American Sociological Association names “essential protest songs”

In the latest issue of the ASA sponsored journal Contexts, the editors compile a list of “essential protest songs.”

There are 14 songs on the list including standards as “We Shall Overcome,” Bob Dylan’s “The Times They Are A-Changin’ ” and the 1930s union anthem “Which Side Are You On?”

You can listen to a selection of essential protest song clips here

Here’s the full list of songs with commentary by the editors of Contexts:

“Lift Every Voice and Sing.”
Lyrics by James Weldon Johnson; music by J. Rosamand Johnson. Key lyric: “We have come over a way that with tears has been watered / We have come, treading our path through the blood of the slaughtered.” Known as the “Black National Anthem”—the antidote
to “America, the Beautiful.”

“Which Side Are You On?”
By Florence Reece. “Don’t scab for the bosses, don’t listen to their lies / Us poor folks haven’t
got a chance unless we organize.” Written during the labor struggles in Harlan County, Kentucky, in the 1930s, it was later adopted by the civil rights movement.

“Strange Fruit.”
Performed by Billie Holiday. By Abel Meeropol (who later adopted the children of Julius and Ethel
Rosenberg). “Pastoral scene of the gallant south / The bulging eyes and the twisted mouth.” A chilling protest against lynching. Maybe the greatest protest song of all time.

“Pastures of Plenty.”
By Woody Guthrie. “Every state in this union us migrants has been /‘Long the edge of your cities you’ll
see us, and then / We’ve come with the dust and we’re gone in the wind.” Guthrie’s ode to America’s migrant workers.

“The Times They Are A-Changin’.”
By Bob Dylan. “There’s a battle outside and it’s raging / It’ll soon shake your windows
and rattle your walls.” Tough call between this and Dylan’s “Blowin’ in the Wind,” “Only a Pawn in Their Game,” “Masters of War,” “With God on Our Side,” etc., etc.

“We Shall Overcome.”
Adapted from a gospel song, the anthem of the civil rights movement. “Deep in my heart, I do
believe / We shall overcome some day.” Infinitely adaptable.

“Ain’t Gonna Let Nobody Turn Me ‘Round.”
Also adapted from a Negro spiritual. “I’m gonna keep on walkin’, keep on talkin’ / Fightin’ for my equal rights.” Another powerful civil rights anthem.

“I Ain’t Marching Anymore.”
By Phil Ochs. “It’s always the old to lead us to the war / It’s always the young to fall / Now
look at all we’ve won with the saber and the gun / Tell me is it worth it all?” An antiwar classic, complete with a revisionist history of American militarism.

“For What It’s Worth.”
Performed by Crosby, Stills, and Nash. By Stephen Stills. “There’s something happening here /
What it is ain’t exactly clear / There’s a man with a gun over there / Telling me I’ve got to beware.” Eerily foreboding.

“Say It Loud (I’m Black and I’m Proud).”
By James Brown. “Now we demand a chance to do things for ourself / We’re tired of beatin’ our head against the wall and workin’ for someone else.” A Black Power anthem by the Godfather of
Soul.

“Respect.”
Performed by Aretha Franklin. By Otis Redding. “I ain’t gonna do you wrong while you’re gone / Ain’t gonna do you wrong ‘cause I don’t wanna / All I’m askin’ is for a little respect when you come home.” The personal is political.

“Redemption Song.”
By Bob Marley. “Emancipate yourselves from mental slavery / None but ourselves can free our
minds.” Marley’s “Get Up, Stand Up” is also a contender.

“Imagine.”
By John Lennon. “Imagine no possessions / I wonder if you can / No need for greed or hunger / A brotherhood of man.” Lennon as utopian socialist.

“Fight the Power.”
By Public Enemy. “Got to give us what we want / Gotta give us what we need / Our freedom of
speech is freedom or death / We got to fight the powers that be.” An exuberant hip-hop call to arms.

Leave a Reply

Your email address will not be published. Required fields are marked *