A11: Seeing-Visual-Thinking-Idea | Pierre Tulk

For this assignment, I have decided to explore the rocky typologies of Marpole, from pebbles to boulders. I photographed different interesting rock specimens and drawn a few variations as well. The final collage shows their place within a continuum that goes from decorative (rocks as pure ornament) to feature/interactive (rocks as a functional item).

 

 

In-class exercise: summary drawing

For this in-class exercise I wanted to summarize this class by showing the reflection process it instills for each assignment. Individual multisensorial exploration is a great way to begin a site investigation, which leads to narrative, which then leads to intervention.

 

A9: Smell Notes | Pierre Tulk

For this assignment, I ventured into a small alley in-between two condo complexes, close to 63rd avenue and Yukon Street. Because the alley was linear and well delimitated, it would give me a clear ‘sample space’ to record the smells I encountered.

Doing so was not easy, however. Olfactive science is complex, and one single, isolated smell may be the result of a myriad aromatic compounds. Plus, it was pretty cold outside that day: differentiating smells was not easy. In any case, I divided the broad smells I encountered into 3 categories, represented in the perspective and plan below.:

  • In BLUE is what I identified to be the “core” ambient smell: the cold, crisp and fresh air and wet concrete. It was very faint, but omnipresent.
  • In GREEN are the vegetal, green smells present in the enclosed alley: wet humus and soil, organic matter, freshly cut grass (maintenance workers had passed not long ago), decaying leaves, etc. That smell was varying in intensity (as shown in the plan) and was more dominant when the space was enclosed by the house blocks.
  • In YELLOW is the strong industrial, chemical smell that was present at either end of the alley: the maintenance workers were packing their equipment and there was a dominant smell of diesel and gasoline there.

 

A8: Tuning In & Windplay | Pierre Tulk

 For this assignment, I visited a newer residential project in Marpole, where I sat down, tried to document the sounds that I was hearing, and tried to categorize them into broad categories (represented in the graph below).  I realized a few limitations to my approach as I was compiling the results:

  • Because sounds are modular and vary in strength depending on the recorder’s position, they are not easy to represent statically, as in the graph I’ve made. I’m sure there exists better methods of doing so to represent and graph these sounds than the ones I did with the graph and 2 point-perspective.
  • Sounds are not easy to categorize (Urban VS natural? Aggressive VS peaceful? Etc.). Again, there must be an approved and relevant method of classification somewhere, but I did not check it up.
  • Noting and scaling the sounds accurately proves difficult and overwhelming for a single person. Here, apps or certain computer programs may prove useful.

  

For the wind sculpture, I generated a few images using Midjourney V4 in order and a basic prompt: “A simple urban sculpture that transforms wind into music.” Below are the resulting images, and my own alteration:

      

 

Assignment 10: Taste rave & design a drinking object | Pierre Tulk

Below is a series of flavor profiles I have sketches for various foods found at the Granville Island Market.

For the drinking object, my approach was to conduct a short literature review on glass shape and size and alcohol consumption before designing a vessel. Because I wanted the olfactive experience of drinking to pertain, I have added a curved spout which directs the smell directly in the user’s nose.

A7: Movement | Pierre Tulk

For this assignment, I have mapped the different possible movements in this generic playground near my home. I have drawn the park in plan and 2 points perspective, added the possible body interactions on top, and added the main measurements I had compiled during my time there.

  

A6: Tactile Body Space | Pierre Tulk

For this assignment, I have mapped my own bedroom, taking the time to note its different sensorial elements using the matrix proposed in Daniel Roehr’s book. The construction in 2PP allowed me to better understand the scale and the shape language of the space.

 

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