It was a short month, but lot’s of great music.
I’m still buying cds and downloading albums, but Sandra predicted long ago that “hardcopy” music would go the way of the dinosaur. I’ve always been skeptical about that but this month I added a Sonos digital music system to house and it came with a free trial of the new Napster, which is basically a music rental service. I’ve been listening to tunes via Napster a lot. It’s not perfect, but for $10 a month you can listen to millions of tracks and I can envision the end times of the cd quite clearly.
In the meantime I’m still buying, downloading, and burning cds…including these this in February:
Marah, Angels of Destruction—Saviors of rock and roll?
Drive-By Truckers, Brighter Than Creation’s Dark—Southern gothic rock n’ roll masterpiece? Nah. But a pretty darn good album. Minus Jason Isbell, Shonna Tucker’s tunes are a highlight.
Robert Pollard/Guided By Voices, Crickets—Best of Robert Pollard’s Fading Captain Series. very cool.
Various Artists, Cult Cargo: Belize City Boil Up—Funky soul and reggae music of Belize
Various Artists, Eccentric Soul: The Big Mack Label—Obscure Detroit soul
Warren Zevon, Excitable Boy—Spectacular remastering of EB in all of its horror, blood, guts, guns and that other good stuff Zevon always wrote and sung about.
Chris Walla, Field Manual—Solid solo release from front man of Death Cab for Cutie…this one seems to get a played a lot.
Guided By Voices, Hold on Hope [EP}—Can’t have to much GBV.
Johnny Winter, I’m A Bluesman—One of four albums sent my way by Perry this month—Johnny’s playing acoustic six-string slide on some deep blues.
Black Mountain, Into The Future—Prog Rock from the most public face of the East Vancouver-based collective of “likeminded musicians with amps set to nerve-stun levels and guitars possessed by wailing blues ghouls – have been busy since the release of their self-titled debut in 2005.”
Lenny Kravitz, It’s TIme for a Love Revolution. Nothing surprising here, just good ole retro funk rock.
Nick Lowe, Jesus of Cool—Great reissue with lots of bonus tracks, including the original version of “Cruel to be Kind” in one of the most fun cd packages I’ve seen in a while.
Robert Pollard, Kid Marine—The first release (from 1999) of the Fading Captain Series
Nada Surf, Lucky—some good tracks here, especially “Whose Authority”
Vic Chestnutt, North Star Deserter—stripped “down and leaving Chesnutt’s shrewd, witty lyrics and fragile, plainspoken voice center stage…”
David Gillespie, Out in the Real World—Somewhere between David Gray and Dave Matthews
Jackie Greene, Rusty Nails—Rootsy blues from Northern California singer/songwriter
Jackie Greene, Sweet Somewhere Bound
Tony Joe White, The Heroines—TJ with Shelby Lynne, Lucinda Williams, Jessi Colter, Emmylou Harris…
Tony Joe White, The Train I’m On—A platter of swamp rock from 1972

Neil Young, Chrome Dreams II—Neil’s sequel to an album that doesn’t exits. Thanks Perry.
The Budos Band, The Budos Band II—FUNKY, FUNKY, FUNKY. Old school funk and R&B from Staten Island crew in the Dap-King circle.
Easy Star All-Stars, Radiodread—Had my doubts about this reggae cover of Radiohead’s OK Computer, but the guys at High Life Records on Commercial Drive said it was stupendous, and it is.
Easy Star All Stars, Dub Side of the Moon—Even better than the Radiohead cover!
Mulatu Astatke Ethiopiques, Vol. 4: Ethio Jazz & Musique Instrumentale, 1969-1974—”…the 14 instrumentals here were originally issued on two LPs in 1972 and 1974 in Ethiopia, and represent a curious blend of soul-jazz and R&B with just a smattering of Ethiopian roots breaking up the stabbing horn lines, wah-wah guitars, and simmering electric piano. ” Fantastic!
Ronnie Earl & the Broadcasters, Hope Radio—Great “live in the studio” album but highly underrated blues guitarist out of Boston.
Aesop Rock, None Shall Pass—This was on lots of best of 2007 lists so I said what the hey, I’ll check it out. AP strings together some amazing stream of consciousness rhymes, but this supposedly “accessible” album didn’t really grab this 50 something white guy, maybe not too surprising.
Eagles, Long Road Out Of Eden—Perry sent me this one (and the Robben Ford cd below) and while I was skeptical it’s not bad.
Robben Ford, Truth—Guitar god’s first album in four years is pleasing blend of jazz and smooth blues even a little rock on the opening track. But, hit the old skip button when his tribute to BB King starts up.
Mavis Staples, We’ll Never Turn Back—Songs of the civil rights struggles of the 1950s and 1960s produced by Ry Cooder.
Ani DiFranco, Imperfectly—Early album from The “Righteous Babe”.
Johnnie Taylor Live at the Summit—This is an amazing document. Because of time overruns Johnnie got bumped from the line up at the main event of the legendary 1973
Warren Zevon Stand in the Fire—Masterpiece live album from 1981. This reissue has four previously unreleased cuts including “Johnny Strikes Up The Band,” “Frank And Jesse James,” and “Hasten Down The Wind.”
Ike Turner & The Rhythm Kings A Black Man’s Soul—First released in 1969, this album shows how Ike crossed R&B with funk, rock and gospel to show off the wide spectrum of black music. The opening track, “Thinking Black” was nominated for “Best R&B Instrumental” Grammy in 1969; that same year Tina was nominated for “Best Female R&B Singer” Grammy.
Tony Joe White Beginnings—Just Tony Joe, his acoustic guitar and some great songs.
Dinosaur Jr Beyond—I was inspired to buy J Mascis comeback after reading
Beruit Gulag Orkestar—Largely the work of one 19-year old Albuquerquean named Zach Condon, this album basically sounds like a Balkan gypsy orchestra playing modern songs, despite this it sounds pretty good.
Robert Pollard’s Superman Was A Rocker is a return to old ways. This mini-album (13 songs, 30 minutes) finds Pollard using recording methods he hasn’t engaged in since his time in Guided By Voices. Pollard recently poured through a bunch of old cassette tapes and found some great, never-used instrumentals that he either wrote or co-wrote, and and he decided to go into the studio and put vocals (and melodies!) over them, just like he used to back in the old Guided By Voices days. The music spans a 20+ year period, so in essence, this is an album 20 years in the making.