Category Archives: Media Activism

Facing History Together

Teachers, here’s a powerful opportunity to engage your students in a shared mission of creating a better future with human flourishing for all. Face the Future: A game for social change.

Set in the year 2026, the game imagines the future of empathy and social change. It explores how new technologies may make it possible for us to *literally* feel each others’ feelings as if they were our own. If you are a middle-years or high school teacher, please sign up for more information and please SHARE THIS WITH YOUR NETWORK! The online game will take place November 13–14, 2016.

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#CreateNoHate #‎NoH8‬

Create No Hate, a powerful anti-cyberbullying video made by 13-year-old filmmaker/vlogger Luke Culhane ‪

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Aaron Swartz: hacktivist, genius, martyr, leader in the charge for information to be free, victim of the rights and freedoms for which he stood

The Internet’s Own Boy: “The story of programming prodigy and information activist Aaron Swartz. From Swartz’s help in development of the basic internet protocol RSS to his co-founding of Reddit, his fingerprints are all over the internet. But it was Swartz’s groundbreaking work in social justice and political organizing combined with his aggressive approach to information access that ensnared him in a two year legal battle with the Federal government. It was a battle that ended with the taking of his own life at the age of 26. Aaron’s story touched a nerve with people far beyond the online communities in which he was a celebrity. This film is a personal story about what we lose when we are tone deaf about technology and its relationship to our civil liberties” (iTunes, 2014).

Take Action: sign the petition for greater accountability and better oversight for Federal Attorney misconduct

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FBI warns of U.S. government breaches by Anonymous hackers

Jim Finkle & Joseph Menn, Reuters, November 15, 2013– Activist hackers linked to the collective known as Anonymous have secretly accessed U.S. government computers in multiple agencies and stolen sensitive information in a campaign that began almost a year ago, the FBI warned this week.

The hackers exploited a flaw in Adobe Systems Inc’s software to launch a rash of electronic break-ins that began last December, then left “back doors” to return to many of the machines as recently as last month, the Federal Bureau of Investigation said in a memo seen by Reuters.

The memo, distributed on Thursday, described the attacks as “a widespread problem that should be addressed.” It said the breach affected the U.S. Army, Department of Energy, Department of Health and Human Services, and perhaps many more agencies.

Investigators are still gathering information on the scope of the cyber campaign, which the authorities believe is continuing. The FBI document tells system administrators what to look for to determine if their systems are compromised.

An FBI spokeswoman declined to elaborate.

According to an internal email from Energy Secretary Ernest Moniz’ chief of staff, Kevin Knobloch, the stolen data included personal information on at least 104,000 employees, contractors, family members and others associated with the Department of Energy, along with information on almost 2,0000 bank accounts.

The email, dated October 11, said officials were “very concerned” that loss of the banking information could lead to thieving attempts.

Officials said the hacking was linked to the case of Lauri Love, a British resident indicted on October 28 for allegedly hacking into computers at the Department of Energy, Army, Department of Health and Human Services, the U.S. Sentencing Commission and elsewhere.

Investigators believe the attacks began when Love and others took advantage of a security flaw in Adobe’s ColdFusion software, which is used to build websites.

Adobe spokeswoman Heather Edell said she was not familiar with the FBI report. She added that the company has found that the majority of attacks involving its software have exploited programs that were not updated with the latest security patches.

The Anonymous group is an amorphous collective that conducts multiple hacking campaigns at any time, some with a few participants and some with hundreds. In the past, its members have disrupted eBay’s Inc PayPal after it stopped processing donations to the anti-secrecy site Wikileaks. Anonymous has also launched technically more sophisticated attacks against Sony Corp and security firm HBGary Federal.

Some of the breaches and pilfered data in the latest campaign had previously been publicized by people who identify with Anonymous, as part of what the group dubbed “Operation Last Resort.”

Among other things, the campaigners said the operation was in retaliation for overzealous prosecution of hackers, including the lengthy penalties sought for Aaron Swartz, a well-known computer programmer and Internet activist who killed himself before a trial over charges that he illegally downloaded academic journal articles from a digital library known as JSTOR.

Despite the earlier disclosures, “the majority of the intrusions have not yet been made publicly known,” the FBI wrote. “It is unknown exactly how many systems have been compromised, but it is a widespread problem that should be addressed.”

Read More: Reporting by Joseph Menn in San Francisco and Jim Finkle in Boston; Additional reporting by Valerie Volcovici and Alina Selyukh; Editing by Tiffany Wu and Tim Dobbyn.

Noam Chomsky: NSA Surveillance Is an Attack on American Citizens

Fiona Harvey, The Guardian, June 19. 2013– The actions of the US government in spying on its and other countries’ citizens have been sharply criticised by Noam Chomsky, the prominent political thinker, as attacks on democracy and the people.

“Governments should not have this capacity. But governments will use whatever technology is available to them to combat their primary enemy – which is their own population,” he told the Guardian.

In his first public comment on the scandal that has enveloped the US, UK and other governments, as well as internet companies such as Google and Microsoft, Chomsky said he was not overly surprised technology and corporations were being used in this way.

“This is obviously something that should not be done. But it is a little difficult to be too surprised by it,” he said. “They [governments and corporations] take whatever is available, and in no time it is being used against us, the population. Governments are not representative. They have their own power, serving segments of the population that are dominant and rich.”

Chomsky, who has strongly supported the Occupy movement and spoken out against the Obama administration‘s use of drones, warned that young people were much less shocked at being spied on and did not view it as such a problem.

“Polls in the US indicate there is generational issue here that someone ought to look into – my impression is that younger people are less offended by this than the older generation. It may have to do with the exhibitionist character of the internet culture, with Facebook and so on,” he said. “On the internet, you think everything is going to be public.”

Other technologies could also come to be used to spy more effectively on people, he added. “They don’t want people to know what they’re doing. They want to be able to use [new technology] against their own people.

“Take a look at drones, and what is developing. You will find new drone technology being used in 10 or 12 years from now. They are looking at [trying to make] tiny drones that can go in your living room, like a fly on the wall.”

He praised the Guardian’s revelations about the activities of the National Security Agency, and the whistleblower Ed Snowden, who has been taking refuge in Hong Kong. “We need this kind [of journalism],” he said. “We ought to know about it.”

Chomsky, a much-lauded academic and professor of linguistics, gained renown as a political critic when he vocally opposed the Vietnam war. Since then, he has written dozens of books on political power, capitalism and democracy and espoused a variety of activist campaigns, most recently the Occupy movement.

Read More: The Guardian

Banishing the Poor, Unemployed and Working Class from the Mainstream Media Implies That They are Worthless

Mark Karlin, Truthout, June 17, 2013–  How often do you come across an article or a television news story that presents a poor person in a positive light?  Or for that matter when do you read about or see a story on an unemployed individual or the challenges of a working class American whose salary is receding as the stock market soars?

Oh, yes every once in awhile there will be a hard luck formula piece of reporting about the plight of the economically left behind – but it’s comparatively rare and is often presented in a pitying, patronizing tone.

In short, if you are not a member of the economically made, political or corporate elite, you generally don’t appear in the news. You are voiceless, faceless. The reality is that you are not news; your existence is hardly worthy of note, with the obligatory exception of an occasional “gee it’s tough to live like this” profile of a “welfare mom” or person unemployed and looking for work for three or four years.

Otherwise, in urban areas, the only regular stories you see about the poor is the knife and gun coverage of violence, particularly on weekends, particularly on local television news.  These video accounts of weeping relatives, blood-stained crime scenes, and eyewitnesses only serve to reinforce stereotypes of the urban poor, particularly minorities. It’s voyeuristic catnip for suburbanites and the well-to-do who gain comfort in their racial views being reinforced by tawdry and sensationalistic “news delivery systems.”

Let’s face it, corporate mainstream news doesn’t – in general — adequately or appropriately recognize those with low or no incomes as having a stake in society or anything to contribute in discussions of public policy.  As far as economics is concerned, it appears that the only persons entitled to speak about financial policy options are those of the privileged class, and particularly those who have been enriched by the current system (including politicians).  Add to that at the ever present class of “journalistic punditry,” who if they are on national television (or major market local television stations) de facto belong to the entrenched wealthy.

Just look at unions.  Some union members are well into the middle class, but even labor gets short shrift by the corporate mainstream media.  Why? Many reasons, but one of the big ones is that the owners of news “machines” in America are generally not keen on unions.  They cut into their media conglomerate profits.  So why promote the union viewpoint?

But there’s another key point to remember.  News that relies on advertising for revenue and profit – which is almost all the news media (although Truthout/BuzzFlash are an exception because we accept no ads) – are shaped as conduits for advertisers to deliver to a defined market.  And guess what? Poor and low income people don’t have the money to make them a desirable advertising audience (with some exceptions) for big media. So why write articles about them in the corporate media?

They won’t deliver advertisers, after all – and the well-off don’t want to read about them for the most part.  The poor, the unemployed, the working stiffs are best left under the carpet – out of plain sight.

Read More: Truthout

Michael Moore: Here’s How We Built a Movie Theater for the People

Michael Moore, michaelmoore.com, Reader Supported News, 8 June 2013– This past week, the Motion Picture Association of America (MPAA), the main federation of Hollywood’s six major studios, posted on their web site a list of what they believe are some of the best movie theaters in the world.

And listed as #1 is the historic State Theatre of Traverse City, Michigan, an incredible movie palace which I restored and now run as a nonprofit theater – along with a few hundred great volunteers!

This month, we will sell our one-millionth admission ticket since we opened five-and-a-half years ago. What makes this statistic even more remarkable is that Traverse City’s year-round population here in remote northern Michigan is only 16,000 people. And mostly we show only “smaller” indie and foreign films that open nationwide on less than 200 screens.

Even with those limitations, in the 289 weeks we’ve been open, for 78 of those weeks, the State Theatre has been the #1 grossing theater in the country for the movie we happen to be showing. We’ve placed in the top 10 grossing cities for 171 of those weeks (the other cities on that list are usually New York, Los Angeles, Chicago, D.C., Dallas, Boston, etc.).

So how in the name of trees that are right height does this happen?

Here is our basic recipe:

  1. We only show really good movies. Nothing that aspires to the mediocre is shown at the State.
  2. We reject the need to make a profit and, by doing so, we’ve been in the black since day one.
  3. We don’t rip people off. You can see a first-run movie for $8 and $6 (kids are less). Late night on the weekend is 2 for $5. We have 25-cent kids matinees on Saturday mornings (often packed with 580 people in attendance) and 25-cent classic movie matinees on Wednesdays. As for the concessions: No $10 popcorn at our place! Popcorn is as low as $2, soda $2 and candy as low as $1. We believe everyone should be able to afford to go to the movies.
  4. This is the community’s theater. Like in a co-op, everyone pitches in as a volunteer. Volunteers pop the corn, take the tickets and run the box office. Community groups pick the shift they’d like to work each month, which means on any given night you’ll have a county judge and a single mom working the concession counter, the high school English staff working as the ushers, and the Boy Scout troop on clean-up. Everybody gets free movies tickets for this – and the knowledge that they are the true “owners” of this theater. (The paid positions, like the theater managers and our professional projectionists, are paid a good livable wage with full health benefits.)
  5. This theater has perhaps the best projection and sound in the country. We show movies the way they were meant to be seen (and on a huge 50-foot screen). We have the most comfortable theater seats that you’ll ever sit in (made in Michigan, like many things in the theater). There’s a theater organ that rises out of the stage. A red velvet curtain ascends at the beginning of every movie, and the ceiling above you has 3,000 tiny lights that make up the constellations as they actually appear in the night sky over Traverse City in the fall.
  6.  Filmmakers from Wim Wenders to Paul Mazursky to David O. Russell have shown their films in person at the State, and they will tell you that the State Theatre is one of a kind. I tell them, “If they’d let us filmmakers design the theaters, the public would be amazed at the difference in the theater-going experience.”
  7. Other than our coming attractions, we will never show a commercial before any of our films. You came here to see a movie, not watch TV.
  8. Our cell phone policy is simple: If we catch you talking on the phone, texting or checking your mail, you will be banned from the theater for life. Zero tolerance for those who are there to annoy the people who are there to watch a movie in peace.
  9. Each summer we present the Traverse City Film Festival at the State Theatre and seven other venues. We have 100,000 admissions each year and and this year’s fest will take place July 30-August 4.

There’s a lot more, but you get the picture. We’ve created a comfortable, pleasant place to disappear into the dark and be transported by an excellent movie. Shouldn’t every town – especially the small ones – have this? We’d be happy to share with anyone who’d like our help.

In three years, in 2016, we’ll celebrate the 100th anniversary of movies being shown on the site of the State Theatre in Traverse City, Michigan. If you love the cinema and if you are ever in our area, please stop by to experience what going to the movie palace was like many, many years ago.

We offer our deep appreciation to the Motion Picture Association of America for this honor of being named one of the best places in the world to see a movie.

Sincerely,

Michael Moore
President, State Theatre and Traverse City Film Festival

Board of Directors

Terry George (director, ‘Hotel Rwanda,’ Oscar winner)
Larry Charles (director, ‘Borat’)
Christine Lahti (actress, Oscar winner)
Rod Birleson (co-producer, ‘Roger & Me,’ ‘Sicko,’ ‘Capitalism: A Love Story’)
Sabina Guzanti (acclaimed Italian filmmaker and satirist)
John Robert Williams (photographer)