French

“Le monologue de Lancelot.”—Shiyuan Ma—abstract—paper—

“Trauma à distance et identité : Les voyages de Merry Sisal de Gisèle Pineau.”—Joel Akinwumi—abstract—paper—

“What is there to say when faced with the end of the world?: The Representation of Language in the Theatre of the Absurd and 21st century French and Québécois Apocalypse Literature.” —Nico Bernier-Wong—abstract—paper—

“Symbolic Violence on Girls: Patriarchy against their love of boy bands.” —Mathilda Poulenay—abstract—paper—

“Code-switching among Mauritian Facebook users.” —Girish Kumar Ramgulam—abstract—paper—

“Editing the Unedited: Philological Considerations for Gonnot’s La Mort le roi Artu“— Nicholas Bartlett—abstract—paper—

 

Spanish

“A Chosen Family in La estrategia de Chochueca.”— Kathryn Houston— abstract— paper—

“Actos perversos: Género, performatividad y perversiones en Luna Caliente (1983) de Giardinelli.”—Johann Pitter—abstract— paper—

“Nostalgia for the Wild: Emotion, Reason, Nature and Culture in Idle Days in Patagonia (1893) by William H. Hudson” —Patricio Robles— abstract— paper—

“The construction of the “female Mexican I” through the feminist discourse of ‘el nueve nadie se mueve’.”— Fernanda Guzmán—abstract— paper—

“Bailes con Serpientes (1996) y la sonoridad neoliberal.”— Pamela Zamora— abstract— paper—

“Castellano’s mirror: a study to Rosario Castellanos’ writing.” —Nancy Ross— abstract — paper—

“La mujer autómata en el tiempo de la extracción del caucho: genealogía, esclavas, rameras, esposas y asesinas.” — Marcos Moscoso — abstract — paper–

“ ´Todo se vende por cuenta y medida´. Valorización y su contabilidad en la segunda carta de relación de Hernán Cortés.” —Ricardo García—abstract—paper–