Tag Archives: media

Module 2 – Post #1 – Right in Front of Me

It is true that when searching for ideas and resources, it is sometimes easy to overlook the things that are right in front of you. The Ryerson Image Centre is directly beside my office, and every day I walk past a large, glass enclosed area of the building that houses a rotating display of images from current exhibits. I realized recently that, as I rushed to grab coffee each day, some of the images that were catching my eye brought to mind many of the themes of ETEC521. Sure enough, I soon discovered that one of the exhibits that is currently running at the Centre is Ghost Dance, a show which includes 99 journalistic photographs, capturing elements of aboriginal life and activism in North America.

While the images themselves are beautiful and intriguing, something that I found equally interesting about this exhibit is the blog associated with it. The blog is designed to serve as a forum for visitors to share any memories or associations they might have with the people, events or locations captured in the photos. Unfortunately, so far, no comments have been posted to the blog to provide deeper insights into these images.

I hope to return to the exhibit and to the blog again over the next few weeks. While the curator of the exhibit has chosen an engaging selection of images, how much more engaging and informative might the show be if the true stories behind the images, or even parts of these stories, were to be shared by those involved?

Module #2-5: Stereotypes of Indigenous Peoples

Since the discussion topic was about stereotypes, I researched Indigenous peoples and stereotypes a little further. I found some amusing stereotypes, but many negative one too that were not funny at all. I assume (or hope) that non-Indigenous people would not entirely believe them, but the negative stereotypes are deep-rooted and may affect how Indigenous people are viewed in some respects.

Native Appropriations is a forum that discusses representations of Native peoples, including stereotypes and cultural appropriation. In a recent post they discussed racist Halloween costumes. I totally understand that wearing Indian costumes can be perceived as racist but racism may not be always the reason for choosing Indian costumes; sometimes people dress for something they love and respect, so one cannot over generalize. If children want to choose a costume simply because s/he likes it, how should adults react?

Creative Spirits, the website that introduces contemporary Aboriginal culture in Australia, discusses many stereotypes and prejudices about ‘Aboriginal Australia’. At the same time, they introduce ‘good’ stereotypes as well as typical ones; for example, the Tourism Australia website uses the common stereotype of ‘Australia = friendly Aboriginal people’ to promote the tourism in Australia. It is important for students to learn about the negative aspects of Aboriginal history, but at the same time, teachers should focus on Indigenous peoples’ strength and beliefs to reveal their positive aspects. It may not be the best solution for rooting out negative stereotypes, but perhaps positive stereotypes can help overcome negative ones.

Module #2-4: Network in Indigenous Communities

One of the difficulties that Indigenous peoples may face is networking. Even though the Internet is developed and people can easily connect with one other, it does not mean all people know how to network with other communities. Actually it can be quite hard to connect with people; I knew there should be a Japanese community in Quebec City when I first moved here, but it took me several months to meet the first Japanese person!

The Circle on Philanthropy and Aboriginal Peoples in Canada is an open network to promote giving, sharing, and philanthropy in Indigenous communities across Canada. They connect with and support the empowerment of Indigenous communities and individuals in building a stronger, healthier future. They strive to strengthen the Indigenous right to self-determination as one of their goals through  workshops, meetings, newsletters, and so on.

In 2006, an Indigenous entrepreneur started NationTalk as a newswire and listing service that aggregated information relevant to the Indigenous communities in Canada. Their services rapidly grew across Canada and now it is the great way to reach out to the Indigenous communities, with more than 15,000 daily newsletter subscribers and over 2 million page impressions a year through its website. NationTalk allows the creation of websites with local information on jobs, with advertisements, and news for communities as small as a village.

Networking can help Indigenous people strengthen their relationships with others, with numerous benefits for all concerned. It can also be a good source of new perspectives and ideas, expand opportunities for business or valuable knowledge, open doors to the exchange of valuable suggestions, and provide guidance.

Module #2-3: Films and Documentaries

Recently I have seen a few documentaries about Indigenous peoples both on TV and in the theater. One is called Kind Hearted Woman, about a native woman in North Dakota who struggles with poverty, career, drug and alcohol abuse, and her own identity. It was very powerful and I had so many questions such as “what prevents her from leaving the community?” or “why is it so hard for her to overcome her problems?” because of my ignorance about Indigenous peoples and, probably, my stereotypes about them. Then I watched Nanook of the North last week and now I curiously started searching for more Indigenous films.

First Nations Films was created in 1998 and distributes award-winning educational documentary films for, by and about Indigenous peoples in Canada. Many movies are listed in their catalogue with trailers. Movies feature various topics, such as native women, suicide in the community, Indigenous peoples’ historical relationship with the Provincial and Canadian governments in settling the land question in Canada, etc. National Film Board of Canada features many Indigenous documentaries and animations on its website as well. The best feature of this website is that we can watch many full-length feature films about Aboriginal Peoples.

Coincidentally, imagineNATIVE, Toronto’s 14th annual showcase of the latest work by indigenous filmmakers and artists, will be held October 16th through 20th. Every fall imagineNATIVE presents a selection of distinctive Indigenous works from around the world in conjunction with a variety of cultural & social events. Because we are apt to have incorrect impressions or stereotypes about Indigenous peoples, it is helpful for us to see films and documentaries on them to dispel stereotypical notions about them. Through diverse media presentations we can arrive at a greater understanding of Indigenous peoples and cultures.

Module #2 – Post #3: Creativity, Connectivity and Culture in the Digital Realm

The Gulf Islands Film and Television School (GIFTS) has garnered a reputation for delivering excellent film production education, especially for youth, since its inception in 1995. Through intensive courses that often run weeks at a time, students are taught the necessary skills for developing and producing film projects surrounded by the natural beauty of the Gulf Islands in British Columbia.

In researching for this blog, I came across an article in the Georgia Straight from 2009 highlighting a new program aimed directly at aspiring First Nations filmmakers from across BC. Through a special grant, the school was able to invite students from nine First Nations across the province, and equip them with cameras and computers that they were able to take with them upon returning to their communities. The program also placed an emphasis on training students on how to use the internet and social media to promote their work and connect with other First Nations artists across the country.

What I found unique and refreshing about the program was that it placed an emphasis on creating content by First Nations for First Nations. The instructors were primarily of aboriginal descent, and the school hoped that in years to come that current students would return to serve as mentors to new students going through the program. The students also came together to create a kind of artist collective called REZolutions Media, which served to advance their online presence and build a community of aboriginal media artists from a variety of backgrounds.

The article is a few years old, however, upon checking the GIFTS website, it appears as if the program is still being offered. Unfortunately, it’s not entirely clear of REZolutions Media continues to function, or whether it has any connection with Rezolution Pictures, a mostly First Nations-run production company, whose films, documentaries and TV series focus on contemporary First Nations issues (the trailer for Mohawk Girls is certainly worth a look).

Module 2 – Post 5 – 21st Century Challenges

Once of the most critical aspects of cultural preservation is the need to preserve the memories, language, philosophy, and artistic heritage of a people. Wilma Mankiller is a leading exponent of the importance of overcoming these challenges in the 21st century to ensure that Indigenous culture does not disappear from the world in the face of aggressive Western media and social conformity. Underlining this speech is the idea that Indigenous peoples need to assert their rights to both land, culture, and political sovereignty.

http://vimeo.com/25331850

Module 2 – Post 4 – Aboriginal Portrayal in Media

The docudrama Nanook of the North shows clearly the stereotype of the simple, noble savage that has been popularized in western culture. That film was shot in 1922, but have societies changed their view much since then? Of course we would like to think so, but is that true? In a study of the portrayal of Aboriginal peoples in film and television, the media literacy charity Media Smarts conducted a study of this subject to see how much depictions have changed over the years. The most common problems uncovered can be best classified as mis-representation. They usually are: Romanticization, Historical Inaccuracies, Stereotyping by Omission, and Simplistic Characterizations. These flaws in the depictions of Indigenous peoples have the affect of skewing the portrayal of these groups in an manner which does not dispel myths and stereotypes but may actually increase them by providing confusing and improperly researched information to audiences. This article is very good at identifying the most significant issues on this subject.

http://mediasmarts.ca/diversity-media/aboriginal-people/common-portrayals-aboriginal-people

Module 2, Post #1: Canada’s Centre for Digital and Media Literacy

Looking to extend what we learned from this week’s readings, I stumbled upon the website for Canada’s Centre for Digital and Media Literacy. I was surprised, but encouraged to see that the Centre provides a wealth of insight about the following topics:

  • The common portrayals of indigenous people in media
  • Indigenous people in the news
  • The development of indigenous broadcasting in Canada
  • The impact of stereotyping on young people
  • Indigenous expression in the art and media
  • The importance of media education

The website walks its readers through a historical development of the indigenous identity, as portrayed through mainstream media and examines the impact of media’s portrayal. It also offers teaching resources for parents and teachers, including detailed lesson plans on topics such as “Bias in the News” or “Who’s Telling My Story.” I found this to be a very useful resource that will support my research paper, aimed at teaching teachers how to effectively educate their students about indigenous cultures in the world.

I would recommend that everyone view this site. It was both informative and practical: http://mediasmarts.ca/diversity-media/aboriginal-people/common-portrayals-aboriginal-people

Module 1 Post 4: Breaking Down Stereotypes

Examining modernized natives who describe the difficultly in relating to traditional and mainstream cultures, and trying to break down stereotypes of how they are portrayed in the media.  One of the researchers in the below video describes:  “It’s interesting how the media exploits native american culture and customs such as pow wows not realizing such events are religious and sacred… that its the only thing that’s relevant to outsiders when we learn that there’s so much more that their culture presents.”

The following video examines the effect of stereotypes on Native American students at a Los Angeles highschool produced in collaboration between USC students and students at Central High.

https://www.youtube.com/watch?v=7OvzvZ0YfJs

In relation to the theme of breaking down stereotypes, I found several videos of stories shared by natives who overcame odds and reached immense success, and they speak out about what they did to overcome.

Jordin Tootoo (NHL Player for the Detroit Redwings)  – shares his personal story of empowerment to a group of Aboriginal highschool grads, overcoming addictions, and suicide. Sponsored by Aboriginal Education Program School District #23. https://www.youtube.com/watch?v=76tEAoVUiXM&list=PL6CCCD79AB796922B

Adam Beach (Canadian Actor) – shares his story rising to success coming out of a life of gangs, drugs, fights, and prison. https://www.youtube.com/watch?v=9oA4aYPlBVA

Paul Okalik (former Premier of Nunavut) – speaks out about his struggles that many of his fellow Inuit natives face. http://queensjournal.ca/story/2005-10-06/features/territory-torn-between-two-worlds/?flavour=mobile

These stories gives us a glimpse of pressing problems in their communities that are plagued by high rates of suicide, unemployment, and significant educational challenges. These leaders give hope and serve as role models for many youth in their communities.

 

Module #1-2: The Ainu in Japan

When I was a student in Japan, there was little taught about the Indigenous peoples of Japan in any school. I believe that the situation has not changed much, unfortunately. Since I still don’t know much about them, I began researching to obtain basic knowledge about one of the two Indigenous peoples, the Ainu. The Ainu live mainly in Hokkaido, a northern region of Japan, and in part of Russia. There are about 25,000 Ainu living in Japan according to official population estimates (the unofficial number is upwards of 200,000 people).

In the mid-to-late 19th century Japanese settlers took over the indigenous land. The Ainu were forced to assimilate under pressure from various laws and the Japanese government banned their cultural traditions. The government’s assimilation policy resulted in many Ainu being ignorant of their own culture and history. For that reason the Ainu language is now considered endangered. The Ainu people also hope their living and educational standards can be upgraded. According to the Ainu Association of Hokkaido, 38.3 percent of the Ainu in Hokkaido are on welfare, compared with the local average of 24.6 percent. Moreover, only 17.4 percent of the Ainu receive a college education while 38.5 percent of the locals do.

Surprisingly, the Japanese government did not recognize the ethnic Ainu as Japan’s indigenous people until 2008; it must have been a major challenge for a country long proud of being ethnically homogeneous.

Probably because of this recognition, the description of the Ainu has significantly increased in the textbooks used for primary schools in 2010. Needless to say it was a big step forward since school education about them is important to raising awareness of the Ainu among the population at large. However, teacher knowledge is essential to teaching the contents of the textbook properly and the improvement of teacher training is crucial.

In 2010, the documentary film TOKYO Ainu was released. I believe there were few documentaries featuring the Ainu made before this one. This film features the Ainu living in Tokyo and its surrounding areas actively promoting their traditional culture. The promotional footage is available here on YouTube. For more information about the Ainu, the Ainu Museum website is also a useful resource for learning about Ainu history and culture.