Under the covers

I’ve been listening quite a bit to Patti Smith’s Twelve and Richard Thompson’s 1000 Years of Popular Music, two great cover albums, and I’ve been inspired to dig up other cover albums (Bowie’s Pin Ups; Flaco Jimenez’s Partners, Bryan Ferry’s new one, Dylanesque, tribute albums to the Kinks, Johnny Cash, etc.) and start a list of cool covers for a “mix tape.”

I’m looks for suggestions so…please share.

BTW, the Covers Project is a cool website…And Wikipedia’s article “Cover version” is also useful resource.

Here’s partial list of some cover tunes I really like (off the top of my head and in no particular order, but I did try to develop some “cover chains”):

    Patti Smith, “Gloria” (Them)
    Van Morrison, “I Can’t Stop Loving You” (Don Gibson)
    John Mellencamp, “Wild Night” (Van Morrison)
    Dwight Yoakam & Flaco Jimenez, “Carmelita” (Warren Zevon)
    Warren Zevon, “Certain Girl” (Allen Toussaint)
    W. C. Clark, “Get Out of My Life, Woman (Allen Toussaint)
    Hindu Love Gods, “Raspberry Beret” (Prince)
    Foo Fighters, “Nikki Darling” (Prince)
    Richard Thompson, “Kiss” (Prince)
    Prince, “One of Us” (Joan Osborne)
    Joan Osborne, “At Last” (Etta James)
    Etta James, “Miss You” (Rolling Stones)
    Rolling Stones, “Like A Rolling Stone” (Bob Dylan)
    Prince, “Just My Imagination” (The Temptations)
    Richard Thompson, “Friday on My Mind” (The Easybeats)
    David Bowie, “Friday on My Mind” (The Easybeats)
    Richard Thompson, “Oops, I Did It Again” (Brittney Spears)
    Richard Thompson, “Tempted” (Squeeze)
    Nickel Creek, “Spit on a Stranger” (Pavement)
    The Beatles, “Anna (Go With Him)” (Arthur Alexander)
    Arthur Alexander, “Detroit City” (Bobby Bare)
    Gram Parsons, “Streets of Baltimore” (Bobby Bare)
    Bobby Bare, “Help Me Make It Through the Night” (Kris Kristofferson)
    Kris Kristofferson, “I’ll Be Your Baby Tonight” (Bob Dylan)
    Fountains of Wayne, “Better Things” (Kinks)
    The Minus 5, “Get Back in Line” (Kinks)
    Matthew Sweet, “Big Sky” (Kinks)
    Yo La Tengo, “Fancy” (Kinks)
    R.E.M., “Superman” (Kinks)
    R.E.M., “First We Take Manhattan” (Leonard Cohen)
    Cake, “I Will Survive” (Gloria Gaynor)
    Feist, “Inside and Out” (Bee Gees)
    Robbie Fulks, “Dancing Queen” (ABBA)
    Radiohead, “Nobody Does It Better” (Carly Simon)
    Shelby Lynne, “Rainy Night in Georgia” (Tony Joe White)
    Vic Chestnutt, “The Night The Lights Went Out in Georgia” (Vicki Lawrence)
    Johnny Cash, “Hurt” (Nine Inch Nails)
    Dar Williams, “Comfortably Numb” (Pink Floyd)
    Emmylou Harris, “Wrecking Ball” (Neil Young)
    Beck & Emmylou Harris, “Sin City” (Gram Parsons/Chris Hillman)
    Dwight Yoakam & k.d. lang, “Sin City” (Gram Parsons/Chris Hillman)
    Wilco, “One Hundred Years from Now” (Gram Parsons)
    Ian Hunter, “One More Time” (Alejandro Escovedo)
    Dwight Yoakam, “I Want You To Want Me” (Cheap Trick)
    Cheap Trick, “Don’t Be Cruel” (Elvis Presley)
    Elvis Presley, “Don’t Think Twice, It’s All Right” (Bob Dylan)
    The Gords, “Gin and Juice” (Snoop Dogg)
    Goo Goo Dolls, “Give A Little Bit” (Supertramp)
    Patti Smith, “Smells Like Teen Spirit” (Nirvana)
    Def Leppard, “Waterloo Sunset” (Kinks)
    Def Leppard, “20th Century Boy” (T Rex)
    T Rex, “Summertime Blues” (Eddie Cochran)
    Nirvana, “The Man Who Sold The World” (David Bowie)
    M. Ward, “Let’s Dance (David Bowie)
    David Bowie, “I Can’t Explain” (The Who)
    Rush, “The Seeker” (The Who)
    Nada Surf, “I’m Sick of You” (Iggy Pop)
    Fountains of Wayne, “Killermont Street” (Aztec Camera)
    Aztec Camera, “Jump” (Van Halen)
    Van Halen, “You Really Got Me” (Kinks)
    The Who, “Young Man Blues” (Mose Allison)
    Rolling Stones, “Shake Your Hips” (Slim Harpo)


Covers of Dylan:

    Chris Whitley & Jeff Lang, “Changing of the Guard”
    Patti Smith, “Changing of the Guard”
    Chris Whitley & Jeff Lang, “When I Paint My Masterpiece”
    Jimi Hendrix, “All Along the Watchtower”
    Pearl Jam, “Masters of War”
    Rolling Stones, “Like A Rolling Stone”
    Rage Against the Machine, “Maggie’s Farm”
    Guns n Roses, “Knockin On Heaven’s Door”
    Warren Zevon, “Knockin On Heaven’s Door”
    Johnny Cash, “It Ain’t Me Babe”
    Ricky Nelson, “She Belongs To Me”
    Steve Earle, “My Back Pages”
    Ramones, “My Back Pages”
    Bryan Ferry, “A Hard Rain’s A-Gonna Fall”
    The White Stripes, “Love Sick”
    Neville Brothers, “With God On Our Side”
    Buddy & Julie Miller, “Wallflower”
    Nickel Creek, “House Carpenter”
    George Harrison, “If Not for You”

America’s progressive majority?

20070612_ProgressiveMajorityReport_cover_sm.jpg
pro∙gres∙sive (prə-grĕs´ĭv)
adj. 1. moving forward 2. continuing by successive steps 3. favoring better conditions, new policies, ideas, or methods
n. one who is progressive

Yes. At least that’s what an analysis of decades of public opinion polling by the Campaign for America’s Future and Media Matters for America claims.

The façade of conservative political dominance is crumbling. The disintegration runs deeper than public disaffection with the Bush administration’s catastrophic failures and is more fundamental than the political realignment of the 2006 election. The notion of America as a “conservative nation” was always more fiction than fact, but the nation’s rejection of President Bush’s brand of “you’re-on-your-own” conservatism and wedge-issue divisiveness is so broad that today the façade is simply unsustainable.

When it comes to the economy the report, The Progressive Majority: Why a Conservative America is a Myth, says that

  • 84 percent of American support to increase the minimum wage;
  • more Americans sympathize with unions than with companies in labor disputes (52 to 34 percent);
  • nearly twice as many people think the U.S. is more hurt than helped by the global economy (48 to 25 percent);
  • 69 percent of Americans believe government should care for those who can’t care for themselves;
  • twice as many people want “government to provide many more services even if it means an increase in spending” (43 percent) as want government to provide fewer services “in order to reduce spending” (20 percent);
  • majorities say the U.S. needs a bigger government “because the country’s problems are bigger” (59 percent) and a “strong government to handle complex problems” (67 percent).

On social issues too, Americans are more progressive than they are typically credited:

  • the percentage who consider abortion the “most important” issue ranks in the single digits;
  • a 56 percent majority oppose making it more difficult for a woman to get an abortion, a proportion that has hardly changed in the past 20 years;
  • only 29 percent want to see Roe v. Wade overturned;
  • 67 percent want sex education in schools to include information about contraception, not just abstinence;
  • 64 percent are willing to pay higher fuel taxes if the money were used for research into renewable energy sources;
  • 75 percent would be willing to pay more for electricity if it were generated by renewable sources like wind or energy;
  • Only oil companies, conservative politicians and a minority of Americans (41 percent) want to open the Arctic National Wildlife Refuge in Alaska to drilling.

As for the war:

  • 63 percent of Americans want to set deadlines for withdrawal;
  • four times as many Americans (48 percent to 12 percent) think the war in Iraq has made the threat of terrorism against the United States worse rather than better.

This is heartening news for progressives, but it begs the question about why Americans continued to vote in politicians (Democrat and Republican) that have not a progressive bone on in their bodies and who remain beholden in capitalist interests and the profit line.

Perhaps a combination of the following accounts provides at least a partial explanation: the folks responding to the polls have checked out of the political process and Americans are subjected to such a high level of right-wing, pro-corporate, TINA propaganda their independence of thought collapses.

Certainly schools and the mass media are culpable in significant ways for the disconnect between the “progressive majority” and the political realities of the U.S.

In my ear (March, April, May)

I keep thinking I’ll write an “in my ear” entry once a month, but I guess I’m too busy listening to all the new music and don’t have time to write. Anyway, here’s the scope on what’s in my various CD players, ipods, computers.

Acquired in:

MARCH

1980.jpgGetting Ready… by Freddie King
Great little blues album, released in 1996 that includes versions of two my favorite Freddie King blues: “I’m Tore Down” and “Going Down”, plus covers of Jimmy Reed’s “Walking By Myself” and Elmore James’ “Dust My Broom.”

1968.jpgMy Name Is Buddy by Ry Cooder

Cooder follows up his brilliant Chavez Ravine—a musical study of the mid-20th century transformation of the L.A. neighborhood that is now the site of Dodger Stadium—album with the allegorical My Name Is Buddy, “a phantasmagorical rendering in music, words and pictures of the travels of three unlikely cohorts – Buddy Red Cat, Lefty Mouse and Reverend Tom Toad – as they meander through the west ‘in the days of labor, big bosses, farm failures, strikes, company cops, sundown towns, hobos and trains…the America of yesteryear.'”

1972.jpgSecurity by Antibalas
“loosebooty grooves, intelligent sounds, and committed lyrics” from Brooklyn.

1966.jpg
Neon Bible by Arcade Fire
“the intentional murkiness of these pleasantly anthemic New Wave dirges makes it sound as if the music has already reverberated through a crowded cement stadium.” Sounds like it was recorded in a church…and it was. Pretty good, this one has gotten lots of time in the player.

1955.jpg
The Good, the Bad & the Queen by The Good the Bad & The Queen
“To open this oddball supergroup’s debut, Paul Simonon hints at “Guns of Brixton,” and when Tony Allen’s flex rhythms come in, there’s a shadow of Fela Kuti, too. Then Damon Albarn’s slow grit of a voice enters–framed by Simon Tong’s flecked guitar. And collectively, The Good, the Bad, & the Queen is quickly “sui generis”, adamantly different than anything you think you’ve heard.”

1970.jpg
West by Lucinda Williams
Some say her best yet, more adventurous that past albums and just as satisfying.

1973.jpgDestroyed Room: B-Sides and Rarities by Sonic Youth
Focuses on tracks previously available only on vinyl, limited-release compilations, or as b-sides to international singles—very cool.

1971.jpg
Living With the Living by Ted Leo and The Pharmacists
Anthemic rock with a political edge. The best rock album I’ve heard in a while.

APRIL

1982.jpg Farewell to the World by Crowded House

Two-disc set of their “final” concert…but their back now, which is good if you like Beatles-inspired pop.

1983.jpg
Live at the Fillmore East by Neil Young and Crazy Horse
Required purchase for all Canadians.

1989.jpg
Stax 50th Anniversary Celebration by Various Artists
Great two-disc set, with deluxe liner notes from Soulsville USA. If you don’t have the three volumes of Complete Stax/Volt! Singles, this is a good place to start. You’ll likely end up with the Complete Stax/Volt! anyway.

1988.jpg
Race to the Blackout by Clouds Forming Crowns
A GbV-related project…from the Tobias Brothers.

1981.jpg
Wowee Zowee: Sordid Sentinels Edition by Pavement
Listen, remember, join the cult.

1987.jpg
The Wham of That Memphis Man! by Lonnie Mack
Classic blues/R&B played on the Gibson “Flying V.”

1984.jpg
The Story by Brandi Carlile
This is an outstanding album, which Perry sent my way via Pando. Produced by T Bone Burnett. When trying to describe her voice here are the folks that are frequently name checked: Patsy Cline, Jeff Buckley, kd lang, Beth Orton, Linda Ronstadt, and Aimee Mann…pretty darn good company and the songwriting is superior too.

1977.jpg
Traffic and Weather by Fountains of Wayne
I love these guys. This is my most played album of the year, so far. Robert Christgau gave it a 4-star review in Rolling Stone, deservedly so.

MAY

1985.jpg
Country Ghetto by JJ Grey & Mofro
Best album of the year, so far (have I said that about another CD yet?). “Grey is influenced by the sexually charged blues of Howlin’ Wolf, the country soul of George Jones and the hard funk of James Brown, as well as local personalities like street preachers and old time radio DJs.”

1978.jpg
Peace, Love and Anarchy by Todd Snider
The odds and sods are as good as his “finished” work. Love “Comb Over Blues” and “East Nashville Skyline.” Through in some haiku and you’ve got a keeper.

2002.jpg
Recollection by Assembly of Dust
Signed up for eMusic and downloaded this album for free, but it’s so good I’d even pay money for it.

2003.jpg
23 by Blonde Redhead
Kinda like Sonic Youth, but not at all.

1986.jpg
The Wheel Man by Watermelon Slim and the Workers
Watermelon Slim follows up his Handy Award winning 2006 release with an album that is even better. Chicago’s Magic Slim stops by to help out. This is the best blues album of 2006…guaranteed.

1999.jpg
Los Valientes del Mundo Nuevo by Black Lips
Atlanta garage rockers live in a Tijuana dive. If you’re in the right mood it’s great.

2000.jpg
Cake Or Death by Lee Hazlewood
Appealingly weird album from the writer of “These Boots Are Made for Walking.”

2001.jpgLive from Austin Texas by Guided by Voices Hey kids, the “kings of lo-fi” from Dayton, Ohion—”not a bad place to visit…not a good place to stay”—wrap up their 21-year reign in fine style. Most of this wasn’t (and probably couldn’t) be aired on Austin City Limits, but it’s great listening. You don’t have to see the DVD to know that there were tubs of beer on the stage as GBV swung through Texas on their final tour. Listen to Robert Pollard philosophize on rock ‘n’ roll during “Secret Star” (after a quite a few Budweisers and sounding a bit like Homestar Runner). “We are advocates of fun rock…serious rock is good, but fun rock is better.”

1993.jpg
The Reminder by Feist
Vaguely jazz and disco-influenced lo-fi, indie electronica. Play this instead of Norah Jones at your next dinner party, which I mean as a complement. I really like this album, especially the track “My Moon.”

1990.jpg
Twelve by Patti Smith
Patti has always down great covers (including, “Gloria”… the best ever cover?) here’s an album’s worth, including a a great cover of “Smells Like Teen Spirit.”

1998.jpg
Because of the Times by Kings of Leon
Three Pentecostal minister’s sons playing grungy blues-rock. Can’t go wrong.

2005.jpg
One by Gran Torino
Funk and acid jazz from Knoxville, TN? Yes, and it’s good too. (Thanks Kris!)

I’m already on to my June CDs…but I’ll hold off for a few weeks before cataloging those.

Jewel boxes to JewelSleeves

P1010052.JPGI’m running out room for my CDs and in an effort to save space and make my CDs more easily accessible I’ve ditched the jewel boxes and transfered my CDs to JewelSleeves.

The photo shows 100 jewel boxes on the left. On the right are 100 JewelSleeves holding all the content from the jewel boxes.

Perry, my main man on all things gadget related, tipped me off to the JewelSleeve alternative and I love ’em, especially since I’ve just finished the tedious task of unstuffing and restuffing the CDs and the art.

What’s really cool about the JewelSleeve is that it holds the CD, booklet, and the tray insert, so you can still enjoy the album artwork. And, the JewelSleeves take up about one-quarter of the space of the jewelboxes…

Here’s a video of how the JewelSleeve works.

Bribes for Tests Scores

Sandra Mathison critiqued the “bribes for tests” strategies in US schools a couple of years back in Z Magazine where she wrote:

It remains common nonsense that extrinsic rewards lead to internal motivation. Indeed much research has demonstrated the deleterious effects of extrinsic rewards on motivation. Over the years, psychologists Edward Deci and Richard Ryan have repeatedly demonstrated this and recently their work points to the likelihood that using state tests for motivational purposes will likely lead to poorer education overall.

Now, unfortunately, it looks like the bribes for test strategy is gaining some serious traction in New York City as the Mayor Bloomberg and the school chancellor Joel Klein are considering a plan that would pay students cash for high scores on standardized tests.

Child abuse by teachers in US schools

TEACHERS CAN SAY NO TO STUDENT BATHROOM BREAKS
Two attempts this spring to limit students’ bathroom breaks have led to shame and controversy, reports G. Jeffrey MacDonald in USA TODAY.

In late April, a sixth-grader in Ohio wet his pants during a standardized test after a teacher refused to let him use the bathroom. In early May, a California eighth-grader said he urinated into a Gatorade bottle in a classroom corner because his teacher had refused to dismiss him. Such cases, though perhaps extreme, highlight a daily challenge for teachers. They must balance classroom control with a duty to accommodate the varied and hard-to-predict biological needs of their students. In seeking that balance, should they ever say no when a student asks permission to use the bathroom? That’s a matter of debate among teachers, administrators and medical professionals.

“Students make requests frequently to use the restroom when they really have intentions to do other things,” says Peter Reed, associate director of professional development services at the National Association of Secondary School Principals. “The real key is for every student to expect, when he or she is in (a teacher’s) class, that the full amount of time needs to be devoted to the learning activities for that day. You don’t have time for anything else.” But some urologists worry about the consequences of waiting too long between trips to the bathroom. ”

Responding to your body’s need to urinate or defecate is a basic human right, or even one step below that, it’s a basic animal right,” Dr. Christopher Cooper says. “I don’t think we would (restrict) animals, yet we do restrict the kids.” Complicating matters is the reality that some students avoid bathrooms because they’re dirty, smelly havens for bullies.

White supremacy is not color blind

Via the PEN Newsletter: WHITE SUPREMACY IS NOT COLOR BLIND

A Supreme Court ruling this summer on voluntary integration plans of Louisville and Seattle schools could sound the death knell for Brown v. Board of Education, warn the editors of Rethinking Schools in their spring issue. If the U.S. Supreme Court refuses to uphold voluntary integration plans in these two cities, it would wipe out the last vestiges of the 1954 Brown decision still in place. Over the years, the court has so chipped away at Brown that it is a mere shell of a decision, honored in speeches every Martin Luther King Jr. holiday but ignored in practice 365 days of the year. While conservatives argue that race-conscious policies are no longer necessary because the United States is becoming a multiracial, multiethnic society, Theodore Shaw of the NAACP Legal Defense and Education Fund points out that “This country has always been a multiracial, multiethnic society. The problem has never been mere race consciousness. It has been white supremacy.” The editors challenge teachers to find new ways to struggle against our increasingly resegregated schools.

Media Landscape Redefined By 24-Second News Cycle

Media Landscape Redefined By 24-Second News Cycle

The Onion

Media Landscape Redefined By 24-Second News Cycle

ATLANTA, GA—Media critics have argued that segments lasting less than four seconds are missing out on some of the nuance and context the old 45-second pieces provided.

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