Tag Archives: ephemeral

Teaching Practicum Week 7

My teaching philosophy has a lot to do with the observation that many of the students in my classes are not necessarily there to learn a subject that they take seriously – they do not see art as being a serious subject of study to help them in their future careers. So I see my role as an educator as being a catalyst for showing students that the general learning process is fulfilling and intriguing. In this way, I hope to show that art is in every other subject they learn, and that every other subject they learn is related to art.

During this practicum, I haven’t really had a chance to work in an interdisciplinary manner, however, I imagine that the more students can see that all subjects are connected, the more likely they are to recognize each subject is important to their learning as a whole. My personal inquiry has led me to focus on bringing art and outdoor education in particular together (bringing my classes outside as much as possible). Teaching media art has allowed me to bring art and technology together. In the future, one step at a time, I would hope to bring as many other different disciplines together as possible as well.

This week I will be taking two of my visual arts classes down to the library to utilize that particular resource. Although it is place that the students and myself are familiar with, each time I bring students into a new environment during class time, all the regular class dynamics seem to change. I have a general idea as to what I want them to gain and learn from the visit, however, I also would like to anticipate what some of the challenges of that setting might include – not that there should be anything particularly challenging about visiting the library. It’s just that I always seem to overlook small details when it comes to going outside the classroom with my students.

As always, I’m focused on engaging the students and getting them to think critically by considering and planning questions for the class ahead of time.

The following are some examples of ‘land art’ or ‘natural figure drawings’ my students made out on a nearby hiking trail. I thought the projects turned out pretty well for only having a short period of time for them to work on these! It goes to show that working with conventional materials is not always necessary when creating fine art.

I hoped that this month could be named ‘the days of lesson planning’. No such luck. I’ve been hit with a storm of essay work, and nightly short assignments. When I can finally calm my mind to sit down, continue on with the process of accumulating artists, creating narratives for sequences of lessons that will guide students through steady paths of materials, techniques, and inspiration, I find that there’s always something else to do — another pot or pan to clean, another wind storm drawing me outside to go check on the boat at anchor…

Edible Building: Students will create the tallest, sturdiest, yummiest tower they can out of edible materials.

Edible Building: Students will create the tallest, sturdiest, yummiest tower they can out of edible materials.

In any case, I have one unit plan ready. Here’s a quick over-view. It’s only part one because I created approximately 18 lessons in total under the theme ‘Ephemerality’, however I think it’s fair enough to start with the first 8, not make the thing too massive:

Title: Ephemerality: Part One

Themes: Ephemeral art-making, being able to ‘let go’, 2D and 3D, indoor and outdoor work, documenting work.

Rationale: Through various art mediums, including charcoal, conté, edible materials, sand, and biodegradable found objects, students will learn how to create work that they are willing to surrender to the passage of time, destruction by natural and/or artificial means. By introducing students to the concept of ephemerality through gestural drawing, they will develop a basis for creating technically proficient work that is also swift, and loose. Each class will also incorporate one group activity and one visual cultural lesson in order to build students’ understanding of their art-making in a historical context, as well as build a sense of community and social understanding.

Learning Objectives (by the end of the unit students will be able to):

  • Create high quality work swiftly and thoughtfully by developing both their technical and conceptual skills.
  • Surrender their work to deconstruction by natural or artificial means.
  • Document their work effectively so that the original creations are not completely lost. Recording the work may be important to them for portfolio purposes.

Prescribed Learning Outcomes: (Drawing and Painting, Sculpture 8 – 10 within the Visual Arts IRP)

  • mark-making materials for drawing (e.g., charcoal, conté, graphite)
  • surfaces (e.g., cardboard, wood, found objects)
  • single medium, mixed media
  • mark-making tools (e.g., brushes, pens, stylus)
  • manipulating tools (e.g., erasers, stumps, sponges, palette knives)
  • surfaces and supports (e.g., palettes, easels, boards)
  • drawing techniques (e.g., gesture, blind contour, continuous line)
  • surfaces (e.g., cardboard, wood, found objects)
  • single medium, mixed media
  • Documentation of development process: (e.g., portfolio of process drawings to accompany a finished work, using sketchbook to plan design process)
  • Visual Culture:
  • artists, artworks and movements
  • terminology, vocabulary and contexts
  • considerations for venue, audience, and purpose unique to drawing and painting (e.g., subjects appropriate to particular contexts)

Lesson List:

  • Lesson 1: Gestural Drawing and Paleolithic Paintings
  • Lesson 2: Gestural Drawing and Building Confidence
  • Lesson 3: Gestural Drawing and Animators
  • Lesson 4: City-building with Edible Materials
  • Lesson 5: Designing a Sand Mandala
  • Lesson 6: Making a Sand Mandala
  • Lesson 7: Collecting Natural Materials
  • Lesson 8: Building with Natural Materials
Students will build with natural, found materials to create ephemeral structures.

Students will build with natural, found materials to create ephemeral structures.