Categories
gaming Media Project II multiliteracies Visual Literacy

Performance Poetry

“You will write if you will write without thinking of the result in terms of a result, but think of the writing in terms of discovery, which is to say that creation must take place between the pen and the paper, not before in a thought or afterwards in a recasting…It will come if it is there and if you will let it come.” Gertrude Stein

My second multimedia project for this course focuses on the process of poetic composition. I used Quicktime to screen capture my creative process as I wrote. When I showed this performance to my class they suggested that the poem might do well to be scored. I instantly thought of Mozetich’s “Postcards From the Sky” (look it up). So, as for my piece–watch it and consider having your ELA classroom experiment with their own performance poems. Don’t worry about a “rubric”. This is a process, remember? It’s all about feedback. Have a conversation about it. Have 3.

My performance can be seen here.

Incidentally, here is the process of an 8 year old in action writing about Minecraft and then drawing a picture inspired by her poem:

photo 1

photo 2

photo 3

Categories
computer-mediated communication e-literature Lesson Plans multiliteracies Presentation Seminar Prompts Social Media Visual Literacy Weblog Activities

An Education for Instability

In his article “A Curriculum for the Future”, Gunther Kress writes that a radical shift in thinking and curriculum in ELA classrooms is due to occur in response to the different needs of the contemporary adult in 21st century society. He states that the world has changed so much that the 19th century model of education is just not applicable anymore. Kress calls for a shift in curriculum from an education for stability to one for instability:

“Associated with this are the new media of communication and, in particular, a shift (parallelling all those already discussed) from the era of mass communication to the era of individuated communication, a shift from unidirectional communication, from a powerful source at the centre to the mass, to multidirectional communication from many directions/locations, a shift from the ‘passive audience’ (however ideological that notion had always been) to the interactive audience. All these have direct and profound consequences on the plausible and the necessary forms of education for now and for the near future.” (138)

The notion of a multi-directional communication and a shift to an interactive audience is what stands out for me in Kress’ assertion. As such, I have designed an activity for use in an ELA classroom that allows students to be creators and participators in such a communication. Using a variety of online tools, students are able to work collaboratively to create a co-authored product. The product can be inspired by whatever you are currently studying in your class—it could have a thematic or topical connection to a literary text, or it could simply be a pre-writing exercise begun with a prompt. The only stipulation is that the activity be carried out in silence thus disturbing the notion of passivity and activity, telecommunication and proximity, and the product of the individual vs. that of the group. So far in this class we have explored the following topics:

• modes of representation in ELA classroom/21st century literacy
• visual literacy and rhetoric
• media literacy
• social media and the notion of participation
• new literary forms/e-literature
• computer mediated communication
• gaming

I also designed this activity to address pieces of all of the things we have discussed thus far in regards to these topics.

Activity:
In a group setting, students will work in silence to participate in a back channel conversation while they co-author a textual document with a particular purpose. This purpose may be nebulous or fixed. The backchannel application I use is Today’s Meet and the document will be created in Google docs. Each student will be invited to share the document and simultaneous editing will be possible. Google docs also has a “chat” capability which may or may not be used. I will begin the class by explaining the task and the “rules” as well as work with the students to determine the loose direction of the task. Once we have a sort of trajectory, we will begin and allow the interaction to take us where we will. The backchannel and the doc will be projected on the screen for all to witness (though it occurs to me that maybe just the backchannel might be appropriate). After the time is up, we will take the product (the created text) and render it in a text visualization tool. A teacher could then take this one step further and have the students create a found poem from the word cloud that serves as their reflection on the task.

After I execute this today, I will post the products as an exemplar.
-gunita.

Works Cited:

Kress, G. (2000). A curriculum for the future. Cambridge Journal of Education, 30(1), 133-145.

The Products:

wordle

Screen Shot 2014-07-16 at 3.45.43 PM

The Today’s Meet chat transcript was lost to the ether but, interestingly, the group chose to communicate via in-doc Google chat instead.

Categories
computer-mediated communication Uncategorized

Interesting Read re: :)

Read it!

http://www.newrepublic.com/article/118562/emoticons-effect-way-we-communicate-linguists-study-effects

Instagram Poetry – gunita

The write up for my multimedia project: gunita 368 MM1

And you can see my poem here.

Categories
adaptations

This Is Just To Say

The Law of Conservation of Energy states that energy may not be created or destroyed, only changed in form. All creative endeavours are subject to the same Law. We do not create out of nothing but simply change or utilise mediums to produce an effect: a representation of the cognitive process which deigns us to place this next to that, chip away here or there, mix this with a cropped version of that, take this short story and rewrite it for the stage.

But why am I not satisfied with the thought only or the inner mind’s vision? Why do I seek to engage certain objects and often in ways they may have never imagined? Why does a particular scene hold a significance for me or lead me to think that to capture it would be an or the ultimate expression of my artistic thought? Why does a poem inspire me to manipulate its language for my own ends? And what makes me think that at any point what I am doing is creating? The piece (the work) is the material manifestation of the drive which leads me here—the passion which compels me to make art.

Some artists admit their predilection for collage or pastiche. We even have words like collage or pastiche to lend credibility to this sort of endeavour. But it is all as such. We are all simply changing that which was already there. Not some postmodern apathetic notion of the futility and unoriginality of existence in this time. It is a continuum upon which we sit. Ashes to ashes…paint to canvas. The matter remains the same only altered by the contortions we exact upon it. And despite its inclinations otherwise. To be an artist is to be despotic with ones tools. I make them do what I want them to do; I change them in form.

When I put paint to canvas it remains paint and canvas. I have simply exacted a juxtaposition neither the paint nor canvas had the will or means to exact. I do not create, therefore, I rearrange. Art may not be created or destroyed, only rearranged in form. This is how I make art.

Such is true with the adaptation. Indeed, this Law of Conservation of Art insists that adaptation is inevitable. There is no reason why one might argue beyond personal proclivity that the media of raw language or visual representation is any more valid than an already extant piece of writing. Indeed, art must evolve in order to exist and this evolution requires, along with the altering of raw materials, that certain works are co-opted and changed in form.

I have stated
the argument
that was in
my brain

and which
you may or may not
contradict
in a new post

Forgive me
it was inevitable
so sweet
and so cold

~ gunita.

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