Weekly Book Blog

Cercas’ Soldiers of Salamis…

This week we were tasked with reading the Soldier of Salamis; I don’t mean to sound harsh, but I just did not enjoy this book. It is a book that disinterested me, was too long, and was kind of confusing at times. I hate to be like this, and will try my best to write from the perspective of a book-disliker (mainly because that makes for a bleak review, and I believe there is something good in all novels); anyways, here we go. Something that I found to be interesting was the fact that Cercas used his own name as the main characters’ name as well; it added a layer of reality to the story, making it feel as if it was actually completely true. Although I did say I did not like the novel, something that I did particularly enjoy was the very strong connection this novel has to the theme of memory, specifically how memory can be revived, retold, and turned into something revitalizing and new. I found that Cercas spent most of his time trying to revive the memory of Sanchez Mazas, and even Figueras’ father. The second part of the book was interesting, and also supportive of the up keeping of Sanchez Mazas’ memory, because it recalls his life and perspective of what actually happened during the event that Cercas is so desperately trying to write about accurately in his novel. 

Something that I found to be a bit difficult, but became more clear once I watched Jon’s lecture, was what exactly Falangism was; if anything, prior to understanding, I thought it had to do with the bones in my hand (get it? Because of phalanges… anyways.). Poor jokes aside, I saw the term pop up often here and there, and gaining that sort of understanding of context was really helpful to grasp the importance and significance of what exactly happened in the forest, and what references were made to rehabilitating falangist poets and writers in the early pages of part one. If it is true that falangism is similar to fascism, I was constantly thinking about why exactly did the militiaman save Sanchez Mazas? That may sound strange, or insensitive of me, but it was just a thought that constantly ran through my head as I read the novel. 

Anyways, moving onto another theme that I found in the novel, which I sort of enjoyed, but found a little annoying; the constant repetition. Its almost as if the whole novel is founded on the idea of going back to this one minor event in the Spanish Civil War, specifically to what happened with Sanchez Mazas. Like I said before, part one and three are dedicated to Cercas’ novel, and part two is Sanchez Mazas’ perspective, which is basically all repetition of what happened. Repetition is pretty constant throughout Bolano’s Amulet (which is kind of ironic given Bolano’s presence within this weeks novel), the Old Gringo, and even the Shrouded Woman; these are all books that I read prior to this one. Repetition is one of the themes in this course that I love and dislike (hate is too strong a word in this context lol); it can be really engaging, but I didn’t really find it lived up to that meaning within this book. It felt very stretched out, and unnecessary. I understand that the information and drawing out of the book may be necessary to generate thoughtful discussion of the truth or falsity of the story. But I found it was a bit difficult to find such interest. Watching Jon’s lecture while reading the book helped to spark some more interest, but at the end of the day, I found myself sort of trudging through this novel. This week’s question that I pose is sort of basic, but something I would like to hear from others; what did you enjoy about the book (if you did)? What sparked interest and drew you into the aspects of the novel? As I said before, I found interest in some parts of the novel, but overall I wouldn’t say that I enjoyed it; this novel just isn’t for me.. and thats okay! I guarantee there is a positive audience for this novel. After all, it was chosen for this course for a reason!

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Weekly Book Blog

The Old Gringo Review

For this weeks book, I read The Old Gringo, by Carlos Fuentes. To be honest with you, I found this book to be a little bit confusing, but for a few different reasons. 

At the beginning of my reading, I found the old gringo’s motivation to be a bit strange; he has come to Mexico to die? Once I got more into the reading, I found myself affirming that Bierce (the old gringo) has very little to live for. It’s even exemplified on page 45 of my copy, in which the main character says, “To the earth and sky alike, to the vegetation of the desert, to whatever took form in sense or consciousness, this incarnate suffering addressed that silent plea: ‘I have come to die. Give me the coup de grace’ “ (Fuentes, 45). I did not know what a ‘coup de grace’ was until looking it up, but it actually refers to the final blow given to a wounded person or animal in order to kill them. Even the main character acknowledges that this is the final thing he wants to finish his life off. That really speaks to the characters life, Bierce seems relatively well thought out in his actions and decisions, and it’s interesting that Arroyo finds that within Bierce too. The Old Gringo’s reasoning as to why he’s come to die is gone into depth later in the novel, but I found it really telling, and a bit of a sad reveal into Bierce’s life.
Now, to discuss Harriet Winslow, who is another interesting character in this novel. Originally when I was introduced to her, I found her to be sort of naive; she spent her time thinking that the Miranda’s would come back to their burning hacienda (the Miranda’s being her employers). There was also a line in the novel in which Winslow said that coming to Mexico was her ‘duty’, and that sort of made me think about what her motivation was; why did she choose Mexico, to teach the children who were going to be a ‘challenge’ for her? I know we receive quite a decent amount of her backstory (with her beau Mr. Delaney, the death of her father), but I want to know exactly why this American girl made this decision. It sort of reminds me of Bierce’s motivation; Bierce comes to die, to fight in the Mexican revolution. Harriet comes to Mexico as a new thrill (or ‘cheap thrill’ as a line in the book puts it); could that also be a motivator for Bierce? 

Another aspect I found to be a little confusing was the relationships between Harriet and Bierce, and Harriet and Arroyo. I did not know if Harriet and Bierce’s relationship was one of a father and daughter, or a romantic one. Furthermore, I found that Harriet and Arroyo’s relationship was very confusing, because I did not know if she felt affection, anger, hatred (or a mixture of all) towards him. After some thinking, I wonder if the bit of confusion I was feeling about these relationships was intentional, and Fuentes knew how he was setting these connections up. 

Something that I found when I was doing a bit of research on the book was that Fuentes wrote this book over about 20 years; I don’t know if it is just the effects of a good book and author, but there were some lines that I found were very wise and seemed to be the reflection of someone with life experience. One that particularly stood out to me was spoken by the old gringo, in which he says: “the only way you escape corruption is to die young.” I know that’s spoken by an older character in the novel, but it feels so enriched with Fuentes’ life experience. A question I would like to leave you is this: Do you think that The Old Gringo would be able to exist as a novel if Bierce’s motivations were different? To further elaborate upon this question, do you think that it would be possible for this novel to exist if Bierce did not want to die? 

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