A10_Taste Rave_Bruce

In class exercise: analyzing feta cheese with taste and smell
Experimenting with a holiday favourite: How does the experience differ when my eyes are closed vs open?

A11 – Remi Landry Yuan

Cylindrical Column with groves and accents. (Column Type A)
Wooden rectangular column, no pattern (Column Type B)
Stone rectangular column, comparable to brick and mortar (Column type C)
The merge in typologies of columns, utilizing varying materials and sizes from the original typology to fit to the home materials.
Fusion column A and B
Fusion of column type B and C

A3 \ Mapping \ Jonathan Behnke

I visited the Beaty Biodiversity Museum at UBC. I took field notes of the above ground courtyard, observing people moving the moveable tables and chairs to keep them in the sun on a cool fall day.

I decided to map the museum basement and record my emotional response to the various exhibits.

In Class Work \ Mapping Clouds

LARC582R Synthesis | Doug Craig

A visualization of the different senses we explored throughout this course (starting from top-left): SIGHT, HEARING, TASTE, SMELL, TEMPERATURE, TOUCH, and MOVEMENT.
A layered composite of the different senses, to reflect ANALYSIS, which is a main point of this class. I realized that the image above is how each one of us navigates and understands the world, in our own little sensory bubbles. It occurred to me throughout this course that in order to “SEE WITH ALL THE SENSES” requires a person to be fully present in the moment.

A5 \ Using Our Hands \ Jonathan Behnke

I drew a wine stopper having only felt it with my hands, both while blindfolded and while looking at the page as I drew. I then observed it’s temperature, textures, weight distribution, and the overall emotion it evokes in me.

In Class Work \ Blind Walk Around Apartment

A6 \ Tactile Body Space \ Jonathan Behnke

I explored the impact of weather on other materials (snow on running track). I also explored the idea of place and weather as materials and analyzed their impact on my feelings, emotions, and memories.

Field Notes

In class work

A7 \ Movement \ Jonathan Behnke

I observed cyclists and pedestrians traveling up the 100 Street Funicular and stairs to commute to downtown Edmonton. I also examined my own movement up and down the stairs at various speeds, both running and walking.

In Class Work \ Indoor Stairs and Handrail

A8 \ Tuning in and Windplay \ Jonathan Behnke

I played with Juhani Pallasmaa’s concept of using the ear to “carve a volume into the void of darkness” by visiting the Quarry Garden at Queen Elizabeth Park at dusk.

I created an object for wind to play with out of materials from my recycling bin. In an absence of natural wind strong enough to make noise, gusts were artificially created in a controlled indoor environment by waving a bath towel. A slow-motion video (10% speed) can be viewed below. The audio is played back in normal time (100% speed).

In Class Work \ Backyard Sounds

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