Daily Archives: June 19, 2013

Noam Chomsky: NSA Surveillance Is an Attack on American Citizens

Fiona Harvey, The Guardian, June 19. 2013– The actions of the US government in spying on its and other countries’ citizens have been sharply criticised by Noam Chomsky, the prominent political thinker, as attacks on democracy and the people.

“Governments should not have this capacity. But governments will use whatever technology is available to them to combat their primary enemy – which is their own population,” he told the Guardian.

In his first public comment on the scandal that has enveloped the US, UK and other governments, as well as internet companies such as Google and Microsoft, Chomsky said he was not overly surprised technology and corporations were being used in this way.

“This is obviously something that should not be done. But it is a little difficult to be too surprised by it,” he said. “They [governments and corporations] take whatever is available, and in no time it is being used against us, the population. Governments are not representative. They have their own power, serving segments of the population that are dominant and rich.”

Chomsky, who has strongly supported the Occupy movement and spoken out against the Obama administration‘s use of drones, warned that young people were much less shocked at being spied on and did not view it as such a problem.

“Polls in the US indicate there is generational issue here that someone ought to look into – my impression is that younger people are less offended by this than the older generation. It may have to do with the exhibitionist character of the internet culture, with Facebook and so on,” he said. “On the internet, you think everything is going to be public.”

Other technologies could also come to be used to spy more effectively on people, he added. “They don’t want people to know what they’re doing. They want to be able to use [new technology] against their own people.

“Take a look at drones, and what is developing. You will find new drone technology being used in 10 or 12 years from now. They are looking at [trying to make] tiny drones that can go in your living room, like a fly on the wall.”

He praised the Guardian’s revelations about the activities of the National Security Agency, and the whistleblower Ed Snowden, who has been taking refuge in Hong Kong. “We need this kind [of journalism],” he said. “We ought to know about it.”

Chomsky, a much-lauded academic and professor of linguistics, gained renown as a political critic when he vocally opposed the Vietnam war. Since then, he has written dozens of books on political power, capitalism and democracy and espoused a variety of activist campaigns, most recently the Occupy movement.

Read More: The Guardian

Banishing the Poor, Unemployed and Working Class from the Mainstream Media Implies That They are Worthless

Mark Karlin, Truthout, June 17, 2013–  How often do you come across an article or a television news story that presents a poor person in a positive light?  Or for that matter when do you read about or see a story on an unemployed individual or the challenges of a working class American whose salary is receding as the stock market soars?

Oh, yes every once in awhile there will be a hard luck formula piece of reporting about the plight of the economically left behind – but it’s comparatively rare and is often presented in a pitying, patronizing tone.

In short, if you are not a member of the economically made, political or corporate elite, you generally don’t appear in the news. You are voiceless, faceless. The reality is that you are not news; your existence is hardly worthy of note, with the obligatory exception of an occasional “gee it’s tough to live like this” profile of a “welfare mom” or person unemployed and looking for work for three or four years.

Otherwise, in urban areas, the only regular stories you see about the poor is the knife and gun coverage of violence, particularly on weekends, particularly on local television news.  These video accounts of weeping relatives, blood-stained crime scenes, and eyewitnesses only serve to reinforce stereotypes of the urban poor, particularly minorities. It’s voyeuristic catnip for suburbanites and the well-to-do who gain comfort in their racial views being reinforced by tawdry and sensationalistic “news delivery systems.”

Let’s face it, corporate mainstream news doesn’t – in general — adequately or appropriately recognize those with low or no incomes as having a stake in society or anything to contribute in discussions of public policy.  As far as economics is concerned, it appears that the only persons entitled to speak about financial policy options are those of the privileged class, and particularly those who have been enriched by the current system (including politicians).  Add to that at the ever present class of “journalistic punditry,” who if they are on national television (or major market local television stations) de facto belong to the entrenched wealthy.

Just look at unions.  Some union members are well into the middle class, but even labor gets short shrift by the corporate mainstream media.  Why? Many reasons, but one of the big ones is that the owners of news “machines” in America are generally not keen on unions.  They cut into their media conglomerate profits.  So why promote the union viewpoint?

But there’s another key point to remember.  News that relies on advertising for revenue and profit – which is almost all the news media (although Truthout/BuzzFlash are an exception because we accept no ads) – are shaped as conduits for advertisers to deliver to a defined market.  And guess what? Poor and low income people don’t have the money to make them a desirable advertising audience (with some exceptions) for big media. So why write articles about them in the corporate media?

They won’t deliver advertisers, after all – and the well-off don’t want to read about them for the most part.  The poor, the unemployed, the working stiffs are best left under the carpet – out of plain sight.

Read More: Truthout

Graduate Seminar: Bruno Latour and STS

Please consider enrolling (or advising enrollment) this Winter 1 term (Sept-Dec 2013) in a graduate Seminar on Bruno Latour and STS (at the University of British Columbia).  The course is listed as a Masters Seminar but I encourage all PhD students with STS interests to enroll for intellectual reasons, for taking leadership roles within the seminar, and for learning to teach and design courses on Latour and STS.

Note that the course is Pass-Fail format.  This year the seminar focuses on Latour and the postsecular turn in STS:

EDCP 501 : Thursdays (1:00-4:00)

Course Description:

This seminar focuses on recent work of Bruno Latour, arguably the most creative and challenging scholar of Science & Technology Studies (STS).  Latour’s reputation and scholarship traverses an extremely wide range of disciplines in addition to STS (e.g., anthropology, art, education, environmental studies, geography, history, law, philosophy, political science, sociology, theology, etc.).  Following a survey of Latour’s work and the postsecular turn in STS, we will focus on three new texts: An Inquiry into Modes of Existence (2013), Rejoicing: Or the Torments of Religious Speech (2013), and On the Modern Cult of the Factish Gods (2010). The seminar is interdisciplinary and inviting, and students from any and all disciplines are encouraged to enroll.  We will work systematically through these texts to closely examine Latour’s strategies for doing STS.

Michael Moore: Here’s How We Built a Movie Theater for the People

Michael Moore, michaelmoore.com, Reader Supported News, 8 June 2013– This past week, the Motion Picture Association of America (MPAA), the main federation of Hollywood’s six major studios, posted on their web site a list of what they believe are some of the best movie theaters in the world.

And listed as #1 is the historic State Theatre of Traverse City, Michigan, an incredible movie palace which I restored and now run as a nonprofit theater – along with a few hundred great volunteers!

This month, we will sell our one-millionth admission ticket since we opened five-and-a-half years ago. What makes this statistic even more remarkable is that Traverse City’s year-round population here in remote northern Michigan is only 16,000 people. And mostly we show only “smaller” indie and foreign films that open nationwide on less than 200 screens.

Even with those limitations, in the 289 weeks we’ve been open, for 78 of those weeks, the State Theatre has been the #1 grossing theater in the country for the movie we happen to be showing. We’ve placed in the top 10 grossing cities for 171 of those weeks (the other cities on that list are usually New York, Los Angeles, Chicago, D.C., Dallas, Boston, etc.).

So how in the name of trees that are right height does this happen?

Here is our basic recipe:

  1. We only show really good movies. Nothing that aspires to the mediocre is shown at the State.
  2. We reject the need to make a profit and, by doing so, we’ve been in the black since day one.
  3. We don’t rip people off. You can see a first-run movie for $8 and $6 (kids are less). Late night on the weekend is 2 for $5. We have 25-cent kids matinees on Saturday mornings (often packed with 580 people in attendance) and 25-cent classic movie matinees on Wednesdays. As for the concessions: No $10 popcorn at our place! Popcorn is as low as $2, soda $2 and candy as low as $1. We believe everyone should be able to afford to go to the movies.
  4. This is the community’s theater. Like in a co-op, everyone pitches in as a volunteer. Volunteers pop the corn, take the tickets and run the box office. Community groups pick the shift they’d like to work each month, which means on any given night you’ll have a county judge and a single mom working the concession counter, the high school English staff working as the ushers, and the Boy Scout troop on clean-up. Everybody gets free movies tickets for this – and the knowledge that they are the true “owners” of this theater. (The paid positions, like the theater managers and our professional projectionists, are paid a good livable wage with full health benefits.)
  5. This theater has perhaps the best projection and sound in the country. We show movies the way they were meant to be seen (and on a huge 50-foot screen). We have the most comfortable theater seats that you’ll ever sit in (made in Michigan, like many things in the theater). There’s a theater organ that rises out of the stage. A red velvet curtain ascends at the beginning of every movie, and the ceiling above you has 3,000 tiny lights that make up the constellations as they actually appear in the night sky over Traverse City in the fall.
  6.  Filmmakers from Wim Wenders to Paul Mazursky to David O. Russell have shown their films in person at the State, and they will tell you that the State Theatre is one of a kind. I tell them, “If they’d let us filmmakers design the theaters, the public would be amazed at the difference in the theater-going experience.”
  7. Other than our coming attractions, we will never show a commercial before any of our films. You came here to see a movie, not watch TV.
  8. Our cell phone policy is simple: If we catch you talking on the phone, texting or checking your mail, you will be banned from the theater for life. Zero tolerance for those who are there to annoy the people who are there to watch a movie in peace.
  9. Each summer we present the Traverse City Film Festival at the State Theatre and seven other venues. We have 100,000 admissions each year and and this year’s fest will take place July 30-August 4.

There’s a lot more, but you get the picture. We’ve created a comfortable, pleasant place to disappear into the dark and be transported by an excellent movie. Shouldn’t every town – especially the small ones – have this? We’d be happy to share with anyone who’d like our help.

In three years, in 2016, we’ll celebrate the 100th anniversary of movies being shown on the site of the State Theatre in Traverse City, Michigan. If you love the cinema and if you are ever in our area, please stop by to experience what going to the movie palace was like many, many years ago.

We offer our deep appreciation to the Motion Picture Association of America for this honor of being named one of the best places in the world to see a movie.

Sincerely,

Michael Moore
President, State Theatre and Traverse City Film Festival

Board of Directors

Terry George (director, ‘Hotel Rwanda,’ Oscar winner)
Larry Charles (director, ‘Borat’)
Christine Lahti (actress, Oscar winner)
Rod Birleson (co-producer, ‘Roger & Me,’ ‘Sicko,’ ‘Capitalism: A Love Story’)
Sabina Guzanti (acclaimed Italian filmmaker and satirist)
John Robert Williams (photographer)