Assignment 5 – Using our Hands | Livia Newman

Blindfolded Feeling & Drawing

Initial tactile reactions

  • Item with exterior and interior (interior is easy to feel through exterior
  • Crinkly exterior
  • Smooth plastic feeling
  • Flap in middle that I can put my finger under
  • Very light weight
  • Room temperature
  • Interior is squishy, top is Moree squishy then the bottom
  • Slightly smaller then my hand

Blindfolded Feeling & Un-blindfolded Drawing

Object Reveal

Assignment 4 – Above, At, and Below Ground | Anna Finn

In Class exercise: Beaty Biodiversity Museum

Beaty Biodiversity Museum and Courtyard – First Floor plan

This overall plan of the museum and courtyard shows movement patterns of people (blue lines) and air movement through the courtyard.

East elevation of the Beaty Biodiversity Museum courtyard showing sun direction
Beaty Biodiversity Museum – Axonometric view

Using the cube method to draw and describe the museum gives a better understanding of the space, and allows sight into the blow-ground level of the museum which is hidden to pedestrians.

At-home exercise: redesigning views

Beaty Biodiversity Museum – Section showing whale skeleton

While analyzing the environment outside the museum and in the courtyard, I had no idea that there was a whole museum space underground. I also didn’t see the hanging whale skeleton until almost right up to the glass. Walking into the museum was an interesting phenomenon as there is so much more to the building than what is above ground, which I assume is placed so that the artifacts don’t degrade in UV light from the sun. However, I can see why the museum might not get many passerby visitors as there is no visual cue that there is anything of this size going on underground.

Design proposal – placing the whale skeleton in a way that looks like it is diving down underground to the museum.

Here I’ve proposed a repositioning of the hale skeleton, start well above ground and be ‘diving’ down into the museum. This way it is more visible from pedestrians and those lounging in the courtyard.  This will hopefully give the idea that there is more going on underground than what is first seen, and attract people into the space.

Samantha Miller – A5 – Using Our Hands

Assignment 5:

    

In Class:

 

Reflection:

I found this to be a fascinating and freeing exercise. Once you release the pressure to succeed at a blind drawing and you realize it is impossible to get it perfectly accurate, you start to really focus on form and feeling instead of accuracy. It became even more apparent once I tried to draw the object without the blindfold. It was harder to focus on simple forms and textures when I tried harder to make them look accurate. With the blindfold, it didn’t matter if the shapes I felt were in the right spot, but more that the gestures I made with the pen felt proportionate to the scale in my hand and to other shapes I had just drawn. This exercise reminded me that loose drawings that emphasize basic forms, gestures, movement, and weight are often just as effective as realistic drawings in conveying an object.

A5: Using Our Hands – Luke Allard

In Class 

At Home

My partner selected this item for me to draw blindfolded. It was a great selection because it is not our item and was in storage in our rental apartment, so I was not aware of what it was (I still am not sure… weird sculpture someone left behind). Additionally, it is about 18″ tall so a little larger than what we worked with in class, making for an interesting exercise.

Assignment 3 – Mapping | Livia Newman

In Class Work

Image 1: Sketching above ground Beaty Biodiversity Museum

Image 2: Sketching below ground Beaty Biodiversity Museum

Image 3: Sketching below ground Beaty Biodiversity Museum, movement through collections 

Out of Class Work

Image 4: Movement of people, cars and bikes over a period of 15 min

 

Assignment 5 – Using our Hands | Anna Finn

Blindfold drawing. I could tell the object was a rubber duck from the shape and feel of the smooth rubber.
Blindfold drawing. There were some “accessories” that weren’t on a typical rubber ducky that I had a hard time identifying. The hat also had an interesting tactile pattern that I tried to identify and draw.
Drawing without blindfold. This was much easier to draw for many reasons. firstly I could see where my pen was on the page. Secondly it was easier to draw the object in perspective as I was looking at it with my eyes versus just feeling it. I don’t think I would have picked up on the hat pattern if I didn’t have to draw the object while blindfolded.

 

Drawing without blindfold

Object – rubber ducky gardener

At-home exercise

Blindfolded drawing. Tactile notes: soft and smooth overall. rougher and hard parts / leather stitching. The inside had some soft and warm wool. Leather was also squeaky.Overall it is an intricate and complex object but feels comfortable when wearing.
Blindfolded drawing. I used a soft pencil to try to convey the softness of the leather, while pen was used for outline and hardness of stitching.
Drawing without blindfold. Without the blindfold I could pick out all the intricate stitching and where the glove folded. Still a complex object to draw even without the blindfold

Object – baseball glove

Assignment 3 – Mapping | Anna Finn

In-class exercise

UBC Nest massing – first attempt
UBC Nest massing and movement
UBC Nest – massing section
UBC Nest – massing using cube method

At-home exercise

Mapping my partner’s movements as he was putting away dishes in the kitchen. Red lines represent hand movement to upper cabinets while blue represents hand movements to lower cabinets. I realized after that maybe the vertical movement would have been better studied through a section or elevation view.
Mapping my partner’s movements as he makes breakfast, 15 mins. Dotted blue lines represent slower, bigger movements. Red lines represent small + quick hand movements. I noted that he mainly used the corner counter space for prep area and only used one burner. This exercise was partly  an attempt to justify our need for an island.

 

A5: Using Our Hands | Christopher Reid

In-class

Blindfolded: perspective and ‘elevation’ drawings of a mystery object.
Blindfolded: ‘plan’ drawing done by tracing around object with free hand while mirroring movement and feel with pen hand. Scribbles at bottom are of irregularities inside the smooth, cupped inner side.
With blindfold off: mystery object was a shell, drawn above in perspective and elevation. Photos of shell below.

At home

Blindfolded: various drawings of a mystery object.
With blindfold off: mystery object was a small ‘aux’ audio cable. Drawings are meant to replicate drawings done while blindfolded for comparison.

Extra

Idea for a smartphone with a display that can be ‘seen’ by the visually-impaired. Instead of squares of light and colour, pixels are rounded ‘pins’ that move up and down, allowing for the texture of the screen to change and display topographic ‘images’–or text in braille–that could be felt by running one’s fingers across it. Maximally-spaced cameras on the back can capture and combine multiple images into a 3-dimensional image that can then be displayed on the topography of the screen. One could take a photo of a landscape, or receive a photo from a loved one, and ‘see’ it by feeling it on the display. Such a display could augment existing audio and voice commands to provide a more complete smartphone experience for those with visual impairments.
Inspiration: Pin art board shows the potential of a variable-texture touch-based display.

 

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