Category Archives: Grade 9

Francophone Rights Timeline

Francophone Rights Timeline

– 1608 Samuel de Champlain founds the city of Quebec, establishing New France

– 1774 Britain passes the Quebec Act
– recognizes the rights of Francophones to their language and identity

1867 Confederation makes Canada a bilingual and multicultural country
– The Francophone-Anglophone alliance is established

– 1890 Manitoba Schools Act is passed
– Abolished public funding for Catholic Schools
– Made Manitoba an officially English province

– 1892 Haultain Resolution and North-West Territories Ordinance Number 22
– Proceeding of assembly be in English only
– English becomes language of instruction in schools
– Only in North-West Territories

– 1969 The Official Languages Act is established
– Reasserts the equality of French and English as official languages in Canada

– 1982 The Charter of Rights and Freedoms confirms official bilingualism
– Creates official language minority rights

– 1990 Supreme Court Confirms Francophone right to school boards

– 2005 Across Canada, Francophones outside Québec have established more than 25 school boards
– Including 5 in Alberta
– Alberta has 26 publicly funded Francophone Schools

 

Source: http://officialanguagerightscanada.weebly.com/francophone-timeline.html

 

 

Ch.4 Collective Rights Jigsaw

Students should read and prepare key notes and answers to critical questions in chapter 4 with a partner. Groups will share their notes and a summary presentation to the class Tues-Wed (as prepared).

Chapter 4 is up

Lina, Nikhil 118-122

Vik, Shafir 123-127

Cade, Aidan 127-135

Cameron, Justin 136-140

Colin, Evan Lemke 141-144

Thomas, Patrick, Amanda 145-151

Madison, Matheson, Juan 152-158

Hailey, Nicholas 159-161

 

Quiz Questions – Groups should include any relevant notes on the following curriculum questions:

Short Answer

  1. In what ways has the Canadian Charter of Rights and Freedoms fostered recognition of collective rights in Canada?
  2. In what ways does the Canadian Charter of Rights and Freedoms meet the needs of Francophones in minority settings?
  3. How does the Indian Act recognize the status and identity of Aboriginal peoples?
  4. How does legislation such as Treaty 6, Treaty 7 and Treaty 8 recognize the status and identity of Aboriginal peoples?
  5. How do governments recognize Métis cultures and rights through legislation (i.e., treaties, governance, land claims, Métis Settlements in Alberta)?

ESSAY Qs

  1. To what extent does the Canadian Charter of Rights and Freedoms meet the needs of Francophones in Québec?
  2. To what extent should federal and provincial governments support and promote the rights of official language minorities in Canada?

My plan currently is to have an open-book, open-note quiz on the questions above. (MCQ or matching style may be considered).

Alternative essay questions relevant to collective rights as part of the idea of Canadian identity are welcome for consideration.

Writing Resources

Investigations Written Report Sample Outline

How to Write an Essay – Overview

ESSAY 101 > Advanced Thesis ppt

Write a Literary Analysis – For Language Arts

First Draft – REFLECTION

revision_self_evaluation_checklist -pdf

RevisionChecklistforEssaysTipSheet -docx

Literary analysis essay guide

See Five Rings for Historical Analysis resources

____________________

Tips for Writing A Film Review

Difference between a Summary and an Analysis

Gr8 & 9 mid term marks ready

Great news. I have read and marked most outstanding assignments for gr. 8 and 9 from report card last to date.

Quite a few people are missing submissions. Rather than put zero, I have neither counted missing assignments against, nor for, any accumulation, unless it is a major assignment. I will give an overview of which ones are the major assignments Monday.

Why did it take so long?

Originally, in December I was told I needed a) a new rubric specifically tailored to every assignment b) to decide upon and take only the last assignment produced by students close to the next report cards. Formative feedback was relied upon largely instead.

Since this time, I have been allowed to change strategy and use a writing for SS and LA rubric for most assignments, cutting down my creation of rubric time immensely. Last assignments in the term will instead be weighted more than those at the beginning. You can find all the rubrics here.

Because of these January adjustments, I am confident I will be able to continue to give you timely feedback for the remainder of the year.

Please note: I will only  be able to provide feedback on Google docs, in-person and on paper only until email suspension is lifted.

Most people have shown a delightful improvement, however, students missing submissions will see a significant drop because the assignments are worth more (being more labour-intensive)  and there are fewer of them this term, so far.  I will be making a round to individuals who are missing items and clarify questions so you may make up past work confidently.

Thanks for your patience!

Gr 7s – I expect to be done marks by Wed (perhaps earlier).

P

Rubrics & Grading

SS SCORING GUIDE

SIX TRAITS WRITING RUBRIC

 

Response to Literary Journals

short_story_rubric

Classroom Discussion Rubric par1

Assessing a Choice

 

Group_Presentation_Marking_Rubric

Peer-Feedback-Form par edit 03 05 15

REFLECT – Individual reflection sheet

 

Re-adjudication / Re-evaluation

Students may request for a re-evaluation of any work by handing in a clean copy of a work stapled to the originally graded copy and original rubric. Please indicate on the cover that you wish to have a re-evaluation.

Dulce et Decorum Est

Dulce et Decorum Est

BY WILFRED OWEN

Bent double, like old beggars under sacks,
Knock-kneed, coughing like hags, we cursed through sludge,
Till on the haunting flares we turned our backs,
And towards our distant rest began to trudge.
Men marched asleep. Many had lost their boots,
But limped on, blood-shod. All went lame; all blind;
Drunk with fatigue; deaf even to the hoots
Of gas-shells dropping softly behind.
Gas! GAS! Quick, boys!—An ecstasy of fumbling
Fitting the clumsy helmets just in time,
But someone still was yelling out and stumbling
And flound’ring like a man in fire or lime.—
Dim through the misty panes and thick green light,
As under a green sea, I saw him drowning.
In all my dreams before my helpless sight,
He plunges at me, guttering, choking, drowning.
If in some smothering dreams, you too could pace
Behind the wagon that we flung him in,
And watch the white eyes writhing in his face,
His hanging face, like a devil’s sick of sin;
If you could hear, at every jolt, the blood
Come gargling from the froth-corrupted lungs,
Obscene as cancer, bitter as the cud
Of vile, incurable sores on innocent tongues,—
My friend, you would not tell with such high zest
To children ardent for some desperate glory,
The old Lie: Dulce et decorum est
Pro patria mori.

NOTES: Latin phrase is from the Roman poet Horace: “It is sweet and fitting to die for one’s country.”

 

Source: Poems (Viking Press, 1921)

Todesfuge (Death Fuge)

Todesfuge (Death Fuge)

Paul Celan1930 – 1970
Trans. Joachim Neugroschl

Black milk of dawn we drink it at dusk
we drink it at noon and at daybreak we drink it at night
we drink and we drink
we are digging a grave in the air there’s room for us all
A man lives in the house he plays with the serpents he writes
he writes when it darkens to Germany your golden hair Margarete
he writes it and steps outside and the stars all agisten he whistles for his hounds
he whistles for his Jews he has them dig a grave in the earth
he commands us to play for the dance

Black milk of dawn we drink you at night
we drink you at daybreak and noon we drink you at dusk
we drink and we drink
A man lives in the house he plays with the serpents he writes
he writes when it darkens to Germany your golden hair Margarete
Your ashen hair Shulamite we are digging a grave in the air there’s room for us all

He shouts cut deeper in the earth to some the rest of you sing and play
he reaches for the iron in his belt he heaves it his eyes are blue
make your spades cut deeper the rest of you play for the dance

Black milk of dawn we drink you at night
we drink you at noon and at daybreak we drink you at dusk
we drink and we drink
a man lives in the house your golden hair Margarete
your ashen hair Shulamite he plays with the serpents

He shouts play death more sweetly death is a master from Germany
he shouts play the violins darker you’ll rise as smoke in the air
then you’ll have a grave in the clouds there’s room for you all

Black milk of dawn we drink you at night
we drink you at noon death is a master from Germany
we drink you at dusk and at daybreak we drink and we drink you
death is a master from Germany his eye is blue
he shoots you with bullets of lead his aim is true
a man lives in the house your golden hair Margarete
he sets his hounds on us he gives us a grave in the air
he plays with the serpents and dreams death is a master from Germany
your golden hair Margarete
your ashen hair Shulamite

 


anselm kiefer's “your golden hair, margarete”