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IMDb – The Internet Movie Database

 

I’m not sure if this qualifies for what were to share, but I always find myself coming to this website after watching an intriguing movie. If I have any questions about the movie, I can usually find answers in the ongoing dialogues. Or even if I simply want to engage in a discussion on a topic regarding the movie, this website provides a common space to start and contribute to different conversations.

I also visit the website for their neat ‘Did you know?’ section.

Overall, I think the website provides a good platform for a discourse around movies, but there is a general want when it comes to user-friendliness and the over all structure of forums.

Here’s a link to a movie I watched recently and for which I felt the urge to visit the website to find out more.

http://www.imdb.com/title/tt1340800/

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Teens as Web 2.0 Experts

Web 2.0, first defined by Tim O’Reilly, is supposed to “deliver software…that gets better the more people use it…”  (emphasis, mine.)   (Oreillynet.com newsletter, 2005.) I would argue then that for students the meaning and relevance of online content and resources will increase the more they themselves are authors and contributors of its content.

Recently, our library (Vancouver Public Library) adopted a new OPAC (Online Public Access Catalogue), Bibliocommons, to provide library patrons with an online, interactive catalogue to create opportunity for user-generated content as well as a virtual community gathering space. This software is multifaceted, but in relation to our topic and reading this week, it supports teens in our community to engage with the library collection in such a way that through their own content creation (book reviews, tags, booklists and “bookshelves”)  they become “experts” of their own collection.

Many scholars and critics argue that Web 2.0 refers not to a second generation of technology, but to a new generation of cultural philosophy toward how we engage with these these technologies. (Potts, David A., 2012). This is an understanding to which I am aligned, and I believe that teens have led the way in this cultural shift.  The prevalence of teens reading and authoring online allows them to share their writings and opinions with a real audience in a significant and I would argue, rewarding, way.  They are instantly “authors”, “published” and valued (through inferred readership) for their opinions and recommendations.  This alone can act as encouragement to continue writing and reading for both personal and academic purposes  (Schreyer, 2012.) and is motivation enough for we as educators to support our learners’ engagement with Web 2.0 technologies.

It is critical that we acknowledge young adults as both experts and pioneers in the field, of Web 2.o and consider what we can learn from them on this subject. How can their participation in the architecture of Web 2.0 inform our pedagogical approach and professional development?

One such way I have chosen to do this (which can be implemented in a classroom setting) is I have stopped using “adult” and “professional” book lists to promote titles on my Teen Reads bulletin board in my Teen Section of the branch. I will only post teen written reviews (that have been created by youth, and shared on the Bibliocommons site), as well as genre/theme Booklists which I compile by searching tags created within the site.   This is a way to blend traditional library research tools (the catalogue and Library of Congress subject headings) with new literacies/social media (user generated tags) to provide services and resources to teens, through a teen-centric, teen-created lens.

This allows me to empower teens by demonstrating a commitment to a Teen-Led (library lingo) approach to services. These services are authentic and appreciated by teens because instead of my acting in a traditional authoritative role I am now acting more as a conduit of sorts, supporting the delivery and dissemination of content and information from groups of teens to others in their demographic, thus supporting them to become their own meaning-makers and experts in how they engage with resources.

 

Resources:

http://oreilly.com/

(Check him out if you are not familiar with his work; he is integral in the fight for Open Source Software and resources, which is increasingly important for educators and students, alike!)

David, Potts A. Cyperlibel: Information Warfare in the 21st Century? Toronto, Canada: Irwin Law Inc., 2011. Print.

http://www.bibliocommons.com/

Schreyer, Jessica. “Adolescent Literacy Practices Online.” New Media Literacies and Participatory Popular Culture Across Borders. New York: Routledge, 2012. 61-73. Print.

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#theonlineworldischanging

Well I’m finding this weeks reading rather difficult to respond to via the blog… mainly because the topic feels more generally academic and without the flair of creativity that the other weeks have provided. That being said I’ve been able to sit on it and think I have some decent comments…

I suppose the main point that Alexander is trying to make is 1. That we are living in a society that has evolved enough since the dawn of the Internet to allow for a 2.0 of online technologies… and 2. We have the incredible opportunity to learn from another world (so to speak) through the extension of our minds and hands (our computers).

As someone who lived through the moments before Facebook exploded and changed our lives I remembered the online posting site “Livejournal”: Livejournal was used amongst my high school as a way of connecting people to groups of their interests (especially photography) and each other. I used it for silly postings of terrible fonts and coulours saying things like, “Got a new job at American Eagle and so excited about it!” and “School sucks.” At my school we had a group where if you were in the Drama program you could be a part of a certain group specifically for us… the main point was to share photos of an annual trip to a camp in early September.

I think the Facebook epidemic took over our school somewhere around 2006 when the switch slowly took everyone over and Livejournal died out. Personally I never subscribed to the world of MySpace… so no comment there. I do however ALSO have a Flickr. I think I signed myself up for that around University once I was taking more quality photos (pre Instagram of course). Out of all of these social media sites of connectivity the only one I still use regularly is Facebook, (no surprise). Why is this? At least once a week I say to myself, and then out loud to the people also in the room, “I want to delete my Facebook!” the answer usually comes from myself as well, “Well I just can’t because I need it for too many social things.” The online world has taken on the responsibility as our online little black book, cell phone, and calendar. I suppose that Alexander is right in the sense that we have come to an age where the Internet itself lives as a 2.0.

I think it’s a difficult thing to try and appreciate sources such as Wikipedia while we are teaching our students to be researchers. Wikipedia and online bookmarking has been a hot topic of debate around my schools over the last few years. At the same time, while I think that learning citations and plagiarism is a difficult thing to teach it may also be best taught through resources like the ones mentioned in the article. The point I’m trying to make is that the online world has changed so vastly for all of us in this class in different ways. I see my little cousins already invested in the online world on sites such as Webkinz, and Penguin Hotel… it reminds me of the days of Neopets! It is inevitable that this is a widely appreciated and growing resource… let’s just embrace it, and figure out ways of adapting it for good.

With great power comes great responsibility.

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Speaking of Adaptations…

http://www.hitfix.com/news/johnny-depp-to-modernize-shakespeare-with-new-tv-series

Take note of the comments ranging from YES! to HELL NO!

I say YES YES YES!

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Feedyourhead

‘Manager of State’

So I forgot in our presentation to come back to why I included this slide… it is a photoshopped image of King George VI when he was still Prince of Wales in his naval uniform. My buddy and I added the “Feedyourhead” title caption and of course the cowboy hat. At the time we were looking for a visual style for a storyboard we were developing as a way to pitch a satirical fantasy script we’d written. I included the image as iconographic evidence for the Bortolotti & Hutcheon article on adaptation’s point about how future cultural diversity will rely upon whether these potent digital technologies will be used to subvert fidelity discourses. These discourses are mistaken in their assumptions about what constitutes aesthetic values such as “authenticity”, “relevancy” and “legitimacy”, but before I read the article I was never able to really articulate this conceptual error for myself in quite this way, although I have long known intuitively as an artist that it was short-sighted.

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Vyclone

Here is the app “Vyclone” I was talking about in class. It’s a film sharing app for you and your friends!

https://itunes.apple.com/ca/app/vyclone/id521680614?mt=8

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Visual Literacy

I must confess…

One of my projects last summer was to only read books and watch films/television that were recommended to me by kids/teens who visit me at work. I decided to go to the “experts” to inform my reading and viewing for pleasure needs over the summer season. I wasn’t disappointed.

There is one young woman (15) who is constantly giving me list of things “[I’ve] got to read!” And she checks up on me, so I have to follow through! She asked me to read her the first book in her favourite Young Adult series, Pretty Little Liars. (Sara Shepard).

I was super judgemental and knowing the covers well (very similar to the Gossip Girl series) I decided to “cheat” and sign out the DVD instead of any books in the series. I took home the 6 discs telling myself I would force my way through the first episode (while I folded some laundry) so I could speak to the young woman about the characters, but I am embarrassed to say I watched the entire season in a week. I stayed up way past my bedtime to get through that first season and put my name on the wait-list for the not yet available second season.

I was hooked.

My point in using this as an example of print to television/film adaptations, is that its an efficient way to stay “on trend” with what youth are reading. I make sure to watch all of the DVD’s of books that are popular that I don’t have the time (or inclination) to read. I can watch a few of the Harry Potter/Twilight films and be able to discuss these series with young people. In our busy lives, I find this to be a useful way to keep up with popular culture in the lives of young adults.

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Weblog Activities

Adapting Beauty and the Beast

I have to admit, I’m a huge fan of children’s literature and fairy tales in particular. When I saw this trailer for the upcoming CW show, Beauty and the Beast, I knew two things almost immediately. One, I HAD to watch it. Two, I HAD to convince other people to watch it. (As an added bonus, it also fit well with this week’s topic on literary adaptations.)

The new adaptation of Beauty and the Beast is vastlt different from the original story written by Gabrielle-Suzanne Barbot de Villeneuve in the 1700s. The original version was a product of its patriarchal times, and while the CW version is more balanced between the male and female role – and if anything, judging by the trailer, I would say that the adaptation focuses more on the female protagonist’s backstory than the Villeneuve version. Likewise, the CW version exchanges the father-daughter relationship from the original for a mother-daughter relationship – again breaking away from the influence of partriarchy. The CW version got me thinking about what viewers expect female and male roles to be on television nowadays and how TV adaptations often adapt to culture and the atmosphere of the society in which they are produced.

-Kiran Heer

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Weblog Activities

Memoirs of a Geisha Backlash

Movie Trailer:

The focus of my English literature major’s seminar at UBC (way back in the day – 2008) was literature and film adaptation. For my major’s thesis, I chose to look at the text Memoirs of a Geisha and its film adaptation. I was so excited to take a closer look at the two mediums of art, as it had been then one of my favourite novels and adaptations. However, after days of research and hours of writing a critical analysis on the text and the adaptation, I became increasingly disenchanted with both the text and film. Perhaps therein lies the flip side of critical theory. When you look at some things too closely, you see many things you otherwise would not have seen. Sometimes ignorance can be bliss. This week’s topic takes me back to my major’s seminar where I explored representations of Chinese actresses as Japanese women in a movie filmed in English that attempts to depict an “authentic” story of the lives of geisha (lives of whom are an actually extremely silenced and hidden history) written by a westerner. Nevertheless, despite the question of the historical “authenticity” of the story itself and the perhaps reductive depictions of the Hollywood movie, both novel and film are still wonderfully entertaining for what they are (whatever they are). Take a look at the trailer and news article that I have attached for interest’s sake.

News Article:
http://news.google.com/newspapers?nid=2199&dat=20051211&id=dvxTAAAAIBAJ&sjid=sTkNAAAAIBAJ&pg=4377,237507

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Visual Literacy

Persuasion Map Tool

I wanted to share with you a useful tool I found while searching for campaign related lesson plans. It’s an online tool to create a “Persuasion Map”. (I found it in a lesson plan: Propganga Techniques in Literature and Online Political Ads.) I thought it may be useful for those of you in Socials, too.

http://www.readwritethink.org/files/resources/interactives/persuasion_map/

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