There are so many interesting elements in the first chapter of Discipline and Punish that I have had a difficult time deciding what to write about. I find Foucault’s description of “the slackening of the hold on the body,” through the “double process [of] the disappearance of the spectacle and the elimination of pain” (11), an especially interesting topic, however, with some potentially intriguing and strange implications. As Foucault reports, “one no longer touches the body…physical pain…is no longer the constituent element of the penalty. From being an art of unbearable sensations punishment has become an economy of suspended rights” (11). In addition, punishment has gained a certain degree of anonymity; while people were once executed in public, “the condemned man is no longer to be seen…capital punishment is fundamentally a spectacle that must actually be forbidden” (15). Subsequently, the law “is not directed so much to a real body capable of feeling pain as to a juridical subject, the possessor, among other rights, of the right to exist” (13).

People often hail the current systems of discipline and punishment as a monumental improvement on the systems of the past in which people often endured excruciating physical pain for their crimes and, personally, I don’t disagree with them; I can’t say that I would like to be draw and quartered or have any of my limbs hacked off in public in case of any future misgivings.  Pain is generally unpleasant and to have one’s pain exhibited, is demeaning and, as most people would probably agree, anti-humanistic. I think there is also, however, a very strange way in which, based on Foucault’s descriptions, current systems for discipline and punishment also have an unexpectedly anti-humanistic element which actually appears in virtue of the disappearance of pain and the elimination of spectacle. When we intentionally inflict pain upon another human being in public, we are forced and force others to acknowledge a human subject who feels pain. But when the condemned man is no longer observable, the human body/subject starts to disappear. Discipline and punishment become impersonal, as Foucault describes, they are directed towards “a juridical subject…not so much a real body capable of feeling pain”. Wow! How strange! (And, potentially problematic?) I don’t know! What do you think?

There are so many interesting elements in the first chapter of Discipline and Punish that I have had a difficult time deciding what to write about. I find Foucault’s description of “the slackening of the hold on the body,” through the “double process [of] the disappearance of the spectacle and the elimination of pain” (11), an especially interesting topic, however, with some potentially intriguing and strange implications. As Foucault reports, “one no longer touches the body…physical pain…is no longer the constituent element of the penalty. From being an art of unbearable sensations punishment has become an economy of suspended rights” (11). In addition, punishment has gained a certain degree of anonymity; while people were once executed in public, “the condemned man is no longer to be seen…capital punishment is fundamentally a spectacle that must actually be forbidden” (15). Subsequently, the law “is not directed so much to a real body capable of feeling pain as to a juridical subject, the possessor, among other rights, of the right to exist” (13).

People often hail the current systems of discipline and punishment as a monumental improvement on the systems of the past in which people often endured excruciating physical pain for their crimes and, personally, I don’t disagree with them; I can’t say that I would like to be draw and quartered or have any of my limbs hacked off in public in case of any future misgivings.  Pain is generally unpleasant and to have one’s pain exhibited, is demeaning and, as most people would probably agree, anti-humanistic. I think there is also, however, a very strange way in which, based on Foucault’s descriptions, current systems for discipline and punishment also have an unexpectedly anti-humanistic element which actually appears in virtue of the disappearance of pain and the elimination of spectacle. When we intentionally inflict pain upon another human being in public, we are forced and force others to acknowledge a human subject who feels pain. But when the condemned man is no longer observable, the human body/subject starts to disappear. Discipline and punishment become impersonal, as Foucault describes, they are directed towards “a juridical subject…not so much a real body capable of feeling pain”. Wow! How strange! (And, potentially problematic?) I don’t know! What do you think?

There are so many interesting elements in the first chapter of Discipline and Punish that I have had a difficult time deciding what to write about. I find Foucault’s description of “the slackening of the hold on the body,” through the “double process [of] the disappearance of the spectacle and the elimination of pain” (11), an especially interesting topic, however, with some potentially intriguing and strange implications. As Foucault reports, “one no longer touches the body…physical pain…is no longer the constituent element of the penalty. From being an art of unbearable sensations punishment has become an economy of suspended rights” (11). In addition, punishment has gained a certain degree of anonymity; while people were once executed in public, “the condemned man is no longer to be seen…capital punishment is fundamentally a spectacle that must actually be forbidden” (15). Subsequently, the law “is not directed so much to a real body capable of feeling pain as to a juridical subject, the possessor, among other rights, of the right to exist” (13).

People often hail the current systems of discipline and punishment as a monumental improvement on the systems of the past in which people often endured excruciating physical pain for their crimes and, personally, I don’t disagree with them; I can’t say that I would like to be draw and quartered or have any of my limbs hacked off in public in case of any future misgivings.  Pain is generally unpleasant and to have one’s pain exhibited, is demeaning and, as most people would probably agree, anti-humanistic. I think there is also, however, a very strange way in which, based on Foucault’s descriptions, current systems for discipline and punishment also have an unexpectedly anti-humanistic element which actually appears in virtue of the disappearance of pain and the elimination of spectacle. When we intentionally inflict pain upon another human being in public, we are forced and force others to acknowledge a human subject who feels pain. But when the condemned man is no longer observable, the human body/subject starts to disappear. Discipline and punishment become impersonal, as Foucault describes, they are directed towards “a juridical subject…not so much a real body capable of feeling pain”. Wow! How strange! (And, potentially problematic?) I don’t know! What do you think?

There are so many interesting elements in the first chapter of Discipline and Punish that I have had a difficult time deciding what to write about. I find Foucault’s description of “the slackening of the hold on the body,” through the “double process [of] the disappearance of the spectacle and the elimination of pain” (11), an especially interesting topic, however, with some potentially intriguing and strange implications. As Foucault reports, “one no longer touches the body…physical pain…is no longer the constituent element of the penalty. From being an art of unbearable sensations punishment has become an economy of suspended rights” (11). In addition, punishment has gained a certain degree of anonymity; while people were once executed in public, “the condemned man is no longer to be seen…capital punishment is fundamentally a spectacle that must actually be forbidden” (15). Subsequently, the law “is not directed so much to a real body capable of feeling pain as to a juridical subject, the possessor, among other rights, of the right to exist” (13).

People often hail the current systems of discipline and punishment as a monumental improvement on the systems of the past in which people often endured excruciating physical pain for their crimes and, personally, I don’t disagree with them; I can’t say that I would like to be draw and quartered or have any of my limbs hacked off in public in case of any future misgivings.  Pain is generally unpleasant and to have one’s pain exhibited, is demeaning and, as most people would probably agree, anti-humanistic. I think there is also, however, a very strange way in which, based on Foucault’s descriptions, current systems for discipline and punishment also have an unexpectedly anti-humanistic element which actually appears in virtue of the disappearance of pain and the elimination of spectacle. When we intentionally inflict pain upon another human being in public, we are forced and force others to acknowledge a human subject who feels pain. But when the condemned man is no longer observable, the human body/subject starts to disappear. Discipline and punishment become impersonal, as Foucault describes, they are directed towards “a juridical subject…not so much a real body capable of feeling pain”. Wow! How strange! (And, potentially problematic?) I don’t know! What do you think?

There are so many interesting elements in the first chapter of Discipline and Punish that I have had a difficult time deciding what to write about. I find Foucault’s description of “the slackening of the hold on the body,” through the “double process [of] the disappearance of the spectacle and the elimination of pain” (11), an especially interesting topic, however, with some potentially intriguing and strange implications. As Foucault reports, “one no longer touches the body…physical pain…is no longer the constituent element of the penalty. From being an art of unbearable sensations punishment has become an economy of suspended rights” (11). In addition, punishment has gained a certain degree of anonymity; while people were once executed in public, “the condemned man is no longer to be seen…capital punishment is fundamentally a spectacle that must actually be forbidden” (15). Subsequently, the law “is not directed so much to a real body capable of feeling pain as to a juridical subject, the possessor, among other rights, of the right to exist” (13).

People often hail the current systems of discipline and punishment as a monumental improvement on the systems of the past in which people often endured excruciating physical pain for their crimes and, personally, I don’t disagree with them; I can’t say that I would like to be draw and quartered or have any of my limbs hacked off in public in case of any future misgivings.  Pain is generally unpleasant and to have one’s pain exhibited, is demeaning and, as most people would probably agree, anti-humanistic. I think there is also, however, a very strange way in which, based on Foucault’s descriptions, current systems for discipline and punishment also have an unexpectedly anti-humanistic element which actually appears in virtue of the disappearance of pain and the elimination of spectacle. When we intentionally inflict pain upon another human being in public, we are forced and force others to acknowledge a human subject who feels pain. But when the condemned man is no longer observable, the human body/subject starts to disappear. Discipline and punishment become impersonal, as Foucault describes, they are directed towards “a juridical subject…not so much a real body capable of feeling pain”. Wow! How strange! (And, potentially problematic?) I don’t know! What do you think?

There are so many interesting elements in the first chapter of Discipline and Punish that I have had a difficult time deciding what to write about. I find Foucault’s description of “the slackening of the hold on the body,” through the “double process [of] the disappearance of the spectacle and the elimination of pain” (11), an especially interesting topic, however, with some potentially intriguing and strange implications. As Foucault reports, “one no longer touches the body…physical pain…is no longer the constituent element of the penalty. From being an art of unbearable sensations punishment has become an economy of suspended rights” (11). In addition, punishment has gained a certain degree of anonymity; while people were once executed in public, “the condemned man is no longer to be seen…capital punishment is fundamentally a spectacle that must actually be forbidden” (15). Subsequently, the law “is not directed so much to a real body capable of feeling pain as to a juridical subject, the possessor, among other rights, of the right to exist” (13).

People often hail the current systems of discipline and punishment as a monumental improvement on the systems of the past in which people often endured excruciating physical pain for their crimes and, personally, I don’t disagree with them; I can’t say that I would like to be draw and quartered or have any of my limbs hacked off in public in case of any future misgivings.  Pain is generally unpleasant and to have one’s pain exhibited, is demeaning and, as most people would probably agree, anti-humanistic. I think there is also, however, a very strange way in which, based on Foucault’s descriptions, current systems for discipline and punishment also have an unexpectedly anti-humanistic element which actually appears in virtue of the disappearance of pain and the elimination of spectacle. When we intentionally inflict pain upon another human being in public, we are forced and force others to acknowledge a human subject who feels pain. But when the condemned man is no longer observable, the human body/subject starts to disappear. Discipline and punishment become impersonal, as Foucault describes, they are directed towards “a juridical subject…not so much a real body capable of feeling pain”. Wow! How strange! (And, potentially problematic?) I don’t know! What do you think?