Ethnomusicology and Popular Music Studies
For the Reading Journal assignment in the second week of 2012 Fall classes, students were asked to summarize John Baily’s excellent essay, “Ethnomusicology, Intermusability, and Performance Practice,” found in The New Ethnomusicologies (edited by Henry Stobart, 2008). As I re-read the article, I suddenly realized that his wife is the amazing Veronica Doubleday. I say […]
On Sunday (September 10) I attended a conference devoted to the century-old history of music in Vancouver, in celebration of Vancouver’s 125 birthday. Called Vancouver Snapshots 125, it was organized by David Gordon Duke on behalf of the Turning Point Ensemble and featured a week-end of performances devoted almost entirely to the music of Vancouver […]
“To textbook, or not to textbook; that is the question.” (Sorry, Will!) I have struggled with this question since the very beginning of my teaching career. Each time my “Introduction to World Music” (M328) course rolls around in the school calendar, I re-visit my dilemma by looking at the fresh stock of World Music textbooks […]