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Bellos and Hippolyte Ortega Responses

Futebol and Telenovas

I quite enjoyed the 4 articles by Alex Bellos that were extracted from “Futebol: The Brazilian way of life. The first chapter was written very passionately with excerpts from other authors that add to the strength of the emotional connection that Brazil has to this sport. Here, Bello’s talks about ‘The Fateful Final,’ Brazil’s devastating loss to Uruguay in the 1950 World cup. Bellos goes on to carefully describe the final moments, the rare silence of the stadium, the individual reactions and the outcome of the player’s lives. The game seemed to change some aspect of each individuals life that witnessed or even heard about the event. This was not just because a ‘game’ was lost, it was because ‘hope’ was lost.

The Brazilian team had been immensely successful up until the end, and this success had broken boundaries between this diverse country and united everyone together in hope and equality. On Page 54, Bello’s says that “Second place in a World Cup was Brazil’s best ever result yet it felt like a failure.” On page 55 he follows up to this by quoting writer Jose Lins do Rego who stated “I saw a nation defeated—more than that—on without hope.”

The second chapter was more of a historical tale of the history and formation of the sport. The third chapter told the story of ‘The Angel with Bent Legs,’ the story of a wildy successful football player, with below average intelligence and malformed legs that was a sports icon. Bello’s contrasts him to another famous footballer, Pele, who was the super-athlete, highly successful, good body, and highly organized. Pele assisted in the wins of 3 world cups, which is more than anyone else as a player.. but never really stood out like Garrincha in the publics eyes.

Garrincha’s story was controversial; he was born with a natural ability, and lived a life of vices and foolishness. However, the public simply adored him. Partially due to a general obsession with a life gone sideways, but also possibly due to his humble background, his overcoming of the odds, and never living like a wealthy man making it so that is some roundabout way, he was ‘ordinary.’

The last chapter, carnival with a twist, displayed more of Bello’s passionate prose once again as he talks about particular eccentric futebol fans in addition to Brazilian futebol fans altogether. A particularly meaningful line in this chapter is on Page 127 when he says “The Brazilian urge to dress up—which turns football in to carnivalesque blocks of color—seems to be particularly powerful because beneath the clothes there are few countries as racially diverse or socially unequal.” By uniting together for their team, they can, if only for that game, ‘forget their violent differences that mark day-to-day life” (127). This drives home the point from the first chapter of the utter despair felt when it was all over for them, when they lost the game, their moments of unity had ended.

The second reading on Venezuelan Telenovas was quite interesting. Although they are similar to typical American ‘soap operas,’ they have much more cultural significance in Latin America then they would to the average American. By intending to represent everyday life in Latin America, they attempt to emphasize the importance of the ordinary and bridge the contemporary worlds of the rich and the poor.

Telenovas have branched off in to different types, including historical and political ones that focus on economic and political situations in the country that instigated public interest and debate. The author focuses particularly on one Venezuelan telenova, Por Estas Calles, that went so far as to ‘threaten the political life’ of the country by bringing up controversial issues that got the public talking.

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Bellos and Hippolyte Ortega Responses

Popular culture as mass culture

I think that in the first reading Bellos explains different aspects of the Brazilian culture that are somehow related to soccer. I enjoy the reading even though it was really long. It was very easy to understand and interesting at the same time. I like how the author uses different examples of fans, and players to show things that we have discussed in class; like the need to feel associate with more people creating aspect of popular culture (fans dressing up and supporting the teams). I found very interesting on page 127 how through the carnivalesque uniforms people in Brazil try to deny racial and class differences. I think that just as murals in Mexico, and soup operas in Venezuela people are always trying a way to create change in order to integrate the “different” groups of each society.
I liked the part on page 122 where the author writes about Joe Radio and Dona Miriquinha and how they are considered role models but if it was England they would be seen as “eccentric”. I think that these people are like “magical realism” because it gives people the illusion and happiness that is needed to carry on with their lives.
I liked the second reading as well. I think that it pretty interesting how “por estas calles” started as a new project showing the reality of Venezuela and it the end it changed and lost it force. I used to get really upset when people were discussing soup operas in Mexico instead of discussion other issues that I consider more important. I thought that the government wanted people busy with the soup opera´s reality instead of seeing their own reality with problems. After reading the article I felt that soup operas create some sort of illusion that make people have hope that eventually their lives will change for better as the live of the protagonist of the soup opera.

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Review

Latin Store

In case someone is interested here is the store I talked about website http://www.modelsofidentity.com/losguerrerosvancouver/index.swf, they are located on 3317 Kingsway. The address is on their website.

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Ortiz etc. Responses

Transculturation

I found this weeks readings a good follow up to Vasconcelos and Wade’s discussion on mestizo. From the readings of Ortiz I found out the limitations of how this term can be used and discussed in certain contexts and how it can be expanded to encompass other subjects. I believed that it is the the natural coming together of people and how it comes out. Vasconcelos believes this leads to a superior mixed race, and Wade thinks it serves a function for displacement and identity questioning.

Ortiz challenges Vasconelos and Wades arguments. Mestizaje according to Ortiz seems to be too narrow of a concept. It does not encompasses economic, social and political processes which allow for some societal traits to be above others, despite including the simple racial mixture. Instead of assimilating the natives to the conquistadors and creating a ‘cosmic race’, instead its about learning how each culture could contribute to one another’s cultures and allow all parties to be in the mixture. Ortiz uses the term of ‘transculturation’ rather than the more commonly know ‘acculturation’. He talks about how this term can encapsulate different complexities of ‘transmutation of culture’ such as class; both economic and social, religion, ethics, art, language, ideology, sexuality and other parts of life.

The two article by Cornejo Polar were very good at explaining how cultural representations are influenced by artistic works of other cultures. Written works of indegenismo which have a European aspect to them by being in prose that describes the native culture.

Millington emphasises the point that trans-culturation is better to the acculturation term. She describes acculturation as referring to a cultural take over as opposed to an mixing or a slow process that influences opposing cultures. Millington goes on to talk about written works that support the thought of the effectiveness of this term. The specific example from Neil Larsen is that transculturation allows for a more equitable cultural influence, performing as a illusion solution that does not deal with the issues of ‘social duality’. While this seems to be true to an extent, it is not completely black or white. I see the this as some sort of quick fix rather than dealing with the real issues that have implications in Latin America.

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Ortiz etc. Responses

Transculturation

The readings of this week end enabled me to go deeper in the notion of mestisaje.

I like the way the first text by Ortiz puts a distinction between the terms « acculturation » and « transculturation ». Acculturation means to acquire a new culture, it is « the process of transition from one culture to another ». For Ortiz, transculturation means both to acquire a new culture and to lose another one, be uprooted from another one (deculturation). Transculturation means to lose a part of its culture, to take a part of another one but also the creation of something new so it is a general process of transformation. However, Ortiz emphasizes the fact that in Cuba some people like the Indian people didn’t have this transition and their culture and institutions have been totally destroyed. This text shows that mestisaje could imply a part of violence and oppression: people have to forget their traditions and customs and have to be assimilated. This violent vision of mestisaje is totally opposed to the « romantic » one of Vasconcelos in his text about the cosmic race. Mestisaje is not always the fruit of the peaceful alliance between two cultures but could be the erase of one particular culture in the benefice to another one. In mestisaje, there is a relation of « dominant-dominated »: one culture always prevails on one another. In his text about indigenismo, Cornejo Polar shows that even in literature, there are some cultural cods. Indigenismo is a type of literature focusing on folk: indigenous myths, legends. However, Cornejo Polar asserts that these texts are written to fit to non-indigenous culture. « It is still a mestizo literature ». « If an indigenous literature must come, it will come in due time, when the Indians themselves are able to produce it ». The real indigenous culture is based on oral storytelling or dance, or they use a graphic language. But on the other hand, this kind kind of literature is also a way to resist. It’s a way to prove that the Spanish didn’t destroy all the indigenous culture which still remains. One could analyze mestisaje and transculturation as the domination of one part on another one: the dominant culture on the indigenous one, but even if the dominated culture is minimized, it is still part of the mix and still exists.

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Ortiz etc. Responses

Transculturation.

This weeks articles explored the terms and associated meanings of transculturation. In the first article by Ortiz we learn of his ideas regarding the terms acculturation and transculutation and that he feels the latter is more appropriate or fitting. He states that the word ‘acculturation’ describes “the process of transition from one culture to another…” Arguing that transculturation as a term is more fitting. In his study he looks at Cuba because of its complex and extremely diverse cultures and “transmutations of culture” that have taken place there. He puts forward the idea of Cuba being similar to a mother and father having children together, the resulting child has similarities to both parents but is ultimately something new. Transculturation is defined throughout as the process from one culture to another.

Antonio Conejo Polar gives us another point of view regarding types of literature in Latin America. He specifically talks of the heterogeneous and homogenous literature and indigenismo literature. I found this second article a bit harder to get into, and I look forward to talking about it in class.

The third reading by Mark Millington examines and analyzes the arguments presented in Ortiz’s ‘Contrapunteo Cubano’. I think Millington does make good points and arguments against Ortiz’s (maybe too positive) outlook on transculturation. The idea that culture is like two people procreating making something new may be too simple. The idea that a culture can just change easily like that and it is not always a nice positive creation in the end.

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Ortiz etc. Responses

Theories of mixture II: transculturation

After reading Vasconcelos and Wade’s discussions on mestizaje, this weeks readings presented an interesting follow up regarding the limitations of certain terms when discussing this topic of cultural and racial mixture. Mestizaje seems to talk about an almost natural process of people coming together and how it plays out. In Vasconcelos opinion, this leads to the creation of a superior race, and in Wade’s it serves as a platform for misplacement and questions of identity.

The readings this week challenge some of what these authors are saying. Mestizaje seems to be too narrow a concept. Although it represents much more than a simple racial mixture, it does not delve deep enough in to the economic, social and political processes which allow for some societal traits to triumph others. As well, unlike ‘the cosmic race,’ where when the conquistadors succeed in assimilating the native cultures the new race is complete, transculturation acknowledges the contributions of all parties involved in mixture.

The first article by Ortiz explains why the use of ‘transculturation’ is used rather than the commonly known term ‘acculturation.” On page 98, Ortiz explains that ‘acculturation is used to describe the process of transition from one culture to another, and its manifold social repercussions.” Ortiz then goes on to describe that ‘transculturation is a more suitable term as it has the ability to encompass more of the complex ‘transmutations of culture’ such as “in the economic or in the institutional, legal, ethical, religious, artistic, linguistic, psychological, sexual, or other aspects of life” (Page 98).

Ortiz uses Cuba as an example for this as the coming together of so many diverse groups on the island, the survival of some, and demise of others, has lead to the “problem of disadjustmment and readjustment, of deculturation and acculturation—in a world of transculturation.” (Page 98). Ortiz talks of not only the various economies and political systems (or lack thereof) influencing this process of transculturation, but also the manner in which the groups came to the island influencing how they influenced or were affected by transculturation.

Most interesting to me was when Ortiz talked of the ‘white men’ from European countries who “brought with them a feudal economy, conquerors in search of loot and peoples to subjugate and make serfs of” (Page 100). Although they came with these lavish intentions, they weren’t necessarily coming from a similar hierarchal status. Ortiz describes these men as having “left their native lands ragged and penniless and arrived as lords and masters” (Page 100). They had visions of power and wealth that they may not have had back in their homeland. Hence, these ‘white men’ had a thirst for domination and power that has carved in to the history of Latin America.

On the reverse side of the spectrum, Ortiz describes the Africans brought in to the country as slaves, ‘socially equalized by the same system of slavery’ (Page 101). Thrown on to ships while soundlessly being assigned their position in the new world, the Africans may not have been allowed their ‘institutions or implements’ but they did bring with them ‘their bodies and souls’ (Page 101). Although the African people were subordinated their culture did and still does leave an imprint on what is Cuban culture. This past summer I went to Cuba and witnessed an all day celebration of ‘Santeria’ in the streets of Havana. Santeria is a good representation of the combination of cultures, as the religion itself is a fusion of the Catholic church and the African’s own God’s, a necessary combination so its presence would be allowed. Transculturation is an appropriate term as it doesn’t involve the loss of one culture in exchange for that of another. All parties involved have an influence on one another’s lives.

I chose to focus predominantly on the first article, however, the following two articles were great supplementary readings. The two articles by Cornejo Polar was excellent, especially in pointing out how cultural representations are influenced by artistic works of other cultures. Such as in the written works of indigenismo which have a European flare by being executed in similar written prose while describing indigenous culture.

The last article by Millington drove home the point that trans-culturation is superior to acculturation, describing ‘acculturation’ as referring to cultural take-over which is too definite a process and undermines the influences cultures have over one another regardless of power position. For balance, Millington does use literature which argues the effectiveness of this term. In an excerpt from author Neil Larsen, the point is brought up that ‘transculturation’ seems to present some sort of fairness of cultural influence, acting as a ‘false solution to the underlying problem of social duality” (Page 266). While this is valid to some extent, I think he is giving too much credit to the term, I see it more as being explanatory then some sort of cure (or band-aid as he would describe).

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Ortiz etc. Responses

Theories of Mixture II: Transculturation

The first article by Ortiz is a fantastic overview of how Cuba has morphed, rather dramatically, into the country it has become today. He discusses how Cuba experienced so much change is such a small amount of time by stating “The whole Gamut of culture run by Europe in a span of more than four millenniums took place in Cuba in less than four centuries” (Pg. 99). An intrinsic throughout all this change was the idea of Transculturation. This term is used to describe the extremely complex transmutations that have taken place in Cuba with regards to culture, economics, institutions, legal, ethical, religious, artistic, linguistic, psychological, sexual, and numerous other aspects of life. Cuba is so unique because it was settled by people from all over Europe and Africa intertwined by the Indians that were already there. The result has been a culture that is truly unique and reflective of all the different backgrounds involved. Ortiz sums it up perfectly near the end of the article “…the result of every union of cultures is similar to that of the reproductive process between individuals: the offspring always has something of both parents but is always different from each of them” (Pg. 103). I enjoyed this article, it was an excellent read and provided me with a great synopsis of how Cuba has come to be such a unique and diverse nation.

The second article was much different than the first, In Polar”s Indidgenismo and Heterogeneous Literatures: Their Double Sociocultural statute, the idea of universal (or National) literature is discussed. This article was much more complex and I must admit, I am not 100% sure if I have a complete understanding of its thesis but I will give it a try. Polar uses the term Indigenismo as a sort of literary Mestizaje. The term Indigenismo is a mixture of indigenous literature (or oral literature) and Mestizo literature, or in Polar’s terms, literature’s that are situated in conflicting crossings between two societies and two cultures. He then moves on to discuss Heterogeneity and how it has effected Latin American literature. What I was able to gather from the article is that even though literature was created in Latin America by either indigenous or mestizo people, it often was written in a way that the European elite would best understand.  He describes this on page 106 “Although written about the Indies, the chronicles nevertheless are realized when they manage to captivate the metropolitan reader. The fact that the almost unanimously appeal to the king, or to other instances of peninsular power, is a courtesan gesture, but also more profoundly, it is a sign of a system of communication that prevails in the chroniclers’ statements: the King or the metropolis is their reader”. I think what Polar is getting at is that these chronicles and literature were written for different reasons (he talks about the referent), and it is wrong to condemn them and say they are not genuine Indigenismo literature, because it is a true representation of where Latin America was heading, to a Mestizaje perspective and those writing reflected that. I may have missed some other key points but this is the best I could do to try and articulate my understanding of the essay. I look forward to hearing some feedback in class.
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Ortiz etc. Responses

Transculturation

For this weeks reading, I found that Ortiz’s version of Mestizaje seems to be more “down to earth” than the romantic version that we analyzed earlier by Vasconcelos. In his essay, Ortiz presents the term transculturation, as the gaining of cultural aspects by mixing different points of view from several cultures, however he acknowledges that in the process of mixing there are elements that will be lost. Furthermore, unlike – in my opinion – Rowe and Schelling, and of course Vasconcelos, Ortiz recognizes openly that the process of transculturation can be a hard process to undergo, and that it can be painful. In my opinion this concept of transculturaion seems to be very relevant in today’s society, where due to the spread of telecommunications technology we are seeing an unprecedented exchange of ideas from almost every corner in the world. Unlike the Cuban case where people had to be physically put together in a place, today’s transculturation occurs electronically. Should this be a matter of concern?

Well, we have seen that it is extremely hard to judge good from bad culture altogether. However, it is safe to say that not all the exchange of ideas over the net is a healthy practice, especially when it comes to material that relates to hate, pornography, among others. Thus we can say that in today’s process of transculturation there is still a struggle between different groups of people. Now, I would like to propose something, could we say that this practice of ‘blogging’ may be considered as ‘global’ popular culture, or texting, or e-mail, facebooking, etc?

With regards to Cornejo Polar’s concept of Indigenismo, I am not entirely sure I got his point. I think he was trying to explain the importance of keeping indigenous works with their background and culture, as if they are detached from these aspects they cannot be fully understood. If this is what he was going for, then I have to admit that he makes an interesting point, when reading a book is always good to know who the author was when and where he/she lived, and also what sort of life he/she had? If we take oral narratives out of their context and simply transcribe them into a book they may lose their ‘essence’ and thus become ‘fake.’ I am not too sure, I’ll have to re-read this article at some point :P

I’m out

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Ortiz etc. Responses

Transculturation.

The last time we speak about mestizaje, we enlighten the fact that the theory of syncretism was based on an idea of the dominance of one culture on the others.  Thus, the « cosmic race » resulted to be a way to purify the indigenous cultures, which were considered as inferiors. Contrary to the theory in term of syncretism, the transculturation is « a synthesis (of cultures) able to overcome originating contradictions, then another theoretical device would have to be formulated in order to explain sociocultural situations and discourses in which the dynamics of the multiple intercrossings do not operate in a syncretic way but instead emphasize conflicts and alterities.»  (Antonio Cornejo Polar p.117).
First, in his text of Antonio Cornejo Polar, explains that the literature in Latin America is based on ruptures. The first ones, was obviously the conquest of the Spaniards, but other forms of heterogeneity also emerge such as the mix of culture with slave population. These ruptures are the base of the mixing cultures in Latin America. These ruptures also stress the term of national literature. Indeed, this term does not seem to be relevant to depict the Latin American literature. First, this term is too broad and is incapable to enlighten the « intranational variant » of the literature of a country. Otherwise, it undermines the possibility of broader categorization. Anyway, Antonio Cornejo points out the fact that the context and the interpretation of Latin American literature by other cultures are also relevant to understand Latin American literature. Indeed, when the chronicles interpret the books of the Latin American writers, they add their own subjectivity. Thus, even if the Latin American literature could be considered as unique, it still is judged by a European point of view. Thus, the theories of dominance between cultures are still relevant.
Moreover, I think that the first text was very interesting because it provides an analysis of the mestizaje in a particular country. The text depicts the different cultures that are represented in modern Cuban culture, a mix of European culture, indigenous ones and African. He enlightens how these cultures inferred and played an important part in the development of a mixed Cuban culture.
Finally, the last text was interesting too. It gives a deep analysis of the concept of transculturation. Thus, transculturation results to be an ideal mixing between different cultures, which consider each other as equal. Transculturation enlightens the differences between the cultures in order to attempt to erase the relation of dominance between the cultures.

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Ortiz etc. Responses

Theories of mixture II

… Transculturación…
En el primero de los artículos, escrito cubano Fernando Ortíz se hace una reseña de cómo fue el cambio cultural que se vivió en Cuba, pero creo que los más importante es como este da origen a lo que Ortiz llama transculturación, el cual define como las diferentes fases del proceso que se da al pasar de una cultura a otra, haciendo énfasis en que el proceso también involucra la pérdida de la cultura anterior (lo que puede llamarse desculturación) y por consiguiente involucra la creación de una nueva cultura o fenómenos culturales (a lo que se puede llamar neoculturación). De esta forma Ortiz define los cambios que surgieron en Cuba y que dieron origen a lo que hoy vemos en este país latinoamericano que paso de la cultura paleolítica formada por los ciboneyes y guanajabiles, época caracterizada por ser la edad de palo y piedra a la cultura de los indios taínos que eran neolíticos, con quienes llegó la agricultura, la sedentariedad y otros cambios. Posteriormente lo que Ortiz define como un huracán de cultura que llegó de Europa, trayendo cosas nunca antes vistas como la iglesia, el rey, la imprenta, el caballo, la brújula, la moneda, arrancando las instituciones y destrozando las vidas de los indígenas según lo descrito por el autor. Creo que esta frase describe el proceso que se vivió: “Si estas Indias de América fueron Nuevo Mundo para los pueblos europeos, Europa fue Mundo Novísimo para los pueblos americanos. Fueron dos mundos que reciprocamente se descubrieron y entrechocaron. El contacto de las dos culturas fue terrible. Una de ellas pereció, casi totalmente, como fulminada. Transculturación fracasada para los indígenas y radical y cruel para los advenedizos…” Seguramente el “golpe” cultural que vivieron los habitantes de Cuba fue fuerte tomando en cuenta la gran diversidad de culturas que llegaron a este país…
En la segunda lectura del escritor peruano Antonio Cornejo Polar, en la cual hace referencia y una profunda comparación entre literaria europea y la literatura latinoamericana, durante su texto cita diversos ejemplos y otros escritores que han escrito al respecto. Señala que algunas veces existen vínculos confusos entre lo que se define como nacionalidad y cultura. Hace un análisis de la literatura indigenista y su contexto. Aunque Cornejo no habla del concepto de transculturación citado por Ortiz creo que hace cierta referencia al mestizaje de culturas que se dio entre ambas literaturas. La verdad me resultó un poco complicada de entender esta lectura…
Por otra parte, tenemos el escrito de Mark Millington, quien hace referencia a lo postulado por Ortiz referente al concepto de transculturación pero en un contexto más global y no sólo enfocado a una nación. Me gustó ver dos “diferentes” puntos de vista respecto al mismo tema, que a la vez creo que son en esencia muy casi lo mismo… Espero discutir de estas lecturas en clase…
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Ortiz etc. Responses

LAST Theories of mixture

This weeks three readings on theories of mixture were very intriguing. The term transculturation is brought into use in the firs article on Cuba. Fernando explains that in Cuba there has been so many cultures of which have influenced have been so diverse and overshadow in importance to everything. Following this paper Polar begins to talk about literature. Both indigenismo and Heterogeneous literatures are examined. I felt as though when Polar gave some specific cases of homogeneity and heterogeneity I was better able to understand the concepts better. Later on in this piece a quote by Jose Carlos Mariategui caught my attention. “If an indigenous literature must ome, it will come in due time, when the indians themselves are able to produce it” ( Polar 108) This quote caught me off guard and is highly debatable and I personally feel it to be untrue. There is an assumption made that acknoledable Indigenous literature has not already emerged. Finally there is Millingtons paper. I felt his paper for me was a a paper that brought the prior papers and itself together. Talking about ideas and concepts in the last papers and bringing and metamorphing some new ones. In conclusion it is evident that the perception and ways we think of Latin America has been affected by tranculturation. From here however, I believe we need to anaylize and try to understand the processes that affect cultural views and there social realtions.

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Ortiz etc. Responses

Transculturation

The first reading from this week pertains specifically to Cuban culture and the elements that it consists of. The author uses the term transculturation to denote the mixing of various cultures and races which resulted in the evolution of every aspect of Cuban life; however, in his description he makes it clear that some of this mixing was violent and painful. I found this text to be a very interesting read, since it provided a more in-depth analysis of the cultural factors of a specific country. The text describes the different cultures that are represented in modern Cuban culture- two of the major influences were from Europe and Africa. These two regions which were key contributors to Cuban culture could not have been more different: on the one hand, the Europeans brought incredible new technologies, and in effect ushered in a new era. In contrast, the African influence arrived in the form of battered slaves who were torn from their homes and shipped across an ocean to serve European landowners. Like the native Cubans, the slaves were thrown into a culture that was entirely distinct from their own; however, in contrast to the European element, this was not their choice.
The author of the second text discusses indigenista literature, and brings up a very good point about the role that context plays in the interpretation of it. When a piece of literature is taken out of cultural and historical context, much of the meaning is lost. I believe he said this in regards to similarities between Latin American literature and European literature; the point he is making is that while there are necessarily similarities between them, Latin American literature has its own distinctions.
The third reading for this week was by Mark Millington, who referred back to Ortiz’s idea of transculturation from the first reading. One of Millington’s observations is that while many people overlook the “human dimension” of transculturation, Ortiz places the emphasis on “human beings as the bearers of culture and frequently as the victims of cultural change.” However, while Millington admires and agrees with some of what Ortiz says, he also feels that at times Ortiz’s text is confusing and “not wholly coherent”.
Overall, I found these readings to be very interesting; perhaps it was because they (especially the first one) dealt exclusively with one country and the processes which shaped the culture of that particular place.

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Ortiz etc. Responses

Transculturation

I thoroughly enjoyed the readings for this week. Similar to our readings on “mestizaje”, it was interesting to read work by the original author of studies on “transculturation” and then be able to read work by an author who tests the arguments presented by the originator. I found the Ortiz article and Millington article fairly straight-forward to read. However, the Cornejo-Polar reading was slightly harder for me to follow and relate to the topic of transculturation.

The idea of transculturation seems to be quite an ambiguous and debatable topic, similar to mestizaje. However, as discussed in class, it is this exact ambiguity and lack of a concrete definition for these terms that makes it vital to figure out exactly what they mean. Ortiz describes this term transculturation, which seems to be a much more positive concept than mestizaje. It combines the notion of “disadjustment and readjustment, of deculturation and acculturation” (p.98). The case of transculturation is an interesting one. I particularly liked how Ortiz stressed that “one of the strange social features of Cuba [is that] all its classes, races and cultures, coming in by will or by force, have all been exogenous and have all been torn from their places of origin” (p. 100). I think this is an important point that is often overlooked in these discussions of cultural mixing. The people of Cuba (to use it as an example), assembled in a particular social hierarchy according to their cultural background, did not arrive to Cuba necessarily as part of that social standing. The Europeans came from a variety of countries, backgrounds, and classes, but upon arrival they were the “masters”. The Africans also came from a variety of countries and classes, but they became the “slaves”. I feel this point is often forgotten or ignored in discussions of cultural mixing in Latin America.

The Cornejo-Polar text on indigenismo was a bit harder for me to grasp. However, what I understood from the article was that a problem occurs in literature whereby there exists “an unequal relationship between its system of production and consumption on one hand, and the referent on the other, granting notable supremacy to the former and obscuring the latter under the force of the interpretation that is superimposed upon it.” (p. 107). Conflict occurs when text written in one context is read and interpreted in a different context to the one the author meant it to be interpreted in. The reader has power over the writer to impose their own views and ideas onto the text, potentially taking away meanings the author had never intended. I’m not entirely sure how the concepts and ideas described in this article exactly relate to the topic of transculturation, so I’m hoping these ties will be made clearer in class dicussion.

I felt like Millington did bring up some convincing weaknesses in Ortiz’s arguments. I especially liked Millington’s argument that the simile of the embrace in Ortiz’s definition of transculturation is “rather bland and unconvincing at this stage, and it would be interesting to hear more about how the Africans in Cuba ’embraced’ the cultures of Europe and how the Spaniards on the island ’embraced’ African cultures” (p.263). I feel that this idea of “embrace” is rather unconvincing. While, in transculturation, we do see exchanges between 2 cultures, these exchanges are not necessarily voluntary and “embraced” in a positive way, as Ortiz defines it. Sometimes these exchanges arise simply because two cultures are forced to co-exist, and inevitably they begin to influence one another, whether voluntarily or not.

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Ortiz etc. Responses

Transculturation

I think I was doing pretty well with the term “transculturation” until I reached Millington’s article.  According to Millington “transculturation stands alone as a description of a process of mixing” and “hybridisation… is linked with hybridity as a general concept… and with hybrid as a label for the product which is the outcome of a mixing process.”  Now, would this “mixing process” be transculturation?  And if so, can someone be labeled as hybrid after a process of transculturation?

As I read further through Millington’s article, I got to sense that transculturation is more than just absorbing a culture, it is also loosing one, and this is a very important part of this term.  Reading Ortiz’s and Millington’s article I really felt that loss of culture is important when using the term transculturation.  However, I am not sure if forced loss of culture is also an important part of it, because in Ortiz’s article, the suffering and horrible times that African slaves had to live through seems to go hand and hand with their loss of culture, and therefore, with transculturation.
Would the term transculturation be applied to someone born in Australia that goes to live in Honduras… by choice?  Or would the word acculturation be more proper?
The African slaves and the Australian were in foreign countries,  absorbing that countries “culture”, but how much is the Australian actually loosing of his culture, and how much are the African slaves loosing?
For now, I think transculturation implies absorption of one culture and loss of another through force.

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Ortiz etc. Responses

Transculturation

The readings for this week talk about the concept of transculturation.

Ortiz presents the word as an alternative to acculturation, which he argues implies an acquiring of culture. He says that the process undergone in Cuba and the Americas as a whole (to varying extents) is more like a mother and a father giving birth to a child, whereas the result is something original and unique. He calls the process a social phenomenon that has implications on every aspect of life in Cuba and somehow summarizes its history (“the real history of Cuba”) extremely well in just five pages. I thought his use of the appropriately Caribbean metaphor “a hurricane of culture” in reference to Europe coming to the America’s was fascinating: “A revolutionary upheaval shook the Indian peoples of Cuba…” It was an interesting excerpt from the Cuban Counterpoint and is extremely relevant to everything we’ve been talking about in class. There are problems in that it seems to oversimplify, as Millington touches on. I feel like if Ortiz’s “real history” were made any more analytical or in depth his idea of transculturation would become much more complicated. I noticed that automatic spell-check doesn’t like the word either.

Millington seeks to rethink Ortiz idea, much like Peter Wade with mestizaje. He draws out some problems with Ortiz argument and presentation and applies the concept to the modern world, where we know that cultures aren’t Moms and Dads and globalization and some other -izations increasingly blur the lines between seemingly everything.

Polar writes about ‘indigenista’ literature and the need to understand how interpreting something in one context that is made in another is problematic. He never actually uses the world transculturation in the first part, but he invokes the concept subconsciously throughout. Even though I’m not familiar with indigenismo I thought it was interesting how he shows that “indigenista is not indigenous.” Basically, he explains, indigenismo is a more Western-oriented style that resignifies aspects of indigenous culture.

All the readings this week were great; maybe they’re just starting to make more sense, though.

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Ortiz etc. Responses

Theories of mixture II: transculturation

These week’s readings discuss several complex academic terms all related to Latin American post colonial societies and there structures. I think that the real complexity raised by such concepts is the different understandings and interpretations of each writers…

The first short passage of Fernando Ortiz’s book describes ‘transculturation’ as a constitutive historical feature of Cuban society. I liked the way he emphasizes the violence of these different phases of immigration for humans themselves: he gives to this historical account a powerful and tragic resonance. I found relevant his definition of transculturation as the transition to a new culture trigerring the painful loss of another; however I had troubles with his comparing of the oppression of African slaves in Cuba to the so-called ‘terror’ of European oppressors! To refer to his clever and meaningful metaphor, European immigrants have been a real ‘hurricane’. To him, transculturation is more than the passage from one culture to another. Ortiz describes the culture acquired as something completely new which mixed both features of the place of origin and the place of arrival. To represent this process he alludes to human reproduction which reminded me of Vasconcelos words in the Cosmic race. His text was full of allusions to reproduction and love as the priviledged way to create a new race. Although Ortiz admits the positive aspect of transculturation, I though he emphasized quite more the dark and difficult side of Cuban cultural intercrossings.

Antonio Cornejo Polar’s article concerns heterogeneous litterature and the concept of heterogeneity. I think he explains that contrary to the concept of national litterature, one has to understand that this so-called homogeneity is actually challenged by regional and global categories. Indigenismo is described as one of these heterogeneous litteratures reflecting the diversity of Andean societies. Indigenismo is heterogeneous because it is produced within a sociocultural structure that is different from the one indigenous belong to. He shows not only how indigenismo has been influenced by Western standards, but also that it is mainly the discourse of middle-class activists that ‘internalized’ the interests of indigenous. Polar explains that ‘instead of imagining an impossible homogeneity’ (as national ideology does), indigenismo realizes a sort of materialization of Latin American heterogeneity. Thus I understood that heterogeneous litterature were a representation of the Latin American reality of social fragmentation due to history. Indeed, Polar sees his concept of heterogeneity as including a notion of persistant conflict and contradictions whereas transculturation or mestizaje refer to the resolution of originating antagonisms into a synthesis. Heterogeneity is supposed to help understand how multiplicity within a whole social structure generates conflicts. He speaks of a ‘contradictory totality’.

Millington’s article, although complex as well, helps clarify some points. He also assumes that transculturation is a more neutral and peaceful term. Generally speaking he shares Ortiz’s point of view about his concept of transculturation and its application to Cuba. He explains that these processes refered to as transculturals are unique to Latin America. However, I am not quite sure he shares Polar’s point of view given that he ends his essay by defining transculturation as a search for resistance to local and international pressure since the emergence of Latin American new nation-states. If true, transculturation also includes conflictiveness.

I found very interesting the passage where he questions the efficiency of ‘neoculturation’ in Latin America saying that this search for a cultural identity needs to be more than a reaction/opposition to dominant forces. I found that these remarks were really interesting and relevant. His point is that the understanding and development of such concepts as transculturation, heterogeneity, hybridity and others are necessary in order to define ’emancipatory spaces’ for Latin America. I have to say he succeeded at cheering me up with this idea, after I struggled to understand these concepts that are all so close to each other!

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Ortiz etc. Responses

Transculturation

In Cuba Counterpoint by Fernando Ortiz I found it interesting to read the difference between acculturation and transculturation. Acculturation in Ortiz’s point of view, does not describe the history and culture of Cuba as well as transculturation. Just to be clear between the two I went to look on to dictionary.com and here is what I found : Acculturation is the process of adopting cultural traits from another cultural group, whereas transculturation is the cultural change induced by foreign cultures.

What Ortiz argues is that the real history of Cuba is best described using the term transculturation. The land and the people have not simply adopted each others traits, but have readjusted to each others cultures in a what Ortiz calls a “new syncretism of cultures.” (On a personal note, I didn’t know that the natives in Cuba, like in Haiti, were wiped out by the European colonist. I find that interesting because it makes me wonder what sort of influences they would have on Cuba’s contemporary popular culture.) Emphasized in this text is that what is contemporary Cuban culture is in a continuous process since the interactions between the paleolithic and neolithic natives to the Spanish colonist and subsequent African slaves and immigration.

Antonia Cornejo Polar takes a critical examination on the various types of literature by specifically classifying heterogenous and homogenous literature according to the processes of their production and consumption. The aim of this paper I believe was to provide a critical examination between these two distinctions, but I don’t really understand the purpose. Literature in Latin America encompasses a wide range of genres or “categories”, but what I think Polar wanted to emphasize is that often these texts are heterogenous, meaning that they are a created through a complexities and conflicting circumstances from its production to its “consumption”. I admit that although this article contained lots of interesting substance,I believe I may have misunderstood parts of it as I frequently consulted the dictionary close by. But one thing caught my curiousity was when Polar explained the way in which middle class mestizos, through their publication of indigenista literature, conformed to a heterogenous dimension in such that they took on the interests of the indigenous when in fact most indigenista literature excluded these very people. This would be interesting to elaborate more in class through discussion.

In Transculuration, I believe what Millington was trying to argue was for more of a reflection upon the usage of the term transculturation. Millington discussed and analyzed Ortiz’s text as he drew upon it various criticisms associated with it. I found this article interesting as it went more into depth whereas I found Ortiz’s definition of transculturation a bit simplified. All in all the term transculturation seems very debatable but I liked what Millington said in his conclusion: ” Such critical analysis may not in itself change the world but it can further understanding of what is happening in it”.

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Ortiz etc. Responses

Theories of mixture: transculturation

The first reading was by Fernando Ortiz. I liked how he explained that transculturation encompasses more processes involved in the evolution of cultures, in this case Cuban culture. I liked how he explained how the white people and the people of colour arrived to Cuba. I think that those distinctions are important when trying to understand the reactions of the different groups of people that leaded to the formation of the Cuban culture.
In the second article by Antonio Cornejo I understood that he was trying to point out that Latin American literatures should be understood in the basis of its own and in the basis of other literatures. I think that because sometimes when Latin American literature is compared to European some critics say that it is just a copy and at some point I think it has some aspects of the European literature but at the same time has new aspects, but there is not a clear cut because the process of mixing is quite complex just as the racial mixing. I think that Cornejo also wrote that through literature people from Latin America can try to understand themselves and the dynamics of the culture. When he writes about Chronicles he says that the author always compares things of the “new world” to things that already known, so all the Chronicles have to have a reference point. For Indigenismo he writes that it is not called Indigenous literature because it is not written by Indigenous people but for middle-class, radical people that see the marginalization of Indigenous people. I think it would be even better if Indigenous people could have their own voice to represent themselves.
I enjoyed reading the last article also because even though he points out the flaws of Ortiz he also recognizes the good parts of Ortiz´s argument. Mark Millington writes that the word transculturation is some kind of teleology that gives the people of Latin America a sense of an identity within the different “national-bodies” of the region. I liked also how he connects the meaning of the transculutration with the past colonial legacies and with the present globalization. After reading that article I felt that as the world changes and as we face new challenges, we (human beings) need explanations so that is why words such as transculturation become so meaningful.

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Responses Review

Little bit from Mexico

Colores de Mexico
ALL ACROSS MEXICO IN 6 MINUTES.
ENJOY!
MUSIC: HUAPANGO DE MONCAYO
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Campbell and Taussig Responses

response to Tory´s blog

I like your comments because I also thought about the Zapatista´s murals, it might be that because we took that class with Marvin with thought about those murals. About the second reading I was also confused but I like how you connected Taussig´s study to explain “oneself” and the “other” in this case Venezuela and North America.

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Review

Thus far

Well I’m a tad behind in my blogs as I’ve let them slip a bit but I’m back on it!
So I’m in my last year at UBC and I’ve taken sooo many different courses over the six years I’ve been in school.  I almost have a minor in Asian studies, I’ve taken tons of Anthropology, Sociology and of course Psychology.  Of all the courses I’ve taken so far in my academic career this is one of the most different.  I love the small class size, it makes everything just that more intimate and I can actually speak to the people around me and get their opinions.  This class is one of the only small classes I’ve had at UBC and I like being able to have class discussions about what we’re reading and learning about.
I really enjoy learning about Popular culture in Latin America, it’s so refreshing learning about something you know absolutly nothing about and being able to actually talk about it with intelligent people is an awesome gift.
I’ve enjoyed most of the readings thus far although I have to say there were a couple that I enjoyed more than the rest.  I really enjoyed Eva Peron’s mesage, I thought it was very heartfelt and really gave us another point of view of popular culture.  I also really liked Pongo’s dream, although short, I really thought it had so much to say, in an indirect way.  I really enjoy reading about the history of different practices in Latin America,such as Muralism.  The details about murals in Mexico and other places was interesting in their different meanings conveyed.  Learning about such people as Rivera and Kahlo and what their art represents, it was interesting in terms of popular culture and how it’s defined. and presented to the public.
These readings and the discussions we have in class have really clarified the term popular culture, in Latin America for me.  All these different aspects bring to life a new way of looking at one’s reality.  The merging of political change, high to low culture, popular practices such as murals and public places really are starting to bring Latin America’s popular culture to life.  At the beginning of this course I knew nothing about what we were going to be learning and now I am much more equipped to make an educated statement about what I think Popular culture in Latin America is.

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Campbell and Taussig Responses

Muralism

Although quite long, the readings were interesting this week.  I really enjoy the thought of murals having a large impact on popular culture in Latin America.  The first reading really hit it home what muralism is and how it affects popular culture in so many ways.  I really enjoy the background as always, the history of something such as murals in Latin America.  I enjoy this because I can also relate as I have many artists as friends and they participate in painting murals in Vancouver and other places all the time.  I can easily see how it changes minds and views of art in a dramatically different way.  Murals really bring forward the reality of an area or place and lets the whole world know what’s going on.
The different stories about all the people who are touched by murals, or perceive them in different ways than what might be expected is also interesting.  In our first reading the women in Colonia Guerrero talk about how they see murals in the context of their experiences and lives, “in relation to the spaces they occupy and the experience they are interpreted as depicting.”  This shows how murals are incorporated into their everyday lives, these murals are somewhat ‘ordinary’ so to speak, living the lives these women lead every day.  They love the idea of having murals in the places they frequent the most, being part of their relaity as well as telling it’s own.
The way murals are a part of popular places, places that are walked by every day by people who are willing to look and listen, these are the ways in which things are changed.  To paint a mural depicting a suffering culture, would be to break the silence that most people become accustomed to, to make change and call out the wrong in life.  This first reading speaks a lot about political change, public discourse and how murals often attempt to bring something to light.
The second reading was a little more complicated.  I love the stroy telling aspect of this reading but I found it difficult to find my way out of the story it was trying to tell.  Ok that was confusing, so what I mean to say is that I didn’t know the underlying meaning of this story, I found it difficult to decipher it’s content but perhaps that’s my problem.

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Campbell and Taussig Responses

Folk Culture and Modernity

The readings this week were really interesting, complete and descriptive. However they were also really long and I found it really hard to finish them over the weekend. However, having read them now I feel they brought together some of the ideas that we have been talking about in our classes so far. The notion of power dynamics and struggles and how it all in turn affects and aids in creating the popular culture of a society.

The first reading aims at examining, “specifically, public space and discourse, state power, and civil societal movements…” Campbell explains muralism as an art and expression, and how it contributes to Mexican culture. The Murals combine many aspects of culture at all levels of society. They combine folk culture and modern culture and are produced by people working towards a similar expression, action, events, histories, etc in an artistic form that is open to all members of a community. These massive prints are viewed by many generations of people and understood as expressions of power relations between “the people” and the state. Peoples experiences are expressed in the murals, the experiences they have shared and how those experiences have in turn created what they have today. Members of communities come together to share the troubles they have faced together and express these in their art.

The second article by Taussig, was also interesting but it took a while for me to get into it. To be honest I don’t know if I really got it, or got it right at least.  I found I had to read a section over a few times, making myself be really present in order to ‘get’ his writing style. “The Queen Spirit” is not really full of such in depth descriptions like Campbells writing about culture and how it comes to be. Taussig more or less provides descriptions that enable the reader to picture for themselves the formation of a culture. His article describes Colombia’s power struggles and the interactions between poorer and more developed worlds. This article had lots of examples but im still not so sure if I’m getting it right.. I look forward to discussing it all in class to see if im on the right track here!

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Campbell and Taussig Responses

…muralismo…

De las lecturas de esta semana la Campbell se me hizo sumamente interesante porque describe éste con detalle el muralismo mexicano, desde sus orígenes y las diversas transformaciones que ha sufrido con el paso de los años. Campbell describe el inicio del muralismo en el territorio mexicano desde las primeras culturas que habitaron la región, hablando de los aztecas o los mayas, quienes expresaban sus ideas, cultos, ritos, etc. en murales. De hecho, considero que los murales son una de las primeras formas de expresión de expresión del arte que surgió en el mundo, desde los primeros pobladores que con diversos instrumentos y plantas pintaban en las cuevas su forma de vida. Cuando visitas cualquiera de las pirámides que se encuentran en México, ya sea de los mayas, aztecas, etc. se pueden identificar diversos murales donde describen a sus dioses, juegos y costumbres; pues bien, tal como lo describe Campbell, el muralismo mexicano fue cambiando hasta surgir el muralismo que fue tomado como inspiración en el resto del mundo, convirtiéndose éste en un patrimonio cultural del país.
Los murales fueron una forma de hacer el arte público y así dar acceso a la comunidad en general. Campbell cita la época de los “Tres Grandes”: David Alfaro Siqueiros, Diego Rivera and Jose Clemente Orozco; cuyas pinturas hasta hoy son ícono del movimiento alrededor del mundo. Ir museos, edificios, etc. donde los murales de estos artistas pueden ser admirados es una buena experiencia. En ellos se retrata la sociedad de la época y sin lugar a dudas buscaban la forma de lograr una identidad nacional. Además, esta forma de cultura ha sido utilizada a través de la historia con fines políticos o fines nacionalistas que el contexto de la época requiere. Hoy en día, otro tipo de muralismo existe también en México: el graffi, algunos lo ven como un problema social, otros como una forma de expresión diferente u única…
La segunda lectura de esta semana, escrita por Michael Taussig creo que es un poco confusa y utiliza metáforas algo complicadas. Habla de la cultura popular y sus matices…pero creo que esperare la disución en clase para entenderla un poco más…

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