Author: TMD
To begin our discussion on the blog I’d like to resurrect a post I made a year ago today, on 3 July 2013. I hope my observations below will serve as a catalyst for discussion of our readings, and I encourage you to join the conversation in this collaborative writing space by commenting or posting yourself.
—
The New London Group is a collective of 10 researchers who met in 1994 to discuss what they perceived to be a fundamental societal problem:
that the disparities in educational outcomes did not seem to be improving. We agreed that we should get back to the broad question of the social outcomes of language learning, and that we should, on this basis, rethink the fundamental premises of literacy pedagogy in order to influence practices that will give students the skills and knowledge they need to achieve their aspirations. (NLG, 1996)
In their “programmatic manifesto,” they outline a number of changes that demand corresponding changes in instructional methodologies. These include the following:
-
– Changes in Technology for Knowledge Mobilization
– Changes in Workplace (e.g., PostFordism and Fast Capitalism)
– Changes in Public Lives (e.g., privatization, deregulation, corporatization of education — market logic)
– Changes in Political Logic (e.g., Old World [standardization] / New World [assimilation] logic)
– Shifts in cultural and linguistic diversity
In contemplating how to move forward, they introduce the notion of design, which “recognizes the iterative nature of meaning-making, drawing on Available Designs to create patterns of meaning that are more or less predictable in their contexts” (NLG, 1996). Designing, they argue, “always involves the transformation of Available Designs; it always involves making new use of old materials” (NLG, 1996). They also note that Available Designs are varied, identifying the following: Linguistic Design, Visual Design, Audio Design, Gestural Design, Spatial Design, and Multimodal Design. For students to be successful, they argue, they invariably require a metalanguage to describe and reflect on their design process.
Finally, the New London Group observes
pedagogy is a complex integration of four factors: Situated Practice based on the world of learners’ Designed and Designing experiences; Overt Instruction through which students shape for themselves an explicit metalanguage of Design; Critical Framing, which relates meanings to their social contexts and purposes; and Transformed Practice in which students transfer and re-create Designs of meaning from one context to another. (NLG, 1996; bold added)
The above-summarized document is one of the most cited in contemporary literacy research. Although the authors describe it as “open and tentative,” and welcome debate and elaboration, there has been little critique of the ideas espoused. Rather, as Leander and Boldt (2013) observe, “More than any other document, ‘A Pedagogy of Multiliteracies’ streams powerfully through doctoral programs, edited volumes, books, journal reviews, and calls for conference papers, as the central manifesto of the new literacies movement,” and is the dominant conceptual paradigm in new literacy studies. A design paradigm, they posit, is not the only way to conceptualize literacy studies and has some key limitations.
Contemplating the NLG article and the above discussion, here are some questions for your consideration:
- 1. What appears to be the premise, or purpose, of education in the NLG’s view? Are there other valid purposes of education that might productively be considered?
2. In 1994 the NLG were concerned that “the disparities in educational outcomes did not seem to be improving.” In your estimation has there been any advancement in terms of erosion of such disparities? If not, why not?
3. To what extent are students availing themselves of the gamut of “Available Designs”? If they are not doing so, what might be the main barriers?
4. Look up the definition and etymology of design in multiple sources, including the OED. Do you feel the paradigm introduced — learning as design — is a useful one? Are you able to propose any other productive approaches?
5. The NLG notes that they are from disparate parts of the world; however, the ten researchers represent only 3 countries: Australia, Britain and the United States. Expanding on question 3, what approaches might have emerged in a meeting of a more diverse group of researchers?
6. A key challenge identified in education is that young people appear to shift from an innate desire to learn in preschool and non-formal settings to recalcitrance in formal settings. Some claim, in keeping with the NLG manifesto, that this is because content and instructional approaches are too far removed from students’ diverse experiences and interests. Would you agree and, if so, is the approach identified by the NLG one way to ameliorate this challenge?
7. Finally, contemplate the two images at the bottom of this post. These images, as you likely know, are “Wordles,” essentially simple visualizations of the word frequency in two different documents, where larger words represent greater instance of that term in the document (“stop words” — common English words — are omitted here so that the focus can be on “content” words). The texts visualized are the NLG article (1994) and Leander and Boldt’s response (2013). Which is which? Can anything be gleaned about the nature or focus of these texts from simply examining word frequency in these two documents?
If possible, upload your group’s thoughts on these questions as a comment to this post.
__________
References
Leander, K., & Boldt, G. (2013). Rereading “A Pedagogy of Multiliteracies” Bodies, Texts, and Emergence. Journal of Literacy Research, 45(1), 22-46. (UBC Electronic Holdings)
New London Group. (1996). A pedagogy of multiliteracies: Designing social futures. Harvard Educational Review, 66(1), 60-92.
Hoffman’s Reflections on Tootsie
Here’s a timely piece of entertainment news in light of our recent discussions.
An accompanying article in the Guardian: http://www.guardian.co.uk/lifeandstyle/the-womens-blog-with-jane-martinson/2013/jul/09/tootsie-dustin-hoffman-epiphany-women-judged
The New London Group is a collective of 10 researchers who met in 1994 to discuss what they perceived to be a fundamental societal problem:
that the disparities in educational outcomes did not seem to be improving. We agreed that we should get back to the broad question of the social outcomes of language learning, and that we should, on this basis, rethink the fundamental premises of literacy pedagogy in order to influence practices that will give students the skills and knowledge they need to achieve their aspirations. (NLG, 1996)
In their “programmatic manifesto,” they outline a number of changes that demand corresponding changes in instructional methodologies. These include the following:
-
– Changes in Technology for Knowledge Mobilization
– Changes in Workplace (e.g., PostFordism and Fast Capitalism)
– Changes in Public Lives (e.g., privatization, deregulation, corporatization of education — market logic)
– Changes in Political Logic (e.g., Old World [standardization] / New World [assimilation] logic)
– Shifts in cultural and linguistic diversity
In contemplating how to move forward, they introduce the notion of design, which “recognizes the iterative nature of meaning-making, drawing on Available Designs to create patterns of meaning that are more or less predictable in their contexts” (NLG, 1996). Designing, they argue, “always involves the transformation of Available Designs; it always involves making new use of old materials” (NLG, 1996). They also note that Available Designs are varied, identifying the following: Linguistic Design, Visual Design, Audio Design, Gestural Design, Spatial Design, and Multimodal Design. For students to be successful, they argue, they invariably require a metalanguage to describe and reflect on their design process.
Finally, the New London Group observes
pedagogy is a complex integration of four factors: Situated Practice based on the world of learners’ Designed and Designing experiences; Overt Instruction through which students shape for themselves an explicit metalanguage of Design; Critical Framing, which relates meanings to their social contexts and purposes; and Transformed Practice in which students transfer and re-create Designs of meaning from one context to another. (NLG, 1996; bold added)
The above-summarized document is one of the most cited in contemporary literacy research. Although the authors describe it as “open and tentative,” and welcome debate and elaboration, there has been little critique of the ideas espoused. Rather, as Leander and Boldt (2013) observe, “More than any other document, ‘A Pedagogy of Multiliteracies’ streams powerfully through doctoral programs, edited volumes, books, journal reviews, and calls for conference papers, as the central manifesto of the new literacies movement,” and is the dominant conceptual paradigm in new literacy studies. A design paradigm, they posit, is not the only way to conceptualize literacy studies and has some key limitations.
Contemplating the NLG article and the above discussion, here are some questions for your consideration:
- 1. What appears to be the premise, or purpose, of education in the NLG’s view? Are there other valid purposes of education that might productively be considered?
2. In 1994 the NLG were concerned that “the disparities in educational outcomes did not seem to be improving.” In your estimation has there been any advancement in terms of erosion of such disparities? If not, why not?
3. To what extent are students availing themselves of the gamut of “Available Designs”? If they are not doing so, what might be the main barriers?
4. Look up the definition and etymology of design in multiple sources, including the OED. Do you feel the paradigm introduced — learning as design — is a useful one? Are you able to propose any other productive approaches?
5. The NLG notes that they are from disparate parts of the world; however, the ten researchers represent only 3 countries: Australia, Britain and the United States. Expanding on question 3, what approaches might have emerged in a meeting of a more diverse group of researchers?
6. A key challenge identified in education is that young people appear to shift from an innate desire to learn in preschool and non-formal settings to recalcitrance in formal settings. Some claim, in keeping with the NLG manifesto, that this is because content and instructional approaches are too far removed from students’ diverse experiences and interests. Would you agree and, if so, is the approach identified by the NLG one way to ameliorate this challenge?
7. Finally, contemplate the two images at the bottom of this post. These images, as you likely know, are “Wordles,” essentially simple visualizations of the word frequency in two different documents, where larger words represent greater instance of that term in the document (“stop words” — common English words — are omitted here so that the focus can be on “content” words). The texts visualized are the NLG article (1994) and Leander and Boldt’s response (2013). Which is which? Can anything be gleaned about the nature or focus of these texts from simply examining word frequency in these two documents?
Upload your group’s thoughts on these questions as a comment to this post.
__________
References
Leander, K., & Boldt, G. (2013). Rereading “A Pedagogy of Multiliteracies” Bodies, Texts, and Emergence. Journal of Literacy Research, 45(1), 22-46. (UBC Electronic Holdings)
New London Group. (1996). A pedagogy of multiliteracies: Designing social futures. Harvard Educational Review, 66(1), 60-92.
Welcome to Summer Session LLED 368
Welcome to LLED 368, Multiliteracies in English Language Arts Classrooms. You’ll find information about the course, as well as a link to the course syllabus, under the “About” tab. We’ll be using this weblog as a multimodal writing space throughout the term.
I’d like you to take a few minutes to introduce yourself, contemplate some of the key issues of the course, and get oriented to the writing space by completing the following activity:
Step 1: Find an Image
This course encourages you to think about the many different ways in which individuals engage with and produce knowledge. Read the course description and contemplate how shifts in communication technologies may have modified and extended practices of teaching — particularly the teaching of language and literature — through the past century. Find an image that you feel speaks to one or more of the issues alluded to in the course syllabus or in the introductory readings (see the schedule tab). Anything to do with text, communications technologies, literacy, reading, writing, print, media or the intersection of these things would do just fine! To find an image, go to the Commons or Creative Commons areas of Flickr and do a search using the appropriate search box for the collection you are searching. (If you “right click” on links you can open them in a new tab, which means you won’t lose this page.) Don’t spend too much time wandering in the Commons: it can be an amazing place in which to get lost!
Step 2 – Share the Image in a Blog Posting
Click on the thumbnail image of the picture that you like from amongst the ones that come up in your search. Once the page for that image loads, look for the “Share” button just above the image. You will be given a few options on how to share the image. For this exercise, select “Grab the HTML/BBCode”. You should then see a text box with some formatted HTML. (You want the HTML, not the “BBCode”.) You can copy that code to your computer’s clipboard now, or leave that browser window open, while you log in to the blog authoring space in another window.
Step 3 – Post to the Community Weblog
Select the “Add New Post” link from the appropriate menu.
IMPORTANT: At the top right of the post text area, there are two tabs that select your authoring mode – “Visual” or “HTML”. For this exercise, select “HTML”.
Paste the “Share” HTML code from the image you selected on Flickr into the post text area. And write at least two paragraphs to provide an explanation as to why you choose the image as well as some details about yourself and your interest in the course.
Step 4: Publish!
When you are ready to share what you have put together, select the “Introductions” category from the menu to the right of the post area, and hit the blue “Publish” button (also on the right side of the editing screen). After you publish your posting, you will see a link that allows you to visit the posting you just created, so click on that link or go directly to: https://blogs.ubc.ca/lled368 . Take some time to read through the entries made by the various students in the course, and feel free to leave comments.
Cartoon Generators
Hello all,
I mentioned in class that my son Ben is one of three boy trebles in the following performance, which will be held at the Orpheum on 7 December: http://www.vancouverchamberchoir.com/concerts.php?idm=201 .
A pre-concert recording session will be held at the CBC this Wednesday and Ben has to be in the studio by 7:00pm. The CBC has asked that the boy trebles are accompanied by an adult. I have a few options here:
1. Find him another adult chaperone.
2. Leave our class at 6:00pm and schedule another lab session for the last hour from 6:20-7:20.
3. Leave our class at 6:00pm and bring in a guest speaker from 6:20-7:20.
4. End the class at 6:00pm and allow you to use the last portion of the class to work on the final project.
Can you let me know which of the above three options you prefer (OR propose your own suggestion) by responding in the comment thread of this post?
Thanks,
Teresa
Tagxedo
A lot of class members are revisiting a previous course topic and posting Wordles. Some are interested in modifying shape. I mentioned in response to Kiran A’s post that there is an application that allows one to play with shape: Tagxedo, http://www.tagxedo.com .
Here’s an example I created this morning (the text is the UN Universal Declaration of Human Rights).
Fall Haiku
falling to the ground
I watch a leaf settle down
in a bed of brown~ Anonymous: Source)
Following from our discussions last week, I selected a short anonymous Haiku from the UCLA Asia Institute site and identified certain words I felt carried greater weight: “falling,” “ground,” “leaf,” and so on. I created a text file, pasted in the original poem and then repeated words I wanted to emphasize. I pasted the resulting text with some words repeated many times into Wordle and manipulated the display using the “layout” and “randomize” features. Here’s the text I used:
falling falling falling falling falling falling falling falling
to the
ground ground ground ground ground
I I I I
watch watch watch watch
a
leaf leaf leaf leaf leaf leaf leaf leaf
settle settle settle settle settle
down down down
in a
bed bed bed bed bed
of
brown brown brown brown brown
The resulting adaptation may not be particularly effective in conveying the sense of the original Haiku; however, does it have any merit on its own? And does the above text, as an intermediary step, have any aesthetic merit?
I’d be interested in seeing more explorations of visual adaptations of poetry for this week’s seminar on literature and image.
Teresa





