Friends,
Wanted to send you one last email regarding the forthcoming 2008 Rouge Forum Conference.
We are pleased to have over 150 people registered so far, who will join us at various times throughout the weekend of the conference. There is, however, still plenty of room for others, so please feel free to continue spreading the word.
As you know, we’ll be kicking things off Thursday night at the Blue Mountain Coffeehouse (400 East Main St., across from the Louisville Bats Stadium).
Friday morning, beginning at 7:30, we would invite you to be our guests at Breadworks and Heine Bros. Coffee, located in the Douglass Loop at 2200 Bardstown Rd., just two blocks from campus (at the conference website: www.rougeforumconference.org, the homepage has a link to an interactive map of Louisville by clicking on the text, “Louisville, KY” in the description of the conference).
The conference will begin at 8:30 in Frazier Hall in the Brown Activities Center (a map of Bellarmine can be found on the conference webpage.)
Back to back paper sessions will begin promptly at 9:00. We have now posted abstracts for most papers under “Paper session details” at the conference website. I think you will agree that the papers/performances over the course of these two days should prompt some insightful and critical discussion.
Our lunch time will feature Dr. Milton Brown as our speaker. Lunch has been relocated to the Deli at the Douglass Loop, just two blocks from campus. Carpooling will be made available, particularly for our out of town guests.
After lunch, we will have one more paper presentation session before we conclude the afternoon with a panel discussion on revolutionary, radical, (and other?) pedagogies, featuring Dr. Nancy Patterson, Mr. Greg Queen, and Dr. Joe Cronin.
In your conference packets we will make several recommendations for you on dinner locations that will be but minutes from Bellarmine’s campus.
The evening will conclude with a panel discussion on the potential connection between schools and the military, under the title “No child left Unrecruited?” The panel will be moderated by Dr. E. Wayne Ross and will feature Dr. Faith Agostinone Wilson and Dr. Rich Gibson.
On Friday, we would also invite you to visit the Thomas Merton Center, which houses the largest collection of Thomas Merton archives, located in Bellarmine’s library, as well as the opening of Bryan Reinholdt’s (BU grad and RF member) art show in Wyatt Hall.
Saturday’s events will take us to U of L’s campus. (We also have a map of this campus on the conference website.)
The morning will begin at 8:30 with a welcome in the Red Barn, and sessions will start promptly at 9:00.
These first two paper sessions on Saturday morning will also be paralleled by the possibility of professional development for teachers. We have two sessions to choose from: Critical Literacy and Green Education.
At lunch, provided by Tess Krebs in the Red Barn, we will be engaged by a special session of the Saturday Academy. Dr. Blaine Hudson will moderate a discussion about the recent Supreme Court decision which overturned Jefferson County’s student assignment plan. The discussion will feature Ms. Deborah Stallworth, Mr. DeWayne Westmoreland, Mr. John Heyburn, and Dr. Tracy K’Meyer.
After lunch we will have one final session of fine papers before we conclude with two addresses one from Dr. Rich Gibson, the other, our keynote, from Dr. E. Wayne Ross, who will address our conference theme: Education: Reform or Revolution?
Again, for dinner, we will provide a list of local restaurants. And, the evening will conclude with an opportunity to take in some spoken word and music, featuring Louisville’s own Harry Pickens (soulful jazz pianist) and The Uprising (Americana style music inspired by resistance).
On Sunday, we will conclude our conference with one final gathering at 10:00 at the Kentucky Alliance against Racist and Political Oppression HQ, The Braden Center, 3208 W. Broadway.
With over 60 presenters and 30 papers,
3 panel sessions,
3 main addresses,
2 professional developments,
2 cultural events,
and an opportunity to explore two of Louisville’s universities, its locally owned restaurants, and social justice organizations, we hope you find this year’s conference a place to affirm your work, stretch your thinking, and engage in a unique community-building experience.
I want to again thank my partner, Gina Stiens, and friends/colleagues, Mary Goral, Sonya Burton, David Owen, Rich Gibson, and Wayne Ross for their tireless efforts in pulling this conference together.
See you in a week! In solidarity. adam
Marah, Angels of Destruction—Saviors of rock and roll?
Drive-By Truckers, Brighter Than Creation’s Dark—Southern gothic rock n’ roll masterpiece? Nah. But a pretty darn good album. Minus Jason Isbell, Shonna Tucker’s tunes are a highlight.
Robert Pollard/Guided By Voices, Crickets—Best of Robert Pollard’s Fading Captain Series. very cool.
Various Artists, Cult Cargo: Belize City Boil Up—Funky soul and reggae music of Belize
Various Artists, Eccentric Soul: The Big Mack Label—Obscure Detroit soul
Warren Zevon, Excitable Boy—Spectacular remastering of EB in all of its horror, blood, guts, guns and that other good stuff Zevon always wrote and sung about.
Chris Walla, Field Manual—Solid solo release from front man of Death Cab for Cutie…this one seems to get a played a lot.
Guided By Voices, Hold on Hope [EP}—Can’t have to much GBV.
Johnny Winter, I’m A Bluesman—One of four albums sent my way by Perry this month—Johnny’s playing acoustic six-string slide on some deep blues.
Black Mountain, Into The Future—Prog Rock from the most public face of the East Vancouver-based collective of “likeminded musicians with amps set to nerve-stun levels and guitars possessed by wailing blues ghouls – have been busy since the release of their self-titled debut in 2005.”
Lenny Kravitz, It’s TIme for a Love Revolution. Nothing surprising here, just good ole retro funk rock.
Nick Lowe, Jesus of Cool—Great reissue with lots of bonus tracks, including the original version of “Cruel to be Kind” in one of the most fun cd packages I’ve seen in a while.
Robert Pollard, Kid Marine—The first release (from 1999) of the Fading Captain Series
Nada Surf, Lucky—some good tracks here, especially “Whose Authority”
Vic Chestnutt, North Star Deserter—stripped “down and leaving Chesnutt’s shrewd, witty lyrics and fragile, plainspoken voice center stage…”
David Gillespie, Out in the Real World—Somewhere between David Gray and Dave Matthews
Jackie Greene, Rusty Nails—Rootsy blues from Northern California singer/songwriter
Jackie Greene, Sweet Somewhere Bound
Tony Joe White, The Heroines—TJ with Shelby Lynne, Lucinda Williams, Jessi Colter, Emmylou Harris…
Tony Joe White, The Train I’m On—A platter of swamp rock from 1972
Neil Young, Chrome Dreams II—Neil’s sequel to an album that doesn’t exits. Thanks Perry.
The Budos Band, The Budos Band II—FUNKY, FUNKY, FUNKY. Old school funk and R&B from Staten Island crew in the Dap-King circle.
Easy Star All-Stars, Radiodread—Had my doubts about this reggae cover of Radiohead’s OK Computer, but the guys at High Life Records on Commercial Drive said it was stupendous, and it is.
Easy Star All Stars, Dub Side of the Moon—Even better than the Radiohead cover!
Mulatu Astatke Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-1974—”…the 14 instrumentals here were originally issued on two LPs in 1972 and 1974 in Ethiopia, and represent a curious blend of soul-jazz and R&B with just a smattering of Ethiopian roots breaking up the stabbing horn lines, wah-wah guitars, and simmering electric piano. ” Fantastic!
Ronnie Earl & the Broadcasters, Hope Radio—Great “live in the studio” album but highly underrated blues guitarist out of Boston.
Aesop Rock, None Shall Pass—This was on lots of best of 2007 lists so I said what the hey, I’ll check it out. AP strings together some amazing stream of consciousness rhymes, but this supposedly “accessible” album didn’t really grab this 50 something white guy, maybe not too surprising.
Eagles, Long Road Out Of Eden—Perry sent me this one (and the Robben Ford cd below) and while I was skeptical it’s not bad.
Robben Ford, Truth—Guitar god’s first album in four years is pleasing blend of jazz and smooth blues even a little rock on the opening track. But, hit the old skip button when his tribute to BB King starts up.
Mavis Staples, We’ll Never Turn Back—Songs of the civil rights struggles of the 1950s and 1960s produced by Ry Cooder.
Ani DiFranco, Imperfectly—Early album from The “Righteous Babe”.
Johnnie Taylor Live at the Summit—This is an amazing document. Because of time overruns Johnnie got bumped from the line up at the main event of the legendary 1973
Warren Zevon Stand in the Fire—Masterpiece live album from 1981. This reissue has four previously unreleased cuts including “Johnny Strikes Up The Band,” “Frank And Jesse James,” and “Hasten Down The Wind.”
Ike Turner & The Rhythm Kings A Black Man’s Soul—First released in 1969, this album shows how Ike crossed R&B with funk, rock and gospel to show off the wide spectrum of black music. The opening track, “Thinking Black” was nominated for “Best R&B Instrumental” Grammy in 1969; that same year Tina was nominated for “Best Female R&B Singer” Grammy.
Tony Joe White Beginnings—Just Tony Joe, his acoustic guitar and some great songs.
Dinosaur Jr Beyond—I was inspired to buy J Mascis comeback after reading
Beruit Gulag Orkestar—Largely the work of one 19-year old Albuquerquean named Zach Condon, this album basically sounds like a Balkan gypsy orchestra playing modern songs, despite this it sounds pretty good.
Robert Pollard’s Superman Was A Rocker is a return to old ways. This mini-album (13 songs, 30 minutes) finds Pollard using recording methods he hasn’t engaged in since his time in Guided By Voices. Pollard recently poured through a bunch of old cassette tapes and found some great, never-used instrumentals that he either wrote or co-wrote, and and he decided to go into the studio and put vocals (and melodies!) over them, just like he used to back in the old Guided By Voices days. The music spans a 20+ year period, so in essence, this is an album 20 years in the making.