Power, class, and warfare: Springsteen’s “Born in the USA” turns 25
Christian Christensen explores the quarter-century long misunderstanding of Bruce Springsteen’s most famous song in a short, but incisive critique published in yesterday’s edition of CounterPunch. Born in the USA is one of a small number of songs, films or television programmes (produced in large part in the United States) that can generate near-physical negative reactions […]