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IM, txting, Chat, Twitter, etc., and the future of Language: The End of Civilization (:-)

My feeling is that these modalities have already changed reading and writing practices, and therefore will assume a place in the classroom eventually, whether one likes it or not.

In the Baron reading entitled “Instant Messaging and the Future of Language”, it is claimed that “the IM behavior of many younger teens is not generally reflected in the language patterns we find in contemporary college students” (Baron 30), yet I find many such ‘behaviors’ interpolated throughout much of the informal conversation amongst students on campus. But I don’t find this a problem – it is just another register to be learnt and deployed when appropriate. Baron goes on to say that “the most important effect of IM on language turns out to be not stylized vocabulary or grammar but the control seasoned users feel they have over their communication networks” (Baron 30). The control referred to here is simply multitasking i.e. students like to engage in multiple IM conversations while doing homework and listening to music etc. Multitasking is said by the New Media set to be a skill acquired only after practicing these new forms of reading and writing, yet although that might well be true, so what? The relevant question to me is whether or not there is a preponderance of studies that demonstrate that multitasking furthers academic language acquisition and sophisticated deployment of various academic registers in various modalities for a variety of ends. My concern is that the claim is just another pseudo-intellectual shibboleth the New Media gurus like to parade around in the hope that if it’s repeated often and loud enough the paying public will start believing it. If there are such studies, how authoritative are they and the academics that designed/conducted them? How independent from corporate influence were they?

In other words, how are we to know, really?

Moving on, Baron unwittingly reveals her unease with the potential influence that IM may have on normative language standards – despite her earlier claim that its influence is benign – when she claims that “IM is unlikely to play a significant role in altering writing standards—unless we as parents and educators let it” (Baron 31). In other words, IM is felt to be potentially harmful, and “unless society is willing to accept [teens] spelling their names six different ways or using commas, semicolons, and periods according to whim… parents and teachers must provide good models and, if necessary, even gentle sticks” so that “teens are also able to master more formal written language style” (Baron 31). The assumption is that teens are incapable of understanding the distinction, or incapable in general, and I suggest that this arises from a deeper anxiety around being displaced, of being inevitably rendered irrelevant. If boomers were in fact immortal and not just desperately frightened of death, I doubt there’d be this amount of fuss, a point which makes for a good segue-way to the next reading, which is playfully entitled “Txting: the end of civilization (again)?”

The txt quote below was submitted electronically by an unnamed 13 year old Scottish girl as her essay assignment regarding her summer holidays, and starts the kerfuffle that resulted in a string of shrill online articles about the putatively corrosive effect of kids’ txting on “standard” language:

“My smmr hols wr CWOT. B4, we used 2go2 NY 2C my bro, his GF & thr 3 :- kids FTF. ILNY, it’s a gr8 plc.”

The translation of this txt essay on offer in the reading is as follows:

“My summer holidays were (a) complete waste of time. Before, we used to go to New York to see my brother, his girlfriend and their three screaming kids face to face. I love New York. It’s a great place.”

The articles that resulted from this txt essay are said to have created “a discursive chain linking txting to youth to declining standards to poor academic achievement to social breakdown” (Carrington 163). Txting is said to be “represented as the abnormal intruder” (Carrington 167), and that youth are portrayed as “addicts” of txting (Carrington 167). The breathless hyperbole on display in the articles, the caricature of the girl as a nameless, faceless addict, are all evidence of the deeper anxieties I mentioned above. My generation learned to “shift between various types and forms of textual and other language use on a daily, even hourly basis in the course of our daily activities” (Carrington 167), despite the fact that we voraciously read comic books and pulp fiction, and despite the desperately dire warnings that these ‘low-brow’ literary forms would ‘rot our brains’.

In other words, it was ever thus.

Ostensibly, the anxiety is rational – if one is to do well on standardized exams, one must be able to deploy an unsullied “Standard English”, as if that “Standard” encapsulated all that one should ever aspire to be, for as long as the ideologies and biases etc. remain unexamined, perhaps we can continue to live within our capitalist utopia despite all the evidence to the contrary. The “examinations have become firmly established as a high stakes, highly particularized form of textual practice that are shrouded in an institutional aura of difficulty and secrecy” (Carrington 168) for a very simple reason: if the edifices upon which they are constructed were ‘examined’ themselves, the game would be up. Teachers who allow for linguistic evolution and those students who choose to deploy their new understandings in unsanctioned ways are in the articles constructed as Other – ie as threats: the articles “collude to guide the reader to a view of txting as a spoiled version of legitimate text and language use, used by individuals—always young— taking shortcuts and falling victim to a ‘fad’” (Carrington 169). Teachers horrifyingly just may, “wittingly or unwittingly, provide students with the skills to enact substantive social change” (Carrington 169).

So it makes perfect sense that the current hysteria around ‘eroding language standards’ as a result of new modes of text production is constructed unconsciously by the status quo as “a ‘moral’ decline (Carrington 171), rather than it just being okay for it to be about changes in the status quo. “Literacy is always a litmus paper for social change and the tensions this creates and the same increasingly holds true in relation to popular culture” (Carrington 171).

Problematically for me, Carrington herself seems rather too concerned with how to ensure that our students learn the multiliteracy skills they will need to participate “in economic and information flows” (Carrington 172), which for me sounds like code for making money. This is rather too vocational for my tastes, and really when you think about it, how is that end any different than the one our current masters are bent on enforcing?

Finally, I also think we have to be careful not to pretend that the unnamed 13 year old girl who was simply venting about her lousy summer vacation was doing anything other than venting. She was not CONSCIOUSLY revolutionizing classroom discourse. When Carrington claims that “her use of txting was, in fact, quite sophisticated and she was clearly experimenting with how far into other discursive spaces her mastery of txting could reach” (173), I had to roll my eyes. She was NOT “demonstrating literate skills, utilizing new technologies to carry out social functions,” nor was she carving “out a [new] identity within particular semiotic domains” (Carrington 173). There is no irony in the girl’s txt – it was simply that she was too lazy and pissed off to do anything else… but it was a good first step on the road to inventing an independent future for herself, where she could be conscious, and in ways hopefully that none of the current gatekeepers can predict.

Baron, N. (2005). Instant messaging and the future of language. Communications of the ACM, 48(7), 29-31.

Carrington, V. (2005). Txting: The end of civilization (again)? Cambridge Journal of Education, 35(2), 161-175.

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Visual Literacy Weblog Activities

We Teach Who We Are

So the link below will take you to an online storage site where you can download and watch a photo-essay/memoir that I originally did as my “auto-geography” for EPSE 308. It has a basic soundtrack and narration, and I fashioned it using Windows Movie Maker. It is kinda big (200 mgs) and it is an .wmv file so you will have to view it using Windows Media Player or some freeware player like the VLC media player. I am not entirely happy with the narration part as the sound levels are a bit wonky sometimes but all in all it turned out okay. This was the first time I have ever used the software so I’m cutting myself some slack. The rationale for doing this artifact ties in with the last creative piece I did using Prezi: I think it’s important if we want to teach video/film specifically and multiliteracy in general that we be as proficient as we can be with this sort of software. As well, putting together these projects is a good way for us to practice the craft of video editing ourselves ie visual grammar seems rather abstract until you are really doing it. Movie Maker makes crafting a video fairly easy, but it has enough bells and whistles that your students will be able to hone their skills without unduly taxing them.

NOTES:

– The title of the piece is a quote from Parker Palmer, a very progressive American educator (the person who first coined the phrase was another famous American educator, John Gardner).

– Also there is a section that references Robert Pirsig’s “Zen and the Art of Motorcycle Maintenance”, and much of what comes after is an extension of the basic metaphor at the heart of that book.

– You will be prompted for a password – it is watch:

VIDEO

PS: Comments would be appreciated, and will be reciprocated when you post your next artifact.

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Feedyourhead

‘Manager of State’

So I forgot in our presentation to come back to why I included this slide… it is a photoshopped image of King George VI when he was still Prince of Wales in his naval uniform. My buddy and I added the “Feedyourhead” title caption and of course the cowboy hat. At the time we were looking for a visual style for a storyboard we were developing as a way to pitch a satirical fantasy script we’d written. I included the image as iconographic evidence for the Bortolotti & Hutcheon article on adaptation’s point about how future cultural diversity will rely upon whether these potent digital technologies will be used to subvert fidelity discourses. These discourses are mistaken in their assumptions about what constitutes aesthetic values such as “authenticity”, “relevancy” and “legitimacy”, but before I read the article I was never able to really articulate this conceptual error for myself in quite this way, although I have long known intuitively as an artist that it was short-sighted.

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Uncategorized

“A Boy”

A poetic tribute to one of my favorite poets, Holderlin. I taught myself how to use Prezi while doing this and realized it would be fun/instructional to do it in class. Many of the techniques remind me of the basic visual rhetoric of film. Please forgive the rough transitions as I am still obviously far from mastering the medium.

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Introductions

Weblog entry in response to the Frey & Fischer article “Using Graphic Novels, Anime, and the Internet in an Urban High School.”

Art Spiegelman Comix 101

(Image uploaded from Flicker under creative commons license originally posted by Austin Kleon)

Writing prompt: “How is meaning made at the intersection of word and still image?”

Following Messaris, visual language (i.e., the still images in graphic novels) “obeys semantic conventions, but those conventions are rarely, if ever, entirely arbitrary, and the syntactic rules of visual language (i.e., the conventions of editing or montage) are so fluid and open to change that at times it can appear as if there are in fact no such rules at all.”

Since the semantic conventions of images are not entirely arbitrary but more a result of cultural (“multiple”) literacies – as opposed to the specialized discourse of highbrow literature and literary criticism – the ESL students that Frey and Fischer studied were able to construct meaning in ways that written text often does not allow. Graphic novels/manga/anime are said by Frey & Fischer to have “provided a visual vocabulary of sorts for scaffolding writing techniques, particularly dialogue, tone, and mood.” Judging by the results, the authors differing pedagogical approaches were largely successful in expanding on what the kids already knew.

In regards to Art Spiegelman’s Maus in particular, his use of masks (here is link to a piece on the subject with a .gif image from the novel to illustrate: http://wellread1.blogspot.ca/2008/10/maus.html) by some of the characters is brilliant, presenting just such an opportunity to scaffold, in this case to engage the students in an inquiry around the word/idea “persona”.

Simon Schama, in a review of Spiegelman’s Metamaus (a follow-up to the novel – here is a link to the publisher’s book trailer http://www.youtube.com/watch?v=ql4oZtLruFE) opines that “Maus succeeded where so many more grandiose attempts to convey the enormity of genocide have failed, partly by side-stepping the adequacies, or inadequacies, of mere words to represent literally unutterable horror.”

I tutor kids in essay writing – many for whom English is also a second language – and have been quite resistant to including graphic novels in my practice, mainly because I thought they made textual interpretation easier for precisely the reasons mentioned above. My thinking was that, since students would be tested in the provincial exams and on the SAT on their abilities to analyze and produce without visual aids/prompts, it would be useless to allow them a crutch. After reading Maus and reflecting on what others like Schama (a very well respected art critic/theorist) have said, I’ve come to see the genre differently: just because graphic novels like Maus re-imagine biography and history (or whatever “classic” genre) as fable does not invalidate the genre. In other words, if you want kids to succeed in the future they will create, give them tools they need by any and all means, not just using the ones you learned/value. Part of this is facing the fear that you do not have total command of these emerging literacies either, as (thankfully) we have often admitted in class (I have challenged myself to learn how to use Prezi to fashion my next weblog entry.).

Another reason why I’m beginning to think differently about graphic novels has to do with the inevitability of the cultural shift. The momentum is inexorable, and eventually the school curriculums will be forced to change as a result. A quote from one of the articles I read to write this weblog (entitled “On the Origin of Adaptations: Rethinking Fidelity Discourse and ‘Success’ – Biologically’.) sums up my thinking on this (as per Messaris, ‘analogically’ speaking…): “As in biological evolution, descent with modification is essential.”

Finally, I want to share the postscript to the “Using Graphic Novels…” article entitled “EJ 75 Years Ago”. The postscript is a quote from a contributor to EJ by the name of Wanda Orton (from 1929!): “Do you try to break the age in which you live or do you try to understand it?” Clearly, we have a responsibility as educators to not only understand, but actually master the age; but in the end, can we really expect to stay ahead of the kids we are trying to teach? Perhaps the best we can expect of ourselves is to “denaturalize” the semantic/syntactic connections our students unconsciously make when presented with visual imagery (to paraphrase Messaris)?

Works Cited

Bortolotti, Gary R. Hutcheon, Linda (2007). “On the Origin of Adaptations: Rethinking Fidelity Discourse and ‘Success’ – Biologically’. New Literary History, Volume 38, Number 3, pp. 443-458

Frey, N. and Fisher, D. (2004). “Using Graphic Novels, Anime, and the Internet in an Urban High School.” The English Journal, 93(3), pp. 19-25.

Messaris,P. (1994). Visual literacy: Image, mind, reality. Boulder, CO: Westview Press.

Orton, Wanda (1929). “Released Writing.” The English Journal, 18(6), pp. 465-73.

Schama, S. (2011). MetaMaus. FT.Com, , n/a. Retrieved from http://ezproxy.library.ubc.ca/login?url=http://search.proquest.com/docview/905055822?accountid=14656

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Introductions

‘fastkapital’

Conference call flow in vacation mode at the office

The poster “slworking2” dubbed this photo “Conference call flow in vacation mode at the office”, one of his series entitled “Hard(ly) at work”. I posted this as a play on the idea of “fastcapitalism” from this week’s reading and Marx’s idea of “gegensätzliche Bewegung” (structural contradictions) from his critique of capitalist economics, “Das Kapital”. The new workplace attitude embodied by the photo is what I want to draw attention to, in particular the new corporate subculture of informality, said by the authors of the article to be partly a result of “flattened hierarchies”, which presupposes a shared cultural context, expertise and register. If you notice the details, from the man’s posture to the clothing/footwear to the nerd-hipster wit displayed around the cubicle, it’s not hard to feel somewhat estranged. The authors of the article suggest that the diversity and democracy (and other such buzzwords) that technology is said to enable, masks the counter-intuitive potential that the very informality that arises becomes even more “rigorously exclusive” than the old paradigm. Personally, I don’t know any programming languages or play video games or spend much time on the Internet, except when I’m doing research, so for me the Silicon Valley discourse one finds in movies like “The Social Network” seems much like the discourse of Wall Street or any other corporate discourse, in that it is meant to mark its adherents out from the rest.

As for myself, I shared in class last time the fact I’ve been busy writing screenplays since I graduated in 1995, and teaching literary analysis and essay writing to high school kids to pay my rent and food, only to realize I actually prefer teaching. So once I graduate from the program, I would like to teach obviously… I’m just not sure yet in what context. I don’t think the private system is for me anymore, although I have my reservations about the public system as well.

As far as the course goes, so far I am very happy to report that I know next to nothing about multiliteracies, and if the first reading and syllabus are anything to go by, I am excited by the prospect of what’s to come!

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