Category Archives: School of Music

Belated Course Evaluation: MUSC 111

So it occurred to me recently that I never actually did any reviews of the courses I took last term… I figure I should continue what I started. It might actually end up being useful to someone. So, MUSC 111!

Course Description: This was also brand new course when I took it, and things generally went the same as MUSC 110; some kinks to work out, but generally we knew what to expect by this time. More music theory, but more advanced this time, and it moved more quickly. This term, rather than covering basic concepts of music theory and harmony, we looked at chromaticism, sequences, more chromaticism, and small forms.

Textbook use:  This course requires the same two textbooks as MUSC 110, The Complete Musician and the accompanying workbook by Laitz.  I found that Dr. Benjamin often disagreed with the text, but when he did he would usually make his own hand out to explain the difference.  The Workbook again is crucial; a lot of the assignments come from that book, although Benjie as we liked to call him (behind his back obviously) would just as often make up his own rather difficult assignments. Such as writing minuets. So many minuets.

Homework: A lot of homework, two very large assignments per week. I found that the weekend one would on average take about four hours. This said, that’s mostly just Prof. Benjamin’s style, so if you have someone else, expect still a lot of homework (it is the intensive stream after all), but maybe not quite so intense.

Professor: We had Professor Benjamin again for the second term, which was nice because we didn’t have to adjust to a different teaching style or expectations. He was such a funny guy, I kinda miss having him as my prof… One thing about him was he always said he would not take late assignments, but always did, without fail. Probably because it took him several weeks to grade them.

Class format: Same small class of about fifteen people. Nearly everyone in it was the same as last term, which was really nice to create a sense of community. Assignments made up 40% of the final grade, I can’t remember the other figures though.  There was plenty of opportunity to ask questions; it was mainly a lecture-and-note-taking setup.

Additional comments: The exam was… not as brutal as I had expected, but still fried my brain.  One nice thing was that typically Dr. B. scaled the marks, so we looked better than we maybe actually did… Basically this class is just the same as 110, but if you didn’t come into 110 with a strong or at least some kind of background in basic harmony and voice leading, 110 might be a bit of a challenge because the basics are gone over quite quickly in 110 because it’s assumed pretty much everyone knows it. So if you don’t, you’ll either have to study up on your own time or go in for help.

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Gamelan Ensemble

At UBC, it is strongly encouraged to branch out and try something new. After all, how many opportunities are you going to get to just figure out what you like and learn about it with some of the best in the world?

This term, I decided to do just that and signed up for the Gamelan Ensemble.  (Note: I am no expert so my terminology may be off in some places.) The gamelan is a Balinese instrument sort of similar to a xylophone, and here at UBC the instructor for the course is one of the most sought after Balinese musicians of his generation. Wow.  The ensemble is open to all, no experience required, and they start you from scratch. (Actually, we’re looking for a few more members to fill out the ensemble, so if you’re interested, the class is from 1-3 PM every Monday and Wednesday all year.)

Today was the first class. I walked in uncertainly, as I tend to be anxious any time something new or unfamiliar is happening (you should have seen me the day my harp showed up). Dr. Tenzer told us to take off our shoes and have a seat on the floor. I immediately questioned my choice of wearing a skirt today, and sat down. Sudi, the instructor, explained to us that the most important thing we can do in this class is come, and be focused. 70% of the grade is based on attendance, and only 5% is based on skill. Very beginner friendly.

We sat down at the instruments and started to learn. How to hold the hammer, how to dampen the sound.  The gamelan is made of brass, and thus has a very harsh sound; the ensemble playing together is also very loud. I’m definitely bringing my earplugs to the next class. Hearing is very important to a musician!

We began to play, and I noticed that nearly everything about the music is practically opposite of Western traditions. There is no score; we learn everything by ear and by practice. The gamelans are tuned “out of tune” from each other on purpose; that is, the same note on two gamelans are slightly off from each other, because the Balinese like the sound of the waves that the difference produces. The music is very chaotic, and very fast (well, so far we aren’t very fast).  The scale used is not the diatonic scale – that being said, much of Western music has abandoned diatonicism at this point.

To be honest, I’m not sure if I like the music right now. I like the concept of the course, and I like the idea of trying something new. However, the music doesn’t seem to inspire me as it does some of the others in the class. I tend to fall in love with sweet harmonies and soft and soulful melodies; perhaps this is why I take so well to the harp. This class also seems like it will be taxing on my body; the volume level playing on my ear drums could be made better with ear plugs, but sitting upright for so long is difficult when my shoulders are already giving me trouble. Holding the mallet or the hammer for so long makes my shoulder ache, and my feet started to go numb at a couple of points today. I could probably work through these issues, but still.

However, if I switch to a different ensemble where I would play the harp, it would mean more stress for practicing the harp because I’d have more pieces to learn in a shorter amount of time with more pressure, and my fingers would be working double time.

More stress for my mind, or my body? Which should I choose? I think for now I’ll stick with the gamelan ensemble – it’ll probably be good for me in the long run, and I probably won’t have another opportunity for it later on in my degree.

 

See also: Gamelan Ensemble – Part 2

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Audition Materials Are Out!

Audition material for this year’s UBC ensembles has finally been put up, and you can find it here.

For the harp audition I need to learn about 13 pages of music in less than a month… yay… Don’t get me wrong, I can do it, and I will, but it means I need to start practicing seriously again. That feeling of inadequacy is creeping up on me again, and you know what that means? It means I need to practice more. And now that my hands are actually getting better, I can actually do that! Yay!

Anyway, UBC ensembles are open to everyone through audition, including those who are not part of the school of music, so if you think you’d enjoy being part of a band or orchestra, come try out! Sign up sheets will be found outside the Music Office in the Music Building.

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Concert this Saturday!

For those of you interested, I’ll be playing with the UBC Symphony Orchestra this Saturday, March 31st at 8 pm in the Chan Centre.  Tickets are free but get there early, because they usually sell out!

http://www.calendar.events.ubc.ca/cal/event/showEventMore.rdo;jsessionid=30700443006B21A3033B44925C8705FA

 

Ludwig van Beethoven: Overture to Fidelio
Jennifer Higdon: Percussion Concerto
Jean Sibelius: Symphony No. 2
Raffi Armenian, guest conductor

 

I’ll be playing in the percussion concerto featuring Jeremy Lawi.

I hope you can come out and see it!

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Injury Prevention Presentation

Last Tuesday the school of music brought in a speaker to give an introductory session on preventing and managing musicians’ injuries over the lunch hour.  About thirty people came to listen, and almost all of them were injured or in pain in some way.  In a faculty the size of music, that’s a lot of people, and I know for a fact that there are others with injuries that didn’t come.  With so many people with injuries hampering their schooling and career, it’s great that the school brought someone in,  but it’s also not nearly enough. Continue reading

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Only Compete Against Yourself

Last Friday, some of my harp friends and I all played for one another.  We were playing some of our jury pieces which we’ll have to perform for marks some time in April (juries are what we call solo performance exams).  While I was listening to my two friends play, I couldn’t help but think, Holy smokes!  These guys are waaaaaay better than me! It discouraged me to see such a gap in skill between me and my friends, even though one is in the same year as me and the other is only a year ahead.  It was hard not to get depressed and think that I’ll never be a great player.

The thing that I realized though, is that our performances can’t really be compared as to who is the better harpist, and it isn’t a marker of how much either of us has learned this year.  I’ve been struggling with tendinitis since November (I still am), and that has seriously limited the time I can practice, whereas the others can practice for four hours a day.  So even though I want to practice my guts out so I can improve and play harder music and sound better and all that, I can’t – talk about frustrating! The other thing is that the other harpists have both been playing at least twice as long as I have.  That’s a big head start.

When I look back at September, I can see how far I’ve come over the last seven months or so.  I’ve come a really long way, especially when I consider the fact that I’ve be injured, too.  I am doing remarkably well, at least I think so, and I’m excited to see what I can do next year, when I’m not injured.  And the fact is, there will always be someone in the world who is better than I am.  If the only way I’ll be satisfied is to be the absolute best in the world, I’ll never be happy!  But I can be happy knowing that I’ve improved a lot and I’m giving the best performance I possibly can.  That is something to be proud of.

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Failure is just a challenge to overcome

Today was my third rehearsal with the symphony orchestra, and I can tell you now, it’s way better than before.

I felt a bit lost at the first rehearsal (all right, entirely lost), but at this point I can come in when I’m supposed to, hit the notes I’m supposed to and play out without fear (well, mostly anyway). At the first rehearsal I was literally shaking with nervousness and thought my heart was going to burst out of my ears.  But I had way more fun today and feel a lot better about myself.  I feel that I am a valuable contributing member of the ensemble.  My first rehearsal was – well, it was my first rehearsal.  I had never done it before, so of COURSE it didn’t go perfectly.  At the time I was very upset, but I have a tendency to be very hard on myself, and now I can see that everything is working out just fine.

I suppose that I’ve learned from this experience that a “failure” is not a permanent failure, it is merely an obstacle to overcome, a challenge to keep working away at.  With time and more experience, it will get better and you will improve.

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Concert this Friday!

This Friday (March 9th), the harp quartet I am part of will be performing along with the UBC Chamber Strings at 8 pm in Roy Barnett Recital Hall in the Music Building.  It’s totally free and promises to be a great concert.  Please come out and support us if you can!

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Failure is a stinging slap in the face

Today was my first ever orchestra rehearsal.  I have played harp in a large ensemble before today; I started playing too late in high school to ever in be in the Winnipeg Youth Orchestra.

So naturally, I was nervous.  Very nervous.  After all, I’m a total newbie playing with people who are practically professionals, at least compared to me. I could feel my heart rate increase dramatically as the conductor stepped onto his podium, and the rehearsal went downhill from there.

I missed nearly all my entrances. I lost count countless times.  I’ve only had the part for two weeks, and since my hands are still a little injured I can only practice so much every day, and in trying to prepare my solo pieces as well, the orchestra part I got wasn’t quite learned for today.  Mostly, but not quite.  Well, it turns out that all the parts I can do really well are buried under mountains of double bass and brass, while the parts I’m not sure about are pretty much solos.  And all of them I screwed up today.

*head desk*

I felt so awful.  Embarrassed.  Ashamed. I should be better than this!

I know, I know.  There’s still an entire month til the performance (which is at 8 pm in the Chan on March 31, if anyone wants to come), and I’ll have it learned by then. I hope.  It was my first rehearsal ever, it’s okay, yadda yadda…

I just feel like I let myself down.  And that is much worse than anyone else.

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Course Evaluation: MUSC 110

Okay, here comes another course evaluation, this time for MUSC 110, or Intensive Tonal Music Theory. Or something to that effect. Continue reading

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