May 3-4, 2014 at UBC’s Frederic Wood Theatre and May 9 at Surrey Arts Centre
This performance event explored three plays written about the Komagata Maru incident by Canadian authors: Sadhu Binning and Sukhwant Hundal’s “Samuṇdarī Sher nāl Ṭakkar” (in Punjabi), Sharon Pollock’s “The Komagata Maru Incident” (in English), and Ajmer Rode’s “Kāmāgātā Mārū” (in Punjabi). We developed a single program that integrated sections of the three plays to explore how and why we remember the Komagata Maru, and how the creative arts augment and enhance the traditional historical archive. Students in the Department of Theatre and Film at UBC performed short selections from Pollock’s play; members of the theatre group “Rangmanch Punjabi Theatre” performed selections from the two Punjabi plays. The event was entirely bilingual through the use of Surtitling. UBC Professor Anne Murphy developed the script that integrated the plays, and was the Producer and Principal Investigator of the project. It was preceded by a Symposium, “Performing the Postcolonial,” that featured a discussion among the playwrights whose work comprised the script for the performance. Sets were designed through a creative collaboration of artist Raghavendra Rao K.V. with students from the Srishti Manipal Institute for Art, Design and Technology.
Performing the Komagata Maru, photos by Ali Kazimi, Raghu Rao K.V., and Oliver Mann:
Sets for the play were developed by visual artist Raghavendra Rao K.V. in association with his students at Srishti Institute for Art, Design, and Technology in Bangalore, India, and were influenced by his own works of art related to the Komagata Maru. We have documented this process.
View a recording of the play here: