A Journey

Typewriter with Screen

Hi,
My name is Deborah Schell and this is my 9th MET course. This is my fifth year of teaching and I’m currently the Program Head of Business and Co-op at a Catholic high school in southwestern Ontario. Prior to embarking on my teaching career, I worked as a CA with a large Canadian life insurance company for 16 years. It was a big change, but I love teaching! On a personal note, I have a 17 year-old daughter who just started university and I love travelling.

I chose this picture because it reflects where I started my journey with technology and text in high school, the typewriter, and where I am now. I am constantly amazed at the speed with which technology changes. I’m not that old but today’s technology seems light years away from the Underwood typewriter I used in grade 9 typing. My goal is to learn more about the history of text and technology as I like to know how things have evolved as it helps me put current technological developments into perspective.

Looking forward to working with you.

Deborah

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Typography

Remington accounting machines van of Stott & Hoare & Chartres Ltd, Reington House, Liverpool Streett by G.H. Olding, photographed in the Botanic Gardens

Hello Everyone!

I’m May Bacon and this semester I’m taking my 8th and 9th MET courses. I live in Ottawa  where I am currently beginning a Pre-K curriculum with my 3-year old daughter while searching for work.  I’ve been a stay at home mom for a few years now, but before that I was a second grade teacher in the Montreal area.

I chose this lovely photograph because it represents the type of writing I enjoy most: typographical layouts. Since high school, I have been interested in design, graphic editing, video editing and digital artwork.  I’m particularly curious about the juxtaposition of design and writing, and how layout can affect text perception (as in the case of advertisements, logos or signs).  Recently I’ve become more observant of the importance of layout to communicate, since I’ve started making and editing graphics for display at my church.  I’ve also noticed that no matter how well-written texts may be, if they are not laid out in an aesthetically pleasing (or at very least, aesthetically neutral) way, the message is harder to retain and decipher.  This includes everything from graphics to weblog interfaces, all of which are fascinating for me.

I also chose this image because it refers to obsolete technology and is somewhat nostalgic. Paradoxically, I find old technologies charming (though sometimes comical in their size and design) but I am also very interested in the effects and affordances of emerging technologies. I am really looking forward to examining the effects of technology further through this course.

Looking forward to getting to know you,

May

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digital bookshelve

Hi everyone,

My name is Julie Kotler and this is my 4th MET course but I am also taking two others right now to finish my degree this semester. I know some may now be thinking how could I finish with so few credits, but that’s because I am a transfer student from Concordia University in Montreal. While I am originally from Montreal, when I moved to Tel Aviv, Israel over a year ago I switched to the MET program so that I can continue my studies.

In addition to this program, I also have my B.Ed and BA; as well I work part time as an assistant program developer for a learning center that offers courses in standardized test preparation.

I chose this image because I am admittedly a big fan and supporter of digital and online books (my kindle has been everywhere with me). One of the reasons I think it is a great form of technology is that it allows for a high level of accessibility to so many different types of reading material whether its books, magazines, journals or blogs. As such, I have always believed that advocating for literacy in education, especially among youth is very important and this is another great way to do so. In particular, it increases the opportunity for people to have access when they otherwise may not have had that chance, and it greatly speaks to the younger generations that have grown up with the computer and other technologies.

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page and stage to pwnage

Shakespeare's words

Since I started the MET program in 2010, Shakespeare’s plays have been central to my studies, and over the summer two experiences have brought home the importance for teachers to learn about the words he used. The first was an exciting course at UBC, partially taught on-line (but also some much-needed f2f classroom time) on the Theory and Pedagogy of Adaptation, which had a whole week on Shakespeare! Not only are his plays adaptations of classical texts, with a few contemporary cultural references added, but also they are the most adapted literary resource worldwide: various forms of theatre, radio, film, YouTube, mobile apps, anime and manga (as well as the pictured refrigerator magnets!). While many of these resources may be “caviary to the general” (Hamlet II, ii, 435-6) and even more confusing than the battered-down textbooks many students encountered in high school, I hope to continue working towards an effective way of teaching the plays.

This leads to the second summer experience, where I got to attend and to do an oral presentation at the EDULEARN12 conference in Barcelona, Spain. It was the first time attend an international education conference, largely due to the Conference Travel Grant offered by the MET program, and it was a wonderfully engaging event. My topic was Creating a Virtual Learning Environment for Shakespeare’s Plays, and while it will take an angel investor or two to get this VLE designed for classroom use, I am pleased to report that my oral presentation was a conversation starter with some very impressive academics. It was during this conference that I learned about the collection of First Folios (the original printed collection of Shakespeare’s plays, published in 1623) owned by Meisei University in Japan. One of their projects, and hopefully I can get in it for my post-graduate degree, is to digitize their collection, making Shakespeare’s words free for everyone… who happens to have access to the Internet. My interest in this course will be the process, or rather the technology, of the printed word, and how it can be adapted for on-line instructional use.

Looking forward to exploring more of both text and technology,
Kyle

Shakespeare's Garden in Barcelona

Shakespeare’s Garden in Barcelona

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Mechanical Writing

Underwood Typewriter II

Hello everyone, my name is Jeff Miller, and I am one of the authors and instructors of ETEC540. Welcome to the community weblog space that will quickly grow with your postings and assignments over the coming weeks. You can find out more information about me in the instructor bio section in the Prefatory Module in the course website.

I selected this image, a keyboard from an old Underwood typewriter, in part because I am attracted to all manner of old machines (from typewriters, to old printing presses, and telegraph keys). I was also drawn to this image because it so nicely captures both the aesthetic care we bring to a technology as intimate as writing, as well as the way that technology fades into the background as we become accustomed to using it. All we see in this photograph are the letters on the keys while the gears and linkages that actually drive the keys to leave an imprint on the page are hidden from view, even though they do all of the work, make all the noise, and provide both annoyance and an odd pleasure when it comes time to separate jammed up keys!

Even now, when there is no need for mechanical linkages and gears to mark our pages, there are still traces of this early QWERTY keyboard configuration on the multi-touch devices that print (?) to a screen, not paper. And if you really want the nostalgia of an earlier age of writing, you can find odd assemblages of old and new technologies like the iTypewriter (a somewhat whimsical proof of concept). While highly impractical, such historical pastiches show how difficult it is for newer technologies to be completely cut off from the past, and this is a topic that we will explore from a variety of theoretical perspectives in the modules in ETEC540.

Jeff

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I’m Teresa Dobson, one of the authors and instructors of this course. You’ll find some information about me in the Instructor Bio and Author sections of the “Prefatory Materials.” I look forward to working with you in the context of this course!

A couple of years ago I traveled to Ethiopia with one of the research teams to which I belong, the Ethiopia-Canada Educational Research Collaborative (ECERC; https://blogs.ubc.ca/ecerc). My colleague Jeff Miller, the other instructor of this course, was a member of the team at the time as well. During that trip I wrote a weblog documenting our activities. I’ve uploaded one of the images from the blog, a picture of a scribe writing on a vellum roll with a bamboo stylus outside one of the rock-hewn churches in Lalibala. In reflecting on the image at the time I wrote the following, which in retrospect seems particularly relevant to the topic of this course: “It seems the history of technologies for writing and literacy development is somehow encapsulated in this beautiful, ancient nation. Papyrus grows thick on the shores of Lake Tana. In the churches and monasteries incunabula and other early examples of the book on vellum are still consulted and used in services. Scribes write with bamboo styli on scrolls of vellum outside the the churches of Lalibela. Books of every type are in demand — rare and expensive. The cost of publication is high. Perhaps here we have an example of what Graff (e.g., The Labyrinths of Literacy) would call a ‘newly literate’ population” (Dobson, 2010). You may find the complete entry at the URL listed in the citation below.

Dobson, T.M. (2010). A last day in Lalibala. [Weblog posting.] Available: https://blogs.ubc.ca/ecerc/2010/03/17/a-last-day-in-lalibala/

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