Performance Studies
Monday, October 17th, 2011The Quartet, by Chrisopher Levenson After the velvet hush the first chords assail us gathered in darkness to watch the intent, horn-rimmed, screwed up concentration of four foreign, middle-aged gentlemen consorting maestoso, bowing and scraping. Out of the fidget Brahms slowly emerges like the Brocken, misty and far off and under another name. Four spotlights, […]