Teaching

“Tout est construit” –Gaston Bachelard (La formation de l’esprit scientifique, 1934)

I teach graduate and undergraduate courses in the Department of English in modernism, 20th-century studies, literary and cultural theory, and historical surveys of Anglophone literature. I have longstanding interests in active learning methods, research-supported best practices and effective instructional technologies. My undergraduate students have called me “a great instructor,” “very knowledgeable,” “energetic,” “approachable,” and said my courses have “great content” and are “thought provoking.” My teaching is built on a commitment to educational equity that provides a diverse body of university students with a climate of high expectation and useful scaffolding, asking students to take creativity-enhancing intellectual risks in response to challenging assignments. I welcome graduate projects in modernism, understood broadly, twentieth-century Anglophone literatures, postcolonial, cultural, and material studies, intersectional work in feminism, gender, race, and sexuality, and media and technology studies.

2025-2026

Course Descriptions, Winter Session 2025

Term 1:

ENGL 300 Introduction to Critical Theory

This introduction to critical theory is themed around crowds, democracy, and politics. We will explore theories of agency and forms of democracy, phenomena such as group aggression and utopianism, technologies for the persuasion and control of crowds, ideologies underlying populisms and authoritarianisms, and philosophies of bare life and biopolitics. It seems an appropriate moment to rethink the crowd and its history, when asylum seeking and global migrations, d/evolving democracies, virtual-digital crowds, and crowd-based political movements around the world are calling for our attention. We will also draw on the literary as a productive archive for this critique. As we proceed, we will build a theory of the performativity of the crowd.

Readings and films include selections from Marx, Charles Baudelaire, Gustave Le Bon, Virginia Woolf, Raymond Williams, Stuart Hall, Paul Gilroy, T.S. Eliot, James Joyce, Fritz Lang, Sean O’Casey, Ernesto Laclau, Judith Butler, Jacques Ranciére, others.

ENGL 490 Seminar for English Majors

“Yes, I have read James Joyce’s Ulysses.” Let’s just admit this seminar is for a lifetime’s worth of bragging rights, but also because I know you will discover what fun it is to read and understand Joyce’s great book. It’s daunting, clever, about everything and nothing, completely frank, silly, shocking, obscene, intellectual, and really, really funny. Do you care about other people and enjoy their variety? Do you wonder about the universe? Do you like to try to make some sense out of a chaotic and often tragic world? Do you enjoy wordplay, puzzles, and games? Then Ulysses is for you! This is the book you’ll never forget reading… but it’s nice to have a guide along with you the first time you read it.

Term 2:

ENGL 100 Reading and Writing about Literature

This course reads fantasy and speculative fiction to explore the many ways in which writers imagine how societies and cultures might be… otherwise. Fantastic and speculative worlds are some of the richest forms of experimental thought, problem solving and storytelling in which we engage. How do writers make these worlds persuasive? What kinds of connections do they expect us to make between their storyworlds and the actual world? What influences differences among the ways they take up similar themes? We will discover multiple answers to these questions. Along the way, we will also learn general principles about narrative and fiction as they are theorized in English, and how writing works at an analytical level, by discussing matters such as plot, figuration, character, point of view, and setting. Writers include Le Guin, Bradbury, Orwell, Angela Carter, Vonnegut, Ishiguro, Karen Tei Yamashita.

 ENGL 365 (Online) Modernist Literature

Some descriptions of modernism are bloodless abstractions about formal experimentation, academic disruption, and modernist reaction against a too-rigid bourgeois morality. This course concentrates on the wildly passionate commitment of moderns to changing the world, to finding new sensations and affects, to overcoming historical evils and biases, to appreciating with sincere admiration other arts, other peoples, cultures and languages, and other places.

Topics include Decadence, the New Woman, Expressionism, Dada, Manifesto Modernism, New Objectivity, Impressionism, the Surreal and Psychoanalytic, Gesamtkunstwerk and Encyclopedism, Minimalism, Montage, Technological Moderns, Graphic Modernisms. Writers include Stein, H.D., Loy, Conrad, Woolf, Joyce, Pound, Eliot, O’Casey, Beckett, Barnes, Stevens, Larsen, Rhys, others.

2023-2024

ENGL 365-99A.  Modernist Literature. syllabus 365 1W2023

ENGL 490. Literature Majors Seminar. “Modern Political Fictions and Democracy” Syllabus ENGL 490 1W2023

ENGL 100-012. Reading and Writing about Language and Literatures. “Books and Friendship”

ENGL 200-011. Principles of Literary Studies. “Creation, Destruction, Reflection, Rebuilding”

2022-2023

Term 1: Study Leave

Term 2: English 300 Introduction to Critical Theory Syllabus ENGL 300 2W2022

ENGL 539 Studies in the Twentieth Century: Exilic Modernisms Syllabus-ENGL-539-2W2022

2021-2022

Term 1: Study Leave

Term 2: ENGL 211-001 Seminar for English Honours: Introduction to Literary and Critical Theory ENGL 211 syllabus 2W2021

ENGL 365-99C Modernist Literature Syllabus 365 99C 2W2022

2020-2021

ENGL 365-001 Modernist Literature: Modernist Movements  syllabus 365 001 1W2020 

ENGL 539 Studies in the Twentieth Century: Modernism and the Minor  syllabus 539B 002 1W2020

ENGL 211-001 Seminar for English Honours: Introduction to Literary and Critical Theory syllabus ENGL 211 001 2W2020 Paltin

ENGL 377-001 World Literature and Social Movements: Democracy in the Writerly Imagination syllabus 377 2W2020

2019-2020

ENGL 110 Approaches to Literature: Speculative Societies and Possible Worlds: syllabus 110 1W2019

ENGL 224 World Literature in English: Near and Far: syllabus 224 1W2019

ENGL 365 Modernist Literature: Modernist Movements: syllabus 365 001 2W2019

ENGL 491C Senior Honours Seminar Lit: Books and Friendship: syllabus 491H 003 2W2019

2018-2019

ENGL 100:  Fantasy, Satire, and Play: Syllabus 100-005 1W2018

ENGL 365: Aesthetic Modernism: ENGL 365 1W2018 syllabus

ENGL 224: World Literature in English: Near and Far: Syllabus 224-005 2W2018

ENGL 539: Studies in the Twentieth Century: Figuring Modernism (Graduate-level seminar): ENGL 539A-001 2W2018 syllabus 

2017-2018

ENGL 561-921 – Topics in Science and Technology – Assemblage and Other Fluid Materialisms (graduate-level seminar): ENGL561A1S2017Syllabus.docx

ENGL 100-001 Reading and Writing about Literature: Books and Friendship: Syllabus 100-001

ENGL 224-002 World Literature in English: World-Breaking Literature: Syllabus 224-002

ENGL 464A-001 Twentieth-Century Studies: Modernism and the Political Novel: Syllabus 464 1W2017

2016-2017

ENGL 464. Women’s Writing and Media: From Fordism to Cyber-culture: 464 syllabus

ENGL 100. MakerSpaces: Literature and Transformation: 100 Syllabus

ENGL 491. New Masses: Modernism and the Crowd: ENGL 491 Syllabus

ENGL 221-011. English Literature from the Eighteenth Century to the Present: ENGL 221 Syllabus

2015-2016

ENGL 221 (English Literature from the Eighteenth Century to the Present) — Paltin_Syllabus_221 2015W1

ENGL 464 (Twentieth-Century Studies): “Acting Out in Groups”: Subculture, Narrative, Style — Syllabus-final

ENGL 539: Modernism, Mass Bodies and Crowd Politics (Graduate-level seminar) — ENGL 539 W15-16 Syllabus

2014-2015

ENGL 221 (English Literature from the Eighteenth Century to the Present)

ENGL 462 (Twentieth-Century British and Irish Studies): The Postcolonial Metropole (W15) — Paltin_Syllabus_462 W15

ENGL 466 (Studies in a Twentieth-Century Genre): Society of the Spectacle and Modernist Shorter Fiction (W15) — Paltin_Syllabus_466 W15

 

 

 

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