06/8/26

GenAI and a Writing Assignment

Imagine my surprise when ChatGPT offered up my own writing as the source for a prompt I had given it. The bot blithely explained it didn’t know who I was, but that my work fit perfectly. Flattery I wondered?

I had been wondering what a GenAI output might look like. When it first came out publicly I tried it out and found it lacking.  Use by my students were obvious and often seriously flawed. Since then I have changed teaching practices to limit most AI use, but just the same tech changes made it worth trying it again.  So I took a  subject I know well and I asked the free ChatGPT to write a short essay.

“Please draft a first person autethnography of growing up working on a commercial fishboat in prince rupert bc, no more than 350 words.”  [as prompted, errors and all]. 

This could be the kind of question I assign in the Anthropology and Memoir class I teach.  It would likely be more generic, replace “growing up working on a commercial fishboat …” with a prompt about growing up and work experience.

This is what ChatGPT gave me:

Growing up on a commercial fishboat in Prince Rupert, British Columbia shaped my understanding of work, family, and community in ways that continue to influence me today. Some of my earliest memories are of waking before sunrise, hearing the hum of the engine, and watching the coastline emerge through the morning fog. Unlike many children, my classroom often extended beyond school and onto the deck of a fishing vessel.

Life on the boat demanded responsibility from an early age. As I grew older, I helped with tasks such as sorting fish, cleaning equipment, and preparing gear. The work was physically demanding and often performed in cold, wet conditions. Through these experiences, I learned the importance of discipline, teamwork, and perseverance. Everyone on board had a role, and the success of the fishing trip depended on each person doing their part.

Prince Rupert’s fishing industry was more than an occupation; it was a way of life. The rhythms of the seasons, weather patterns, and fish runs structured our family’s schedule. Conversations at home revolved around tides, market prices, and fishing conditions. This connection to the ocean fostered a deep respect for nature and an awareness of how livelihoods depend on environmental health.

At the same time, growing up in this environment revealed the uncertainties that fishing families face. Income could fluctuate dramatically depending on the catch, weather, and regulations. Witnessing these challenges taught me resilience and adaptability. I learned that hard work does not always guarantee success, but persistence remains essential.

Reflecting on my experiences through an autoethnographic lens, I recognize how the fishboat served as both a workplace and a site of cultural learning. It taught me practical skills, strengthened family bonds, and connected me to the broader fishing community of Prince Rupert. Growing up on a commercial fishboat was not simply where I spent my childhood; it was the foundation of my identity and my understanding of what it means to contribute to a community built around the sea.

In general the output is ok, rather bland and antiseptic, but could easily pass muster for a short assignment like this. I personally spent a lifetime on the water. There’s a lot in the above that sounds like a tourist visit to a boat trip, like the ‘hum’ of the engine.  Fishboat engines don’t hum, they shout.They are loud and often overwhelming presence that simply forms the background noise of work. But, in the blandness the bot was able to invoke a semblance of the experience.

I was curious about how it knew what to write so asked it what sources it used.

“I didn’t use any external sources for that draft. It was generated from your prompt and from general knowledge about commercial fishing communities in northern British Columbia, particularly themes that are common in autoethnographic writing: family labour, seasonal work, environmental dependence, community identity, and resilience.

Because an autoethnography is based on personal experience, the strongest source should be your own memories and reflections. If this is for an academic assignment, you would typically write from your lived experience and then, if required by your instructor, connect your experiences to scholarly sources.”

I was offered help in finding peer-reviewed sources, so I took it upon the offer.  I asked for three sources. This was what was provided:

For an autoethnography about growing up on a commercial fishboat in Prince Rupert, these three peer-reviewed sources are especially relevant:

  1. Menzies, C. R. (2019). Sea Legs: Learning to Labor on the Water. Anthropology of Work Review, 40(2), 77–89.
    This is probably the strongest source for your assignment because it is itself an autoethnographic account of growing up and learning to work on a commercial fishboat in British Columbia. It examines family labour, identity formation, masculinity, and learning through participation in the fishing industry. (ResearchGate)
  2. del Valle, E., Neal, B., Martínez-Candelas, I., Dann, P., Webb, D., & McClenachan, L. (2024). Fishing in Turbulent Waters: Resilience, Risk, and Trust in British Columbia’s Declining Commercial Salmon Fishery. FACETS, 9(1), 1–17.
    This article explores the challenges faced by commercial fishers in British Columbia, including economic uncertainty, adaptation, and resilience. It would support reflections about the instability of fishing livelihoods and the pressures on fishing families. (ScienceDirect)
  3. Menzies, C. R. (1990). Between the Stateroom and the Foc’s’cle: Everyday Forms of Class Struggle Aboard a Commercial Fishboat. NEXUS: The Canadian Student Journal of Anthropology, 8(1).
    Written by a commercial fisher and anthropologist, this article examines social relationships, work culture, authority, and crew dynamics aboard British Columbia fishing vessels. It provides useful context for discussing life aboard a fishboat as a social and cultural environment. (journals.mcmaster.ca)

These three sources would work well together because they connect personal experience, fishing culture, and the broader social and economic realities of commercial fishing in British Columbia.

I can attest to two of the articles being real. I checked the second one and found it is real, but it wouldn’t be anywhere near my personal go to on the ‘challenges faced by commercial fishers.’ But, when I saw the sources I asked it if it knew who I was.

“No, I don’t know who you are unless you tell me.

I can see only the information you provide in this chat and a few limited contextual details made available by the system (for example, an approximate location based on IP address). I don’t know your name, identity, workplace, family, or personal history unless you share those details during the conversation.

When you asked for an autoethnography about growing up on a commercial fishboat in Prince Rupert, I treated it as a writing prompt. I didn’t infer that you actually grew up there or that the experiences described were yours.

If you’re asking because of the fishing-related sources I suggested, those were selected because they are relevant to the topic you requested, not because I know anything about your identity.

I am not sure whether or not to believe the bot. I suspect, at least ‘technically, it doesn’t ‘know’ me.

I then asked it to share one more narrative that included a storm.

“Growing up on a commercial fishboat in Prince Rupert, British Columbia taught me lessons that extended far beyond fishing. The boat was both my workplace and my classroom, where I learned responsibility, resilience, and respect for the ocean from an early age.

One experience that remains vivid occurred during a fall fishing trip when I was a teenager. A storm moved in faster than expected, transforming a calm day into one of the most frightening moments of my childhood. The wind intensified, waves crashed over the bow, and the vessel rolled heavily as we worked to secure gear on deck. I remember gripping the rail tightly while rain and saltwater stung my face. Although I was scared, I also noticed how calmly the crew responded. There was no panic—only focus and teamwork.

Watching my family and crewmates navigate the storm revealed the culture of commercial fishing. Everyone understood their role and trusted one another. The experience demonstrated that safety depended not only on individual skill but also on collective effort. In that moment, I learned that courage was not the absence of fear; it was the ability to continue working despite it.

The storm also deepened my respect for the ocean. Growing up in a fishing family, I often viewed the sea as a source of income and adventure. That day reminded me that it was also unpredictable and powerful. No matter how experienced a fisher might be, nature ultimately commanded respect.

Reflecting on this experience through an autoethnographic lens, I recognize how it shaped my identity. The storm became a lesson in humility, perseverance, and community. It reinforced values that were central to life on the fishboat: hard work, mutual dependence, and adaptability in the face of uncertainty. Growing up on the water taught me that challenges are inevitable, but they can also become defining moments that shape who we are and how we understand the world around us.”

The bot added this comment at the end: “This version is more personal and narrative-driven, which is often preferred for autoethnography because it centers a specific lived experience and then reflects on its broader meaning.”

I’ve been through storms on the boat, some big, some bad, some just regularly run of the mill. I recognize the tired trope of  “man’s struggle against nature as character building” in this bot-story. I guess I could prompt the bot away from this bland triumph narrative.  But why would I want to? I am, after all, the source it drew upon in concocting both stories it gave me.

The writing, despite the bot’s effort, remains impersonal and generic. At the same time it would pass muster for a student assignment.  In my own writing I like to add more details that sink the story into who I am. There is enough data in the bots background for it to sense that more needed to be done. When I signed off the bot offered me this final piece of advice:

“If you end up writing your own version, the strongest passages will usually come from specific memories: the smell of diesel and fish, early morning departures, repairing gear, rough weather, interactions with crew members, or returning to port after a successful trip. Concrete details often make an autoethnography feel authentic and compelling.”

This I agree with up to a point.  I am not interested in my (or my students’ writing) to feel authentic and compelling.”  I want my writing to BE authentic and compelling.

01/1/20

A Fathers’ Day Reading List for the New Year

When my own sons were young my partner gave me a copy of Patrimony by Philip Roth for father’s day. A little while later I came across an unexpected book by ecological anthropologist Ben Orlove, In my Father’s Study. These are books that have stayed with me.

The first is a tale of a son’s journey with a father at the end of his life.

The second is a story of a son coming to learn about his father, to come to an adult appreciation of him, after the father’s death.  It’s a touching memoire.  I’ve used it a few times in my teaching but my 20/30-something students respond to it rather differently than I. For them it is simply one more book on a reading list while for me it led me to think about my life as a father and as a son.

I’ve spent a great many hours with my own father. As a child following him around as he worked on his fishing boat. As a young adult working with him on the same boat. And later in life visiting with him, keeping each other company sometimes talking about the past, often about his health, and occasionally about my own work. Coming across Orlove’s book, almost by accident, has led me to gather over the decades an eclectic little library of books reflecting upon fathers and sons. Here, in sense of order, is a selection of my favourites.

  • In My Father’s Study. Ben Orlove. U.Iowa Press. 1995
  • A Life in the Bush: lessons from my father. Roy MacGregor. Viking, 1999. A loving tale of a northern Ontario father by one of Canada’s favourite journalists.
  • Waterline: of fathers, sons, and boats. Joe Soucheray. David R.  Godin, Publisher. 1996(1989). A memoire about restoring a boat, but its far more than that.
  • For Joshua. Richard Wagamese. Anchor Canada. 2003(2002).
  • To See Every Bird on Earth: a father, a son, a lifelong obsession. Dan Koeppel. Plume. 2006.
  • Lost in America. Sherwin Nuland. Vintage. 2004.
  • Patrimony. Phillip Roth. Touchstone. 2001.
  • My Father’s Wars. Alisse Waterston. 2013.
  • Fatherless. Keith Maillard. 2019.

There are more – but this is more than enough for a start.

 

09/3/19

Get to Know Your Colleague Through Writing

This is a project in learning about our colleagues through our writing. Each of the profiles that I write are based upon articles shared with me by colleagues.  Each participant has been asked to share one to three blog posts, journal articles or book chapters that they have written.  Participants might provide an older piece, or something more recent.  The criteria being used is that these are pieces that they feel shows the nature and scope of their work and/or focuses on some aspect of their work they you would like others to pay attention to.

I am starting this project with a selection of three of my own articles.  The first two articles that speak to the nature of my current work over the last few years. The third piece is an older one  that reflects a longstanding interest published while I was a graduate student.

  1. Putting Words into Action: Negotiating Collaborative Research in Gitxaała.  Canadian Journal of Native Education.   Volume 28, 2004, Numbers 1/2. http://www.ecoknow.ca/journal/menzies.pdf
  2. “Sea Legs: Learning to Labour on the Water.” Anthropology of Work Review. 2019. https://www.researchgate.net/publication/335400384_Sea_Legs_Learning_to_Labor_on_the_Water
  3. “Between the Stateroom and the Foc’s’cle: Everyday Forms of Class Struggle Aboard a Commercial Fishboat,” NEXUS: Vol. 8:1. 1990.  https://journals.mcmaster.ca/nexus/article/view/87 

Much of my career at UBC has focussed on Indigenous reserach, primarily collaborative project with my home community of Gitxaała. This early paper highlights methodological concerns and documents the early stages of a formal UBC/Gitxaała collaboration in research.  Subsequent papers explored indigenous labour history, traditional ecological knowledge, and whitestream society’s response to Indigenous authority and sovereignty.  Bracketing and underlying my Indigenous focused research has been a concern with labour processes, struggle, and class formation. “Sea Legs” draws on an autoethnographic method to examine how notions of masculinity are enmeshed in become a fisherman. “Between the Stateroom and the Foc’s’cle” is one of my earliest papers and it explores the micro-structures of class struggle on a commercial fishing boat drawn from my personal experience.

My writing has always involved a personal aspect where I draw from my direct experience, not simply as an ethnographer, but as a participant. By participant I mean that I do in fact draw from my own life’s experiences to guide and inform my scholarly work.  I am interested in what motivates and constrains us as people, not as a simply matter of curiosity, but becuase I very much would like to change our world to remove the inequities of class, gender, and colonialism (etc).

Anthropology has tended to study the other to understand self.  It seems to me that we would do a better job understanding ourselves if we were more often the subject of our own anthropological gaze.

 


Readers are invited to join in by sending examples of their writing to me and I will write blog post based upon them. Or, even better, send me a blog post modelled after my own above for publication here.