Assignment 11 – Visual Thinking – Jenn Richards

I started this assignment by collaging photos of fences throughout my neighbourhood, drawing overtop of the site photos to identify similar and unique characteristics including materiality, location, alignment, lighting, and proximity to vegetation.

I then started to group the objects. Almost all of the fences had primarily vertical alignment of the pickets, while the three that had lighting on them all had horizontal pickets. One unique feature that I thought was interesting was the variation in height.

Starting from the variation in height, I started to question: Why are all the pickets either in the horizontal and vertical dimension? From there I started experimentation with angled posts serving as pickets.

 

Assignment 9 – Smell Notes – Jenn Richards

AT THE AIRPORT

For assignment 9, I decided to take smell notes in the Vancouver Airport. I arrived around dinnertime and was looking for food. I was almost hypnotized by the smell of the candy store. I’ve always had a sweet tooth and so I really love the smell of sweet things. When I think of candy, I think of bright colours, and sugar sprinkles.

I managed to abstain from the candy, however, and decided to go for pizza. Pizza is probably my favourite comfort food, so I found it really enjoyable. When I think of pizza and red wine, I think of whole, savoury smells in shades of red, orange, brown, and green.

 

Both of the food smells were somewhat intense.  One of the other smells I would describe is “new book smell” or “magazine smell” which has a waxy, papery smell. To communicate this (and not to have it confused with “old book smell”), I tried to use bright colours and sprinkles to communicate “newness”.

The airport is a bit of a strangely designed place in that you are enticed to shop yet it’s also been designed for you to get across the building quickly. Typically you are there only when you have a plane to catch (and thus can’t linger too long). The collage below tries to convey this experience.

Assignment 6 – Tactile Body Space – Jenn Richards

IN CLASS

For the in-class exercise, I was enjoying sitting in the sun and noticing how one side of my body was much warmer than the other. I also noticed the flow of people walking by. I tried to depict the bench materiality.

In the following sketches, I looked at the material of the benches, and how the form of the bench on the opposite side allowed people to conversate more easily. Inside, I listened to the nearby sounds and counted my steps between spots.

AT HOME

For this exercise at home, I decided to try out my new ipad and learn how to use Morpholio. Pictured is a floorplan of my kitchen. I tried to depict materiality in the floorplan through the drawing, but also included photos of materials in my home. I hand-wrote the notes because I felt it was more condusive to understanding how the different materials made me feel.

Assignment 5 – Using our Hands – Jenn Richards

AT HOME

I tried to do this assignment with two different objects. The first one (the miniature camera), I realized that the item was smooth, but had an arm that bends up and down and also rotates. I tried to show the smaller dots at the back of the camera, realizing it was otherwise mostly smooth anf flat one one side. I tried to see how sticky it was and determined it wouldn’t slide. If I were to describe the feeling of this object, it would be smooth.

I realized after drawing the first object that I absolutely needed to keep my pen on the paper in order to make a better blind folded drawing. When drawing it without the blindfold  I was more focused on drawing the form than on any of the tactile elements.

 

The second item – called the “Angry Mama Microwave Cleaner” – was more challenging for me to draw because I really had no idea what it was. I noticed a lot of small details in the item but had trouble understanding their purpose.  I were to describe this object in one word, it would be “silly”

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Assignment 3- Mapping – Jenn Richards

IN CLASS AND AT HOME

Following the class site visit to Beatty Biodiversity Museum, I decided to use it as the study site for Assignment 3. I started off by drawing the location of the catacombs in relation to main mall and the ramp.

This museum is not very busy – this is maybe due to the lack of visibility from Main Mall. The entrance itself is ot well marked and kind of hard to see.

I decided to draw some of the main attractions contained within the museum and the flow that people may take to walk through the space.

I also wanted to show the relationship between the green roofs and water flow within the space:

Finally, after reading about the museum online, I realized that they had intentionally let their green roof get overgrown in order to attract pollinators! I decided to show how polinations may use the roof space.

 

To try something new, I decided to make this into an animation. Unfortunately, there is no more storage space for the GIF on this blog so I decided to put it on youtube:

Had I done the drawings with an animation in mind, I may have approached the assignment a bit differently.

 

Assignment 2- Adding Dimension – Jenn Richards

IN CLASS

In class, I experimented with using rotating cubes in space.

AT HOME

Once home, I started drawing basic cubes and pyramids using charcoal for the shading.

I chose to show how the light was shading and reflecting through my green plastic water bottle:

For the fifth and sixth part of this assignment, I chose to walk to a small, unpaved pathway that leads to the bottom of a very steep hill. One of the residents constructed a small brick and stone garden in this space. To convery the grade and basic drawing location, I decided to draw a section to show where I sat within it, using the basic shapes from before to convery texture.

The following are the timed drawings from my viewpoint in perspective view.

Jenn Richards | Assignment 08

In Class

For the first part of the in-class exercise, I had tried to conceptualize what the sound bites would look like visually. My concept drawings are trying to depict what I imagine the object to look like: either birds in a tree canopy, the sound of the windsheild wipers or wheels while driving, and the sound of water going down the drain.

Pictured are linework studies while listening to Daniel play the piano. I was playing with line form, including thickness, curl shape, “lows” and “highs”, and medium while reading left to right.

I kept imagining the physical layout of sheet music and decided to use that as a guide in forder to convey timing. I decided to play with a bit of colour and dotting to convey the tone of the song, as once the lines started to become too covoluted, dark, or smudged, they appeared too ominous. I wanted it to look almost like a language at first glance.

Takehome: Part 1

For the take-home assignment, I went for a walk in the rain to a nearby stream. Pictured above are my first attempts at trying to visualize the sounds. Upon reflection, I realized that excessive dottiness and waves wouldn’t work on their own. Watercolour was the obvious choice to convey the moisture and I used circular pencil shading with waves to convery the sound.

I tried closing my eyes and listening to the sounds both with and without an umbrella. Without an umbrella, the sounds of the rain on my raincoat made me a little uncomfortable – I didn’t want to stand in place. I could hear the water falling all around me and the cool drops on my coat. With the umbrella, the sound of the water droplets was magnified – but I also found that I was willing to stand in place for longer.

When I closed my eyes, I could imagine the stream, and running water, and thought about water rushing and bubbling. I thought about the water droplets falling on the leaves of the trees. The stream is located just alongside a residential roadway and so every so often I would hear the sound of cars passing by.

Pictured above is a section – collage using some of my conceptual drawings, showing the vehicle traffic, a nearby tree, and the stream downhill.

Takehome: Part 2

For the last part of the assignment, I started by looking at wind interventions, and was drawn to Aeoliean Harps. These harps use fine string with an echo chamber located adjacent to create harmonic sounds from the wind. I thought about the size of the strings and chambers – I wanted their sizes to vary to allow for a range of cound. I considered their arrangement: In order for the sound to carry, the strings should be within ~15 degrees perpendicular to the ground. As I was imagining this object to exist in Vancouver, I also wanted to incorporate the rain. I started thinking about ways that these harps could be used with rain, so that the sound could carry through or be modified bu the sounds of raindrops

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My first inclination for structure was to have some sort of half-open pergola with small harps along various rotate axis’ – however, I realized this would limit the arrangement of the string and maybe impede the instrument. Looking back at Luke Jerram’s Wind Pavilion, I realized that the circularity of the form allowed for the wind to blow in many different directions. I was unhappy with my first attempts at making a circular pergola, but I thought about using curvature to create some other form of shaded structure.

My final drawings show some possibilities for landscape interventions that use wind to create a soundscape. The top one has the tubes of the harps located rougly perpedicular to the ground. This form would be the more minial of the two, but offer limited protection (or enhancement by) the rain. The bottom structure would have a series of harps running along the curvature of the pergola. The intention here is that the sound of the rain would enhance the sound of the wind while also providing shelter. Both of these would ideally be made with stainless steel and steel or nylon string.

 

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