and others like her) at the intersection of Malaysian and Peranakan identities. Between societal pressures, family pressures, and internalized pressures, Goh’s piece speaks to the pervasive and all-encompassing nature of repressive societal expectations, and the damage that can do. This leads to a bigger question – how do we break this cycle?

Click on the following to reveal the artwork (Note: PDF viewer not compatible with some mobile platforms; but it is available for download or to view via mobile PDF viewers)

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Forming identity as a Filipino Canadian

We need people who won’t give up on our country

Artist:
Anonymous

Identity formation is a difficult process for members of the diasporic community, including the Filipino diasporic community. As the anonymous artist discusses, there are a lot of dynamics to consider – Am I abandoning people from the Philippines? To what extent do I embody a Canadian versus Filipino identity? How do people think about my English – is it too Filipino-accented for me to sound Canadian, or is it too Canadian-accented for me to sound Filipino? Ultimately, the big question is “Who am I?” While it’s a cliché to talk about this question, it’s a cliché precisely because of how commonplace it is. The anonymous artist decided to use a novel medium to explore all these ideas, and to ask a very important question – in the Filipino context, how might the interplay of colonial and nativist influences affect the experience of acculturation among Filipinos migrating to another context with an interplay between a different colonial influence, progressivism, and cultural protectionism?

Click on the screenshot to access the Instagram account

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Parallel loss of culture

It is important to support [cultural] neighbourhoods and business to keep them alive

Photographers and Storytellers:
Tamara Chang 陳秀明
Steffi Lau 劉晴昕

In a stroke of creative and artistic brilliance, Chang and Lau use their cameras as witnesses to the changing faces of two geographically disparate but culturally linked places – Hong Kong and Vancouver. Despite their distance and being on two different continents, the two cities are inextricably interlinked through history, culture, and migration – in both directions. Through these beautiful photographs, Chang and Lau weave a thought-provoking narrative that compels readers to consider how development, gentrification, and in some ways, capitalism, are pushing traditional and cultural neighbourhoods to the brink in both cities. With painful histories and rebellious resilience evident in both spaces, how do we go about protecting these spaces that have fostered and contributed to the growth of their respective cities?

Click on the following to reveal the photography project (Note: PDF viewer not compatible with some mobile platforms; but it is available for download or to view via mobile PDF viewers)

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