Monthly Archives: February 2014

Teaching Practicum Week 3

Starting teaching in the visual arts room this week allowed me to reflect on my art education philosophy as a whole. I planned my visual arts lessons to begin chronologically with gestural drawing, because not only is that kind of drawing a warmup on the micro scale, but also an artistic exercise in the macro sense too. Over the span of one period, I saw students drawings become more free and relaxed-looking, and it is my hope that by bringing this activity back into the classroom at regular intervals, it can help students feel more relaxed and confident about creating images in general.

One barrier that can arise in the task of teaching art is students quite simply choosing not to participate. For teachers of elective courses, the theme of trying not to push students too much as to drive them away from the non-compulsory course is a reoccurring subject. However, part of my teaching philosophy is the conviction that challenging projects inspire more creativity than the undemanding kinds. To me, this means that student attitude (the desire to do their best), participation, and energy put into the work is what matters most. The visual outcomes are not necessarily key. It is my intention to shift the focus away from prettiness or perfection of a final product, and move that focus towards process. In this way, there can still be the rigorous challenge of working on art pieces without feeling anxiety about the end results.

The projects I have planned for my visual arts classes are mainly themed as being ephemeral. That is my initial step towards implementing my art education philosophy. The next step, enacting classroom management that reflects those goals as well is a little trickier. I’m still not clear if more stringent regulations concerning classroom environment help or hinder the building of intrinsic student motivation or desire to do their best. By this I mean, there are many basic classroom management aspects that I will be working on improving, like clarity and completeness of instructions and assertiveness of statements, however I’m still not clear which kinds of students are likely to produce more work, more often – those who are obliged to put away their cellphones, or those who I warn by simply stating that they are making their own choice by wasting time?

An ephemeral edible work.

An ephemeral edible work.

My personal goal for this upcoming week is to have a firmer grasp on classroom management aspects that I believe will help students complete projects more effectively. I would like to be more assertive about project instructions, due dates, students who are off-task during class time, and bathroom breaks. I would like to implement a new rule in my classroom that students must sign out on the whiteboard whenever they leave the classroom. I would also like to make it clear that in upcoming projects (particularly in Media Arts) I will not be extending due dates. When I see students misusing technology (using devices for matters not relevant to work) I will use this as an occasion to remind them that due dates are firm and their own personal achievement/grades are at stake.

On Friday, I had the pleasure of attending a workshop for professional development day. This workshop consisted of practical group activities that allowed me to consider how I might react in various classroom scenarios. The focus was on indigenous groups, however, the role-playing in various scenarios could have applied to any number of bullying situations as well. 

Teaching Practicum Week 2

Questioning students in order to initiate discussion around various themes and subjects was more challenging than I originally thought, but by the end of this week, I was able to generate student engagement with pre-determined questions. During each class, I showed news, movie and television clips that related to filming and editing interviews. I wrote down lists of questions that began as simple (can you describe to me what the person said in this clip?) and then moved towards being more abstract (what is your opinion on the subject of this clip?). I knew that it was working because students were actually beginning to speak when I asked questions. I felt pleased that I could begin to create more rapport with the students in this way.

I was also happy that my attempt at learning student names more effectively worked. I took attendance throughout the entire period, meeting with students individually rather than calling names at the beginning of class. I immediately started remembering names and faces more easily. I also had a chance to discuss work and answer questions when seeing them individually.

On the subject of establishing different classroom routines than what students are used to, I managed to implement the ‘computer monitors off’ directive on several occasions. Students did not seem too perturbed by this, and I think it helped in maintaining quietness. It did seem peculiar, however, that they stared towards the empty screens rather than looked at me when I was teaching.

My personal goal for this upcoming week includes being more tough about project completion and student use of classroom work time.

On Friday afternoon, I was supposed to view completed interview projects with the class. I was very disappointed to find that only one group was ready to present their work, despite being under the impression that many more would be ready from last class. Many of the students who were not ready had spent prior periods wasting time playing video games or watching silly videos, and claimed to me that they would be able to edit things together quickly ‘later’ or at home. It was not a surprise, yet it was still disheartening to find out that they had not in fact quickly edited things together ‘later’. Most groups, even though I had seen them filming, had no edited clips to show at all.

Knowing very well that I had given ample time to complete the project, I nonetheless allowed students to work on editing for one more period. On this particular occasion, I circulated actively around the classroom, conveying to students assertively that they must finish their work.

I think it will be a challenge to apply just the right amount of strictness and pressure concerning upcoming projects and their completion.

Meanwhile, outside of the classroom, my partner shows me how to max out weight machines.

Meanwhile, outside of the classroom, my partner shows me how to max out weight machines.

Interview Project

My first project during my long practicum has been going pretty well. Here’s the assignment description I gave to students:

In groups, film each other being interviewed. Answers should only be about 30 seconds long.

We will discuss as a class what some techniques for creating an interesting interview might be. Make sure to implement some of these techniques in your filming (dynamic camera angles, formal and informal styles, etc).

Film each question in a different outdoor location. For example, the group will find filming location #1 and take turns filming each member answering question #1. They will then find filming location #2, and film everyone answering question #2, and so on.

Here are the interview questions. Each student in the group should answer all four questions:

What is your best idea for an invention that the world needs today?

What good deed have you done that you are most proud of?

What is your most important long-term goal?

What is the most interesting fact you know?

Teaching Practicum Week 1

This first week was filled with an endless assortment of surprises, fiascos, setbacks, and shockers. My focus before having taught any classes was to create lesson plans with substance in them, and to deliver that raw information effectively. I see now that there is actually an intermediary between those two tasks that dominates the end results entirely; that is, my presence as a teacher in and outside of the classroom.

So far, I have worked with two Media Arts classes. The lesson objectives for both involved motivating students to produce filmed interviews of each other, working in groups. For the most part, the purpose of projects in Media Arts class is to encourage students to practice their filmmaking skills by using camera equipment and editing software. I don’t really have to worry about chronological sequencing of projects, as students have already been introduced to equipment and software, so this project made sense as an introductory activity in the way that I could learn some interesting facts about them.

Right away, I knew it would be a struggle to implement theoretical instruction in this very hands-on class. Initially, my emphasis was on lively content that students could relate to, and I still think that is the way to go – although I realize now that conveyance of content is everything. Particularly, I’ve come to recognize that questioning students is the best, but also the most challenging way to communicate ideas. I have to continue working on posing questions throughout lessons that provoke student interest and discussion. So often with peers at UBC, discussions can be initiated by vague statements or imprecise queries. I learned this week that this is not so with secondary students; they require a succession of simple, explicit questions that can perhaps build into more complicated, abstract concepts. So far, my questioning elicits very little reaction and discussion from students, and it requires a lot of work.

Another difficulty associated with the Media Arts class in particular is students having access to the computers while I am instructing. Normally, they are not required to have monitors off while the teacher is instructing, but I am finding that students are distracted greatly by the presence of the computers while I’m trying to teach. I am starting to realize how my own teaching style may have to diverge from some of the established norms of the Media Arts room. In the upcoming week I would like to implement some new routines during class such as having students power-off the monitors before I instruct, and more strict regulation regarding when they can take out the film equipment (for example, they can only start filming once the group has downloaded all previous footage on the camera onto the computer).

On a positive note, I feel that I have gained a lot of technical knowledge in just this one week. The cameras, the computer software, the projector set-up, and all the related wiring were enormously intimidating before I started teaching, but now they are starting to make sense, and I can set things up quickly.

My goals in the upcoming week include strengthening my questioning capabilities by writing down larger lists of questions in my lesson plans. I would like to ‘toughen up’ my relationship with students in both Media Arts classes by establishing my own classroom routines, how they differ from the procedures they are used to, and why they are important. Finally, I would also like to attempt a new method for learning names. I would like to take attendance throughout the period by speaking to each student individually before the end of class. This method should allow me to connect with students more personally, learn their names more effectively, and aid in the assessment process as well, which relies heavily on personal reflection and student-teacher discussion.

Where the film making magic happens.

Where the film making magic happens.

How would you say it?

How would you describe the term ‘assessment as learning’? How about ‘assessment for learning”, or ‘assessment of learning’? These are the kinds of terms that a teacher should be aware of when thinking about the evaluation of student work. The project of filming my personal response to those questions turned out to be a lot of fun! Take a look:

[youtube https://www.youtube.com/watch?v=uhRxvMAeSKk&w=560&h=315]