Glass and history

1. From page 88:

“In 1791, there is no public debate on the record, in France, in England, or in the United States on the right of black slaves to achieve self-determination, and the right to do so by way of armed resistance.”

What does Trouillot mean by “self-determination” here? I ask because I always thought of it as more of a 20th century term.

2. On page 95, Trouillot discusses scientific racism. I don’t really know how to phrase this as a question. I just think it might be interesting to discuss the history of using science to legitimize bigotry.

3. From page 10:

“Historians had long questioned the veracity of some of the events in Alamo narratives, most notably the story of the line on the ground….Texas historians, and especially Texas-based authors of textbooks and popular history, long concurred that this particular narrative was only “a good story”, and that “it doesn’t really matter whether it is true or not.”

(The footnote to that segment is on page 158.)

There seems to be some shift in the meaning of “historian” in this paragraph. What is it exactly, and what does it say about Trouillot’s stance on the matter?

4. To what extent does Trouillot use narrative techniques to discuss the use of narrative techniques in recording history?

5. From page 142:

History did not need to be mine in order to engage me. It just needed to relate to someone, anyone. It could not just be The Past. It had to be someone’s past.”

Can history exist without being related to the present?

 

The ending story reminded me on the first read of this. I couldn’t have been the only one.

Oh, and – the copyright information at the front of the book misspells his name as “Michel-Ralph Trouillot”. Thanks for reading, everyone.

 

Kafka!!!

I found a really cool audio clip of David Foster Wallace speaking about Kafka. I think it answers this question I asked in the first class in some weird, round-about way. I would also like to take a second to apologize for that question, which I felt like a complete dofus about immediately after asking it. Anyways, I also feel like DFW sums up why, as a North American undergrad student interested in studying/analyzing literature, I may have asked it.

https://www.youtube.com/watch?v=SzEO0qFFzwI

 

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Silencing the Past

As much as Michel-Rolph Trouillot, Silencing the Past advances ideas concerning history and historiography, I could not be more stirred by Trouillot’s meditations on present-day Haiti. One idea I find especially provocative in this work is taken up only briefly:

“With time, the silencing of the revolution was strengthened by the fate of Haiti itself. Ostracized for the better part of the nineteenth century, the country deteriorated both economically and politically – in part as a result of this ostracism. As Haiti declined, the reality of the revolution seemed increasingly distant, an improbability which took place in an awkward past and for which no one had a rational explanation.” (98)

Trouillot adds a short end-note after the second sentence, in which he simply references another one of his works Haiti: State Against Nation. The dynamics between past and present that Trouillot mentions makes what he is discussing more relevant and more tangible. Elsewhere, Trouillot discusses the way revolutions and dissent in the Caribbean during the 18th and 19th Century was viewed as a replication or result of European revolutions/revolutionary ideas. I found this intriguing on a personal level; I had done quite a bit of research on revolts in French colonies around the time of the French Revolution for a research paper last year, and always treated them as a subsidiary of the Revolution in Europe. Haiti is a state that the “developed world” has more or less left behind. I can’t help but think that if we were taught more about the revolution in Haiti (and as a Haitian revolution, not a European-influenced one) we would pay more attention to a country that is much closer to us then Europe. Of course, the idea of a white, middle class male “paying attention” to Haiti has its own bundles of problems, but I suppose those are things to be worked out in time.

All this to say, it is incredibly refreshing to read an author who is outside of the “Western” (I use that term reluctantly as a simple reference point, as Trouillot does spend some time discussing it) tradition. Silencing the Past has sparked a curiosity in me when it comes to Haitian and Caribbean history.

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Here We Go, Rousseau!

1. So, we have already established the symbolism of the over cover on A Discourse on Inequality in Crawford’s lecture, but that got me thinking, who are the people that are depicted on the more modern cover? What do the objects/other elements represent?

2. Rousseau seems to be able to formulate an entire argument surrounding the utopian lifestyle of nascent man. How does Rousseau come up with this conjecture that humankind has evolved from an animal-like being when many others at the time believed in the creationist theory?

b. What evidence does he use to provide some validity to his conjecture? Or, does his disclaimer denounce the need for evidence?

3. If Rousseau identifies savage people to be unaware of their own existence, how are they capable of understanding that they are happy? 

4. The role of women began as merely satisfying her young’s needs and eventually letting them go about their own lives. Although this sounds like the modern role of a mother, Rousseau further expands by adding that the child and the mother will part ways, never to see or recognize each other again. What has caused the change in relationship between mother and child?

 

Annndddddd…. I’ve been staring at this post for too long for any other mind-probing questions. I tried.

 

 

p.s Charlotte, I hope you aren’t too infuriated at my tardiness on this post. I’ve been working on it for 3 days.

Rousseau Durden

Oh I so rue the day I saw this text (oh the puns). I found this text extremely frustrating, not because it was hard to read, but because goddamn it everything Rousseau said felt so wrong. While reading the text the only thing I wanted to do was learn French, grab a time machine, visit Rousseau and tell him off.

What this text reminds me a lot of is Fight Club, with it’s espousing of anarcho-primitivism as the best stage of human life. I enjoyed both Rousseau and Fight Club when I was 14, but visiting it now a lot of the revolutionary, dissident charm has worn off. But like Tyler Durden, Rousseau is extremely charming and well-spoken, but also gratingly condescending.

For one, he’s so Euro-centric and surprisingly colonial. The way he refers to ‘savages’ and how they’re closer to the state of nature than we are, which completely undermines the civilizations of these people that have developed completely differently from our own. Inevitably, for Rousseau, civilization means ‘European civilization’, and he even says at one point that Europe has been “continuously and better civilized than the rest of the world” (p. 116). Even when he discusses the evolution of language, he paints its developmental trajectory as basically following that of English, of discovering all the clauses and tenses and cases which are not necessarily endemic to language.

Also, his ‘scientific reasoning’ in the text now seems hilariously backward and completely unfounded on any biological, anthropological, or historical research. The book is ridiculously conjectural and some of the claims it makes about human nature seem very logically underdeveloped and not as sound as Rousseau would have us believe (the number of times he uses ‘obviously’, ‘clearly’, and etc. is ridiculously smug). Also, why does he spend half the discourse establishing the state of humans in nature?

I just find that Roussea picked the least interesting section of the question ‘What is the origin of inequality among men and is it authorized by natural law?’ He focuses on the first half but all that he establishes is that, yes, people are unequal. Well, Rousseau what (I’m so sorry, my puns are getting worse)? Maybe it’s because of this text, but I feel like that is already established. But even of the state of nature Rousseau describes, a state he himself said that we may never have been in, it’s clearly one we can’t return to. So where is the constructive criticism? A Discourse on Inequality feels to me almost childish; it’s blatantly reactionary, but instead of providing anything useful, it just nostalgically pines for a lost ‘golden age’ that probably isn’t as great as Rousseau thinks it was, and completely ignores the benefits society has given us.

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Rousseau Durden

Oh I so rue the day I saw this text (oh the puns). I found this text extremely frustrating, not because it was hard to read, but because goddamn it everything Rousseau said felt so wrong. While reading the text the only thing I wanted to do was learn French, grab a time machine, visit Rousseau and tell him off.

What this text reminds me a lot of is Fight Club, with it’s espousing of anarcho-primitivism as the best stage of human life. I enjoyed both Rousseau and Fight Club when I was 14, but visiting it now a lot of the revolutionary, dissident charm has worn off. But like Tyler Durden, Rousseau is extremely charming and well-spoken, but also gratingly condescending.

For one, he’s so Euro-centric and surprisingly colonial. The way he refers to ‘savages’ and how they’re closer to the state of nature than we are, which completely undermines the civilizations of these people that have developed completely differently from our own. Inevitably, for Rousseau, civilization means ‘European civilization’, and he even says at one point that Europe has been “continuously and better civilized than the rest of the world” (p. 116). Even when he discusses the evolution of language, he paints its developmental trajectory as basically following that of English, of discovering all the clauses and tenses and cases which are not necessarily endemic to language.

Also, his ‘scientific reasoning’ in the text now seems hilariously backward and completely unfounded on any biological, anthropological, or historical research. The book is ridiculously conjectural and some of the claims it makes about human nature seem very logically underdeveloped and not as sound as Rousseau would have us believe (the number of times he uses ‘obviously’, ‘clearly’, and etc. is ridiculously smug). Also, why does he spend half the discourse establishing the state of humans in nature?

I just find that Roussea picked the least interesting section of the question ‘What is the origin of inequality among men and is it authorized by natural law?’ He focuses on the first half but all that he establishes is that, yes, people are unequal. Well, Rousseau what (I’m so sorry, my puns are getting worse)? Maybe it’s because of this text, but I feel like that is already established. But even of the state of nature Rousseau describes, a state he himself said that we may never have been in, it’s clearly one we can’t return to. So where is the constructive criticism? A Discourse on Inequality feels to me almost childish; it’s blatantly reactionary, but instead of providing anything useful, it just nostalgically pines for a lost ‘golden age’ that probably isn’t as great as Rousseau thinks it was, and completely ignores the benefits society has given us.

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Go on

I’m finding that the more philosophy we read the less I like reading it. Rousseau wasn’t too difficult to get through but in some places I just felt like my mind was falling out.

To start with (and probably the only subject matter of this post):

“… not only did such commodities continue to soften body and mind and as they had the same time degenerated into actual needs, being deprived of them became much more cruel than the possession of them was sweet…” (113)

In some places, the Discourse on Inequality reminds me a lot of contemporary motivational/advising media. This part would probably translate into something like “don’t use your free time to find vices”. There’s also this:

“As a result of seeing each other, people cannot do without seeing more of each other. A tender and sweet sentiment insinuates itself into the soul, and at the least obstacle becomes an inflamed fury; jealousy awakens with love; discord triumphs, and the gentlest of passions receives the sacrifice of human blood” (114)

That struck me as a specific example of how, to quote the first link I wasn’t afraid to click on in the first page of results when googling the phrase “the pursuit of happiness is the cause of all unhappiness”:

“Groundbreaking work by Iris Mauss has recently supported the counterintuitive idea that striving for happiness may actually cause more harm than good. In fact, at times, the more people pursue happiness the less they seem able to obtain it. Mauss shows that the more people strive for happiness, the more likely they will be to set a high standard for happiness—then be disappointed when that standard is not met.”

There’s also this in Rousseau’s footnotes:

“One must not confuse pride and self-love, two passions very different in their nature and in their effects” (167)

Hobbes also uses the phrase “self-love” (99, para. 35), and I don’t think I completely understand what he’s talking about in that paragraph, but it’s there. I know Rousseau’s/Cranston’s usage of the phrase – an instinct for self-preservation – is kind of different from its modern meaning, but it’s funny to see it anyway.

Here’s another nigh irrelevant music video I like. It’s also where this post’s title comes from. Thanks for reading, everyone. It was really cold today.

 

[Edited to clarify where the footnote was from.]

[Edited a second time because I wrote "happiness" instead of "unhappiness". Sorry, everyone.]

Questions for Leviathan

Couple questions about Hobbes’ Leviathan. A bit late, but hey, maybe something can be made out of them.

1. How much does fear play a part in Hobbes notion of the state?

This is in regards to the idea of man in his pre-social condition, and I suppose could be complemented by the question:

2. How can we view Hobbes work, especially the idea of man in his state of nature, through a psychoanalytical lens?

3. How does the idea of being imprisoned factor into Hobbes sovereign state?

4. Is Leviathan, undoubtedly a utopian or normative project, does not seem to fit into Hobbes’ definition of the imagination. How do we place this text within Hobbes’ philosophy when considering it as a creative work?

5. Does Hobbes’ materialism undermine the importance he puts on power in Chapter X (especially section [5])?

or am I just unclear on what materialism is…

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