Cover vedio short essay by Jiahe Zhen

In the experience of making this cover video, I get a chance to understand K-pop music videos from the perspectives of idols and producers.

  Lil touch, the music video we imitated, is a song from girls’ generation’s latest album. The content of the mv is quite attractive, with skilled singing and dancing, delicate styling and affluent scene changes. It is not an easy job to take so many things into consideration as non-professionals. I learned how fast the movements in the dance are and how exhausting it is to rehearsal again and again. This also suggests that idols must have spent lots of time practicing singing and dancing before finally they are able to give perfect performance to audiences. When we start to brainstorm everything, I realized that how difficult it can be for producers to come up with creative and remarkable scenarios to compete in such a flourishing industry. I can also imagine that for real producers, they have even more aspects to preconceive before actions, such as artists’ availability, property, recording facilities, assistants and even budget. This is a complex but usually overlooked process. Thanks to the significant contributions made by these behind-the-scene staff, K-pop can develop at tremendous speed and acquire so many fandoms worldwide.

Although limited by resources, we try our best to use a lot of scenes in campus to match the ones appears in the original mv. And I can see the strong willingness and great efforts by group members to do a good job saluting to this iconic girls’ group. Making this cover video is an interesting and impressive experience as we managed to complete our music video with so limited equipments and understood K-pop practitioners’ work better.

Cover video short essay

Wenhui

After filming the cover video ’Lil’ touch’, being proud of my group is my major thought. Most of us have no performance experience, but each of us tried our best. And also, through the filming process, I have learned more about how group idols MV highlight uniqueness from the dancer perspective.

I have noticed the filming technique was very important when dealing with this problem. SNSD is a idol group, thus if the MV was all about group dance, it would lack of personal uniqueness. Some fans who only love one of the group member would be disappointed by cannot see their idol’s face clearly. Thus, the director used personal scenes interspersed through the group dance in order to increase the uniqueness. These personal scenes provided us a lot of fun during our film process——watch our group members did such fascinating actions which I have never seen in front of camera. But after watching edited video, I found it was very important to make audience impressed by each member. Another possible solution to deal with the personal uniqueness in the MV might be the dance position. In total of 4 dance scenes, each scene has different member standing at the centre position. I have noticed in order to do so. it created a harmony and uniformity in the video beside uniqueness.

I appreciated this experience, it gave me the insight of how idols produce MV and also a great memory with my group members. I have also learnt that producing MV and gave thought to all perspectives was never a easy thing.

Cover Video Reflection

Tong

As a nine-year SONE (fan of Girl’s Generation), I have only watched and admired the aesthetics and remarkable performance in the girl group’s music videos over the years. However, this project offered me an opportunity to simulate the production process of KPOP music videos. I decided to maximize my participation in different roles to gain holistic experience. Being a photographer, a dancer, and the only editor of this cover video provides me unique insight of KPOP video production and elevated my respect and admiration for producers because our experience was only a simplistic simulation.

After choosing “Lil’ Touch”, their latest video, our member Shuwei Zhou has spent several days figuring out the choreography. We spent days learning it and shot our cover dancing and lip-syncing at Rose Garden, the Nest, and Life Building. From the filming process, I have acquired skills in setting angles and capturing the motion of dancers, as well as creating adequate video composition to maximize visual attractiveness. Since I also danced, memorizing moves and blocking was challenging for a physically disoriented person like me, not to mention displaying appropriate expressions when dancing, but the choreography was my glimpse into how girl groups display physical attractiveness through body movements. Editing was the most insightful for me because I learned basics of Adobe Premiere Pro without previous knowledge. I adopted skills in accurately chunking and matching video clips to sync dancing with music and organizing raw footage onto a smooth, aesthetically pleasing timeline. Without blending in variety of shots, plain dancing would be less attractive. As an editor I realized the importance of kaleidoscopic transitions in KPOP videos, and I appreciate such extensive hard work behind each production. I am grateful to participate in this meaningful project with helpful and motivated teammates.

Aijing

In this video, my group and I made the dancing cover of Girl’s Generation’s new song <Lil’Touch>. This MV uses the hide and seeks as a theme to create a tense atmosphere, and the sophisticated and toxic music and power group dances make us transform into the goddess of power and show mysterious charm.

The process of covering made me realize the hard work of Korean female idols. Every member of our group tried our best to contribute and make a much more perfect video. We have not regarded it as an assignment. On the contrary, we treated it as a piece of art that we have made by ourselves. Because I don’t have the talent to dance, it is very difficult for me to learn the complicated and varied dance steps in the MV. Fortunately, my team members taught me very patiently so that we have finally finished it after practicing together for only two entire days. Through the shooting, I found that every member in Girl’s Generation is very outstanding and powerful. In addition, I found that the division of labor of Girl’s Generation is clear. For example, Taeyeon is responsible for the lead singer, Hyoyeon is responsible for the lead dancer while Yoona is responsible for grasping the eyes of the audience at first sight, which makes this group very attractive and versatile. From my perspective, the average ability and clear division of labor are the primary reasons for Girl’s Generation to be so successful. Secondly, I think the expression management of members in Girl’s Generation is perfect. When the lens gives the members a close-up, each member can sing and dance while making a fascinating expression and movement towards the camera. The process of covering helps me experience the excellence and care of K-pop MV production. K-pop and Korean idols are indeed worthy of fans’ love and pursuit.

Short Essay Stephen Zhu

I must give my warmest  applause to all the group mates who has participated in the preparation and the production of this video. I really have to say everyone in our group has really done an outstanding job to create such an amazing video. Without being physically participated in the process of making the video, we can never understand how difficult it is to produce a high-quality music videos, not to mention we were just producing a cover video. For this cover video assignment, I mainly worked as the camera man and the assistant for our director Tong Lin. Due to the fact that I was too busy during the time of the video shoot so I will be taking more responsibility in the production of the second video.

When we were planing the video, we figured that the video editing will be a time-consuming task so we started the production process pretty early. Tong Lin and I had tried to closely analysis the original music video frame by frame to gain a basic understand of all the elements in the video. I think the most difficult part is to learn and imitate the camera angle in every scene of the original music, since the camera angle follows the beats of the music and the performance, so we had to rapidly zoom-in and out and move around following the music. Moreover, the lack of professional equipments adds an additional level of difficulties, cause the original music video was filmed by more then 2 to 3 cameras simultaneously in multiple different angles. With only 1 camera, we had to have the girls dance the same move again and again so we can capture the group dances from different angle.

Although there were a lot of difficulties in  producing the video, but the overall process is still fun and aspirational. As someone who had never participated in filming music videos prior to this course, I have to say it really allows me to understand how much effort that the pros put in to create those amazing videos.

 

Ping

By covering the video, I was inspired by the staff behind K-pop idols such as choreographers, stylists and directors. I saw they had put lots of efforts, offered great ideas that are cool and creative. It shows me behind a K-pop group or artist success, there needs a group of people that are working together in order to achieve it. On the other side, while I prepared for the cover video shoot, I realized that the idols themselves had practiced a lot in order to create a great music video, they need to have good facial expression, body language and dance moves in each scene. It also takes time to get comfort with the camera and know which angle you look the best. However, although the moves look complicated, when you practice and get used to it, it is not that complex, and I found out K-pop music had use repeat moves to reinforce the audiences’ impression. For example, they would repeat the lyrics to make you remember it.

While covering the dance, for the choreography, each of us had our dancing position, we all followed one of the member in the girl’s generation group and change our formation during the dance. I noticed the outfit and hairstyle had changed a lot in the video to keep the audience with the feeling of freshness. Further, having each member in the group having distinct hair color; hairstyle and clothes shows a particular image and personality. I can see that how K-pop is influencing fans’ perception of fashion and taste of music styles. Fans are likely to dress more like their idols as they consider it trendy, and study Korean in order to understand more about their favorite group or artist.

Cover Video Short Essay

-shuwei

Girls Generation has come out for ten years, so they have many music videos and stages, which contains different styles of K-pop. We chose the newest music video named ‘lil’ touch’ to do our cover video because the number of the group member in the video matches the number of our member who can show up in the cover.

Every member of our group takes a different part of the video, and we did what we good at to contribute. Every each of us has our own strengths and we help with each other’s weakness. For example, I have learned the dance before and taught them every part of it, and Tong is responsible for videoing. I also learned that cooperation is very important from the process of covering because each of us did the preparation and be familiar with the lyric before we meet and take the video. In addition, as a group doing dance together, we need to look out for each other in order to make the right formation. I also notice that every member of Girls Generation has four different outfits, hairstyles, and accessories in the video. When they change the scene, they change their outfits, and different scenes change quickly. That is one of the key features of K-pop music video, which is a delicate music video. Furthermore, I also find that one or two dancing movement in ‘lil’ touch’ is impressive and easy for everyone to imitate. When I watch the MV at the first time, I can remember that dancing movement. I learn that almost every dance in K-pop MV has one or two impressive movements and then this MV can be spread boarder and quicker.

4B: How is the K-pop industry’s concept of liveness, as shaped by live broadcasting models and live voting practices (discussed by Kim Suk-young in chapter 2) a commentary on its expectations for both domestic and global fan behavior?

‘Liveness’, as one of the most symbolic characteristic of K-pop, has derived a lot of successful broadcasting programs like SBS’ Music Bank and MBC’s Music Core. Accompanied by the rising of multiple new media platforms, K-pop fans no longer stick to traditional music chart shows and voting operations. Varieties of novel programs and interactions are launched by entertainment program producers to enlarge the influence of K-pop domestically and globally. Also, fans are also expected to be more supportive to contribute towards idols’ successful careers.

The aspect of ‘liveness’ portrayed by the live performances is what excites the fans. However, although announced to be ‘live’, many K-pop programs achieves neither ‘live broadcasting’ nor ‘live voting’ (Kim 2018,70)In the production process, the performance or interactions between idols and fans are supposed to be happened spontaneously. However, the truth is that all the scenes are coordinated and rehearsed well before recording. In order to make sure songs and songs are linked closely and avoid any possible accidents, only performances from famous groups with sufficient stage experience are live while the others are pre-recorded. Fans who are able to show off great love and enthusiasm are invited and instructed before interacting with idols to realize maximization of program effect. To achieve spectacular visual performance for non-live audiences, K-pop artists usually rehearse repeatedly before final recoding and sometimes lip-sync singing is used when they need to dance at the same time. Similarly, in the voting session, it is also not surprised to see pre-existing scores weigh heavier than live voting scores. The former usually depends on music sales, click volume and viewers’ committee voting score. For example, in Music Core, voting from live audiences only counts for 15 percent of total (Kim 2018,71).  In this circumstance, fans are expected to support financially by purchasing album, instantly clicking on mv on video websites like YouTube as well as posting more topics or tags on social media to call upon popularity and supports for their idols.

As Korean government started taking a keen interest at the rate at which live performances were registering a rise in the global dimensions. They stood to gain from the possible increase in sales of the music from their k-pop stars. This gives global fans who are far from live shows great chances to get in touch with their idols and acquire the feeling of liveness. The ASC from Arirang Tv is a good example how K-pop broadcasting attract global fans with multi-language content, proper broadcast time and varieties of interactions via international social media (Kim 2018,76) .

As one of the most attractive aspect in K-pop performance, liveness has been significantly enhanced by new broadcasting forms and advanced media technologies. However, these also requires fans to keep pace with the developments and support their idols in both traditional and emerging ways.

Bibliography:

  • Kim, Suk-Young. K-pop Live: Fans, Idols, and Multimedia Performance. Stanford, California: Stanford University Press, 2018.

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