The Effect the Telephone Had on Literacy and Society

The Effect the Telephone Had on Literacy and Society

By Danielle Chrisman

Context

Although there is debate about who actually invented the telephone, it is often credited to Alexander Graham Bell, as he was the first one to patent the telephone in 1876 (Wikipedia, 2013).  I believe that few would argue the importance of this invention, and how much it has shaped communication and literacy within society since then.

With the invention of the telephone, society has moved to a state of ‘secondary orality’ (Ong, 1982).  Much like primary orality, it creates a sense of community and bringing people into the moment (Ong, 1982). Speech by design is used to share ideas and thoughts with others, so this secondary orality is designed to bring us closer, and create a more communal feel.  More than that, it has also helped to shape the language we use and how we communicate with each other.

Communal Experience

The word telephone is derived from Greek and means “far off voice” (Free Dictionary, 2013).  By its very etymology, the telephone is a device to connect us with someone who is at a great distance to us.  The very design of the device and the word is to bring groups of people together.

When the telephone was first invented, there were operators who ran the switchboard.  This means that if you wanted to talk to another individual, you also had to talk to the operator first.  Previously you would send a letter to someone, and talk to no one.  Now, you had the ability to talk to someone on the other side of the country, and rather than just talk to one person, you would talk to two.  This ability, and this forced conversation, would create an increased sense of community, as you could now discuss everyday occurrences on the very day, rather than write a letter and wait for a week for the letter to arrive, and wait for a response.

Another example of how the telephone increased a sense of community is the party line.  When the telephone was first invented, it was very expensive to set up phone lines to every single residence.  To save money, they would have a party line, where several houses would share the same phone line between them, and operators would need to distinguish between whom the phone call was for by using distinct rings for all houses on the line.  There were privacy issues with this setup.  If someone was on the phone, and another house picked up, you could listen to the conversation.  This could be a significant issue if having a conversation about a sensitive topic.

It could also create a communal feel since anything one person said could be overheard by another.   This would cause individuals to be careful about what they said, or it would be possible to have group conversations.   It would also involve people working together as a community, since if one person was on the phone for an extended period of time, it would tie up the line so other people could not use it.

Literacy Effects of the Telephone

Written works tend to create a more self-reflective piece over oral conversations (Ong, 1982).  Writing would often strengthen intrapersonal skills rather than interpersonal skills.  The telephone is beginning to swing the pendulum back towards a more oral society, and less focus on the written word.

With the invention of the telephone comes a flip back to what we had seen previously; a stronger communal feel to society.  Writing allowed us a place to store our thoughts and ideas which we could share with others if we chose to.  Verbal communication only works if someone is talking, and another person is listening.  Orality is by its very nature a way of sharing your thoughts with others, whereas writing allows the option between sharing your ideas and storing them for your own personal use.  Orality stresses group learning, cooperation, and a sense of social responsibility (Postman, 1992).

I believe that second orality has greatly changed literacy in individuals.  Originally people started as an oral society, and as technology increased, people moved towards a more literary society.  As the switch comes back to second orality, I think people are becoming more casual in their communications and language choices.

When an individual would communicate with another by writing them a letter, there is a record of everything that is being said.  When a person is creating a permanent record, there is more thought put into what is being written, since at any point someone can reflect on the words.  When oral communication is occurring, there is less caution when discussing events, as once those words have reached the ears of the listener, there is no more record other than memories.

When there is a conversation between two individuals, the language and word choices tend to be more casual than a formal written exchange.  The linguistic choices that we make are reflective of the situation.  The way we would talk to a friend or family member is different than the way we would talk to a boss or work colleague.  As orality has taken greater hold of society, the word choices that we use tend to be more causal, and in turn, also affects the formality of the written words we choose.  As our conversations become more casual, so do our written words.

Educational Changes

The educational world changed greatly with the written world.  Schools are based on recorded knowledge and learning what has been written in textbooks.  With the creation of second orality, the way students learn and relate to each other changes.  Rather than simply reading and writing being the focus in education, there is a change in pedagogy for more discussion, and sharing of ideas.

No longer did an individual need to be able to read and write in order to get information.  If someone needed to know a piece of information, they could now pick up a phone to get that information.  If someone wanted to know what the weather was, there was a phone number they could call to find out.  Educational systems needed to adapt how they taught to meet the new technology.

The written word did not die out in the school system.  There was still significant emphasis put on reading and writing, but teachers recognized that society was becoming more oral, and I believe used school as a way to keep some formality in language.  There were still textbooks used in school, and still written reports that needed to be handed in.  These were the more formal methods of evaluation over a presentation.  This is why often the written word is still more formal than a casual conversation, even if written works are still more casual than previously.

Changes in Society

In the past when ideas were shared between individuals, if there was a distance between them, it would take a significant amount of time to correspond.  Now there was a more efficient way to share ideas and collaborate.  Working with another individual became far easier, and allowed for newer ideas and inventions to be created.

With second orality, the thought process of the individual also has become more self-reflective (Ong, 1982).  Because people spent so much time where the written word was so important, people will often think more before they speak.  We are reflective in the words that we say, and in the reasons we do things.  If I were to pick up the phone to call someone to surprise them, it would be more a reflection of the fact that I know surprising people is a good thing, and I should do it, rather than I just picked up the phone to surprise someone (Ong, 1982).

With this self-reflection, one would think that our speech patterns would still reflect the formality of the written word, rather than become more casual.  Rather, the self-reflective nature holds us to societal norms.  As previously mentioned, the second orality has brought us together as a community, and the self-reflective nature prevents us from saying things that would hurt another member.  Technology, and in this case the telephone, “changes social and individual relationships” (Franklin, 1999, pg 2).  That is, the telephone has changed the language that we use, and created stronger relationships with each other.  The fact that we are more conscious of the words we choose, and are able to keep in communication with more ease, has changed how people interact with each other.

The invention of the telephone also meant that people could share events at a quicker rate.  Rather than waiting for news to be shared by a newspaper, or a written letter, news could be shared almost instantaneously.  This would depend on people picking up the phone and sharing information, but I believe has led to the fast paced world that we live in today.  Slowly as society got used to this new speed to which they can obtain information, they became more used to being able to get information at the touch of a few buttons, and expected the rest of their lives to start to reflect this, leading to new and improved inventions to make their lives easier and quicker.

The continual choice for people to use the telephone also says something about the change in how society communicates.  As Kress discusses, when there are multiple choices in how you can share information, the choices that you make in how you share the information say something about the person making the decision, the person receiving the information, and the information itself (Kress, 2004).  The fact that the telephone started growing so rapidly in popularity tells me that society was valuing the written word less, and ready to move towards a more communal feel and rapid information attainment.

This pattern does not always hold true.  As time progresses on, we continue to become more casual in our language usage with each other, and I feel we also become less self-reflective.  That progression leads us to the time that computers were invented and I feel we started to move back towards a written society, albeit a more casual written society than last time.  I believe that the informality that we start to see with the telephone, led up to the invention of a written device that does allow for more informal dialogue to occur.

Conclusion

I believe that the invention of the telephone and the move to second orality has been an important part of literacy in society.  The telephone has greatly changed not only how individuals communicate with each other, but the words and the language we use.  It has created a more informal way of conversing, but also created opportunity for more conversation to occur.  With the new ease of communication, it encourages us to talk more to each other, bringing us together as a global community.

The invention of the telephone has also changed how society looks at themselves, each other, and the world.  Although much of our conversation is more informal, it is more self-reflective and considerate than our primary orality.  It has also made us view each other in a more positive light as we brought together with the ability to communicate quickly and over vast distances with each other.  And globally, it has changed our expectations of receiving information at a quicker pace.  This need for instant gratification is what led to further inventions such as radios, television, and computers.

 

References

Franklin, U. (1999). The Real World of Technology. Toronto: House Anansi Press.

Kress, G. (2004).  Reading Images: Multimodality, Representation and New Media. Information Design Journal, Volume 12, Number 2.  pp. 110-119 (10).

Ong, Walter (1982). Orality and Literacy: The Technologizing of the Word. London: Methuen

Postman, Neil (1992). Technopoly: The Surrender of Culture to Technology. New York: Vintage Books.

Telephone (n.d.)  In The Free Dictionary online.  Retrieved from: http://www.thefreedictionary.com/telephone

Wikipedia (n.d.).  Retrieved October 20, 2013 from the History of Telephone Wiki: http://en.wikipedia.org/wiki/History_of_the_telephone

Wikipedia (n.d.).  Retrieved October 20, 2013 from the Party Line Wiki: http://en.wikipedia.org/wiki/Party_line_%28telephony%29

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The Origins of Silent Reading

Hello everyone,

It is our pleasure to share with you, our research project on the Origins of Silent Reading. Our project, which can be found at www.originsofsilentreading.weebly.com, takes a look a the History of Reading and progresses to Developing Silent Readers. Finally we leave you with some of the Implications for Education.

Our project, while being grounded in research, utilizes a multi-literate approach in presenting the information. Our intent here was to highlight that while reading has moved from oral to silent, there are also subsequent implications for reading, viewing and interacting with information in today’s classrooms. As a result, we have chosen to present our work with the aid of a number of technologies:

* a timeline from tiki-toki.com,
* an ebook created at bookemon.com,
* a comic from pixton.com,
* art from Microsoft Word Clip Art, and
* related videos from YouTube.com.

We sincerely hope that you enjoy our findings,
Emma S, Kuljinder G & Ryan D.

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Evolution of the Telephone

The Evolution of the Telephone

The impact on language and communication in the pre-digital age

by: E. Monks & M. Waters

The following timeline and linked documents provide a summary of the evolution of the telephone before the age of the computer. With each new innovation, the technological advancements of the telephone had an impact on society and the transmission of information. As you read through the life of the telephone, reflect on Ong and his comments about oral and literate cultures. How has the telephone altered or blurred these definitions? Plato spoke of the dangers of writing and his feared negative impact on oral communication. How would Plato view the telephone and its use in society?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

This summary is in no way comprehensive but gives you an overview of the evolution of the telephone and its role as a communicative tool. Although it barely resembles its former self as a result of numerous modifications and enhancements, it continues to connect people through the sharing of knowledge and information.

Thank you.

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The Rise of the Classroom Blackboard

 

Keith Greenhalf

University of British Columbia

Master of Education Technology

ETEC 540 – Text Technologies: The Changing Spaces of Reading and Writing

Section 64B

Instructor: Jeff Miller

Bart Simpson ©1999 20TH CENTURY FOX FILM CORP.

 

 

Abstract

The classroom chalkboard is something that everyone is familiar with in education. When one pictures the image of a chalkboard, it often immediately relates to the image and experience of a school classroom. This article examines the development and implementation of this technology. The research observes the technological advance of chalkboards historically and culturally. The development of this seemingly simply technology has had profound implications for literacy and education.

Introduction
If we examine traditional education over the past 200 years, there has always been one tool no classroom has gone without: The simple blackboard. The blackboard found its way to North American classrooms in 1801 (Swinnerton, 2005) and it has been an icon and symbol of teaching ever since. These old-style blackboards are a technology that was and is still used regularly in traditional schools. The blackboard is a tool that can be used every day to make instruction efficient for the teacher, and provide a learning experience for the student. With a classroom blackboard, a diagram can be created from scratch, have the student interact or change it, and be erased when something new needs to be shown. All of the students in the classroom can see the process and replicate it as necessary.

Chalkboards are simple devices; ones can even be replicated reasonably successfully in nature by writing in the sand with your finger. The chalkboard is synonymous with the way that writing has been taught for centuries. However, just because chalkboards have been around for a long time does not mean that the technology wasn’t revolutionary in shaping the way education is instructed. Prior to the introduction of classroom chalkboards, school teachers had no way to present a lesson or a problem to the class as a whole; instead they had to go to each individual student and write a problem or assignment. There are many reasons why chalkboards continue to be used essentially the same way they did over 200 years ago. They are also easy to operate, cheap, low-maintenance, and long-lasting. They are simple to use, flexible in application and extremely reliable as long as there is chalk available. Because of these clear advantages, one can easily understand why it is difficult for us to imagine a classroom without the presence of a chalkboard.

The Technology

The technology of a classroom chalkboard at its core, is as simplistic as the earliest cave paintings found over 40,000 years ago. (Than, 2012) Cave painters would use minerals like red ochre, charcoal, or even chalk to transfer lines and drawings on a stone wall.

Red Hand & Mammoth – The Cave Art Paintings of the Chauvet Cave. Retrieved from http://www.bradshawfoundation.com/chauvet/hand_mammoth.php 2013 October 25.

Like a stone wall, chalkboards were initially either made of actual slate, or pieces of wood coated with paint and grit. Slate is a fine-grained rock with frequent mica and quartz inclusions. The slate material splits or cleaves readily into thin slabs. Slate occurs in various colors, primarily blue, green, grey and black, with the darker slates caused mainly by carbon-based presences. Most boards now are made of metal coated with a special, porcelain-based, paint since slate is a very heavy and a somewhat expensive product. The chalk (a mineral) is rubbed against a surface that is rough enough to transfer the pigment of the mineral. Chalk is one of the best known of rocks, recognizable for its white coloration. Chalk as a manufactured good is familiar to most in everyday products such as blackboard chalk and gymnast chalk. Chalk has been exploited by man for thousands of years for both its physical and chemical properties. In its simplest definition, chalk is just a soft rock that rubs off easily on other rocks like slate. If we were to examine chalk with an electron microscope, we would make an interesting discovery. Chalk is composed of millions of tiny, soft calcite fragments (calcium carbonate) all crushed together under pressure. These fragments are tiny plates shed by a type of plankton millions of years ago. In parts of ocean rich with this plankton, trillions upon trillions of little shed plates would accumulate like snow on the bottom of the ocean and then, under the enormous pressure of the water, would become fused together. Movement of the earth’s tectonic plates slowly pushed these deposits of chalk onto land where, eons after their creation, humans happily mine them. (Shepherd, 2002)

Origins

The development of the blackboard has had a profound impact on pedagogy and presenting written and visual ideas. Even in today’s age of handheld devices and high-tech teaching aids, the modest blackboard, or its evolutionary successor, the whiteboard, still remains a staple necessity in classrooms and boardrooms around the world. It is simple, effective and easy to use but still able to facilitate a complex learning environment.

Blackboard classroom history begins in a rudimentary way in very ancient times. Students in ancient Babylonia and Sumeria are known to have inscribed their lessons on clay tablets with a stylus or stick in cuneiform writing. These could be used wet and then erased to be used again or baked to create a permanent document. In India in the 11th century, documents show that school teachers were using something similar to personal slate tablets for lessons and studies. (Journal of News and Resources for Teachers)

One of the first schools to use the large, presentation style, blackboard was West Point Military Academy in New York.  Mr. George Baron, an instructor at West Point, incorporated chalkboards into his lesson plans, enabling him to teach a large number of pupils. (Wojenski, 2003) For many years prior, students would use handheld slates and teachers would have to feverishly move around the room and tediously write instructions on each of the slates.  Because of the cost and supply of these slates and the difficulty for teachers to work with each student and their slate, classroom sizes were often small and limited.

Soon after the first large chalkboards were invented classrooms all over began to catch on. Some chalkboards were as simple as wooden boards painted with a black grit; others were made of porcelain and imported from Europe. The early 1800’s proved to be an ideal time for the rise of the chalkboard since it coincided with the popularity of a major railroad industry. It wasn’t long before chalkboards made of large slabs of slate were being shipped across America’s railroads and delivered by powerful locomotives.

Impact on Education

From inception, the chalkboard has been a technology that was universally accepted, immediately adopted, and widely praised. Josiah F. Bumstead wrote of blackboards in his 1841 book The Blackboard in the Primary Schools that “the inventor or introducer of the system deserves to be ranked among the best contributors to learning and science, if not among the greatest benefactors of mankind” and another writer of the time Is quoted referring to the blackboard as “the MIRROR reflecting the workings, character and quality of the individual mind”. (Krause, 2000)

Teachers were quickly able to apply the use of chalkboards due to their low cost, little maintenance, reliability, durability, and ease of use. Complex ideas, formulas, and long passages of writing could be shown as a large sample with ease and be erased and changed at a moment’s notice. Having a chalkboard mounted to a wall took a way a world of frustration when it came to presenting ideas and examples. If you have ever tried to convey a message to a group of students without the availability of something like a chalkboard you can quickly recognize the vast benefits. This piece of simple writing technology served as a valuable time saver and record keeper of complex ideas when delivering a lecture.

We have discussed what chalkboard technology provided, but it is equally important to describe what chalkboards did not do. The chalkboard enhanced and greatly improved the efficiency of what teachers were already doing. Teachers can easily utilize a technology to enhance their current teaching practice and topic of learning. However, a teacher will struggle to transform their teaching and change topics of learning. Historically, technology has usually been incorporated into teaching only as a means of enhancing accepted pedagogical approaches. Chalkboards didn’t challenge teachers to radically change what they were already set out to do. Today the advancement of technology has put a demand on our education system to create radical transformations in pedagogy.

Adaptations and Evolving Technologies

The classroom blackboard’s design remained essentially unchanged for 160 years with school teachers using slate blackboards just as their predecessors had done. Sometime in the 1960’s, the “greenboard” was introduced, (Journal of News and Resources for Teachers) which is the popular steel plates coated with a porcelain-based enamel that we observe in schools today. This change in design has shown to be an improvement over black slate; chalk powder doesn’t show as well when erased and staring at a green board is considered to be more pleasing and less strenuous to the human eye. These boards are also lighter and more durable than fragile slate, making them more cost-effective and easier to ship.

In the early 1980’s businesses began to widely use whiteboards (aka marker boards) in boardrooms and presentations.  A small number of whiteboards started to appear in classrooms in the early 90’s.  By the late 1990’s, nearly 21% of all American schools converted from chalkboards to whiteboards. (Wojenski, 2003)  The dust from chalk can aggravate allergies and damage electrical circuits. Whiteboards eliminate the dust and mess of chalk and offer more color choices and clearer, more vibrant visual aids to students.  Although the chalkboard still remains a part of most classrooms, school designers no longer use chalkboards in any of their contemporary classroom designs.

Today we are starting to see the beginning of an evolution. Schools all over the world are looking to maximize the potential of digital learning, and take advantage of the available technologies that keep growing ever more powerful. The act of seeking to maximize the potential of technology led to the creation of an incredibly useful tool; the interactive whiteboard (IWB). IWBs are actually the first electronic instructional technology designed primarily for use by teachers. All the other electronic technologies, be they film, radio, television or personal computers, were first designed for the general customer or office markets and then made their way down the line education. Schools have usually been a secondary market for technology. However, the first SMART Board was sold to teachers at a university in 1991. (Betcher & Lee, 2009) Since IWB technology was tailor-made with education in mind, the retailers are putting most of their research and design into the market of schools and education.

Conclusion

Over 200 years ago the idea to present a lesson and write on a large wall mounted piece of slate, set into motion a new way of interacting with students. Classrooms became larger, more efficient and note taking became far less strenuous on the student. The traditional blackboard is rapidly becoming an educational icon from the past. However, the impact it has had on education will continue to be seen for generations to come. One could almost conclusively say that without the blackboard or slate and chalk writing technology, evolving writing technologies as complex as interactive whiteboards and touch screen tablets may have never transpired.

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References

Betcher, C., & Lee, M. (2009). The interactive whiteboard revolution: teaching with IWBs. Camberwell, Vic.: ACER Press.

Bīrūnī, M. i., & Sachau, E. (1910). Alberuni’s India an account of the religion, philosophy, literature, geography, chronology, astronomy, customs, laws and astrology of India about A.D. 1030. London: K. Paul, Trench, Trübner.

Davies, P. (2005). Writing Slates and Schooling. Australasian Historical Archaeology, 23, 63-69.

Journal of News and Resources For Teachers. (n.d.). The History of the Classroom Blackboard. Concordia University’s Online Education Degrees. Retrieved October 23, 2013, from http://education.cu-portland.edu/blog/reference-material/the-history-of-the-classroom-blackboard/

Kidwell, P. A., Hastings, A., & Roberts, D. L. (2008). Tools of American mathematics teaching, 1800-2000. Baltimore: Johns Hopkins University Press ;.

Krause, S. D. (2000). “Among the Greatest Benefactors of Mankind”: What the Success of Chalkboards Tells Us about the Future of Computers in the Classroom. The Journal of the Midwest Modern Language Association, 33(2), 6-16.

Shepherd, R. (2002). What is Chalk?  DISCOVERING FOSSILS. Retrieved October 23, 2013, from http://www.discoveringfossils.co.uk/chalk_formation_fossils.htm

Swinnerton, J. (2005). The history of Britain companion (p. 128). London: Robson.

Than, K. (2012, June 14). World’s Oldest Cave Art Found-Made by Neanderthals?. National Geographic. Retrieved October 24, 2013, from http://news.nationalgeographic.com/news/2012/06/120614-neanderthal-cave-paintings-spain-science-pike/

Wesch, M (2007, October 12) A Vision of Students Today, Retrieved October 23, 2013 from www.youtube.com/watch?v=dGCJ46vyR9o

Wojenski, J. (2003, September 1). Erasing the Past. Erasing the Past. Retrieved October 23, 2013, from http://people.lis.illinois.edu/~chip/projects/timeline/1801wojenski.htm

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The History of the Newsreel

The newsreel was introduced in the early part of the twentieth century as a medium for
presenting news and current affairs. The typical newsreel was ten minutes in length and they were shown mostly before the main feature at movie theatres. With the increasing popularity of cinema which led to the prominence of the newsreel as the primary source of news information, the production of newsreels was increasingly targeted for imparting certain information. As the allied countries entered into the World War II conflict, the use of newsreels blurred the line between news information and propagandist editorial. This paper will explore the rise of the newsreel as a primary source of news information into its role in spreading war propaganda to the masses during the World War II period through the analysis of two primary source newsreels.

There is no doubt that the newsreel was modeled after the popular press that preceded
it. The producers of newsreels saw themselves as performing the same job function as the editors of newspapers did. With the advent of cinema in the early 1900s, producers saw an opportunity to deliver the news in a way that had never been done before, to make the images on a page come alive with a combination of video and sound. As Campbell (2010) wrote, by the mid-1920s, the newsreel became extremely popular with an estimated 90% of all theaters in the United States showing newsreels to a weekly audience numbering in excess of 40 million people By the 1930s, most newsreel companies were releasing two newsreel editions weekly (Campbell, 2010).

As the similarities with newspapers existed, there were important differences as well. As a visual media, Newsreel producers emphasized speed of execution and the changeover of sound as the images on the screen could easily be manipulated to convey whatever message the producers wanted. In the end, it mattered little what was actually being filmed because the audience was being told what happened and what they were seeing on the screen. The images were essentially only there to be a back-up to the voiceover. As was often the case, if the appropriate footage or image could not be used or located, newsreel producers often substituted footage and images from other sources to give the illusion of the same full news coverage that regular newspapers provided.

Indeed, the beauty of this newfound media was in the rich treasure trove libraries where music, stock images, sound bites, and various other items could be used to supplement and enhance a story. This flexibility provided newsreel producers a new vocabulary with which they used to great effect. No more important was the background music that was used in newsreels to enhance the dramatization effect. As German film critic Siegfried Kracauer pointed out in 1943: “Nazi newsreel music makes the motor nerves vibrate; it works directly upon the bodily feelings. Like a fifth column these themes penetrate the spectator’s subconscious and soften it up for an eventual invasion by pictorial suggestions” (Hoffman, 2004, p. 134).

Because the nature of the newsreel was passive with the audience watching and listening intently to what was being shown, the narration was manipulated to whatever the producers wanted to say. As was often the case, newsreels were regularly edited to use footage shot sometime in the past or at different locations. In this way, newsreel producers could generate content at a much more rapid pace than newspapers could by pre-arranging the images to be used and then inserting fresh footage when needed in order to meet their weekly deadlines. Given the technology at that time, it was often difficult if not impossible for the average viewer to discern the difference and so what was presented on the screen was often taken in as the accurate news.

One area where the newsreel excelled at in providing news coverage was in covering
scheduled events and spectacles such as football matches, presidential speeches, and the
famous ship launchings. These events which were scheduled well in advance provided
newsreel producers the opportunity to setup their cameras in advance and to shoot real
authentic video and original sound to go with the images that lasted a minimum of five full
minutes. It is in these newsreels where a certain part of a political speech which may not have been captured in the transcription could be preserved. And the nature of the short clip was the precursor to the soundbite, where just a section of the speech could be captured and replayed over and over again. Newsreel producers quickly saw how a live event could be manipulated to portray whatever they wanted to show to passive audiences.

When World War II began in 1939, all media sources from both sides, the Axis and the Allies, played vital roles in informing citizens of news on the war front, and to help boost morale for the war effort. From the beginning, the newsreel production industry became an obvious target by governments due to the popularity of cinema and high adoption rate throughout theatres around the world. Newsreel footage from the war was shot by official cameramen on the front lines. From there, the footage almost always passed through various government censors who then issued the edited material to all the major newsreel producers. From the same censored footage, each newsreel producer then prepared their own narration which sometimes led to newsreels that were drastically different.

At the time, the production quality of newsreels was highly regarded and many producers won awards for their work. However, whether they won their awards for cinematic and technical achievement or rather for their highly effective propagandist qualities and contributions to the war effort is debatable. For example, the Kokoda Front Line produced by Cinesound Review 568 won the Academy Award for Best Documentary in 1943. The inscription on the 1943 Oscar is written as, “To Kokoda Front Line, for effectiveness in portraying simply yet forcefully the scene of war in New Guinea, and for its moving presentation of the bravery and fortitude of our Australian Comrades in Arms” (National Film and Sound Archive of Australia, n.d.). Similarily, the United States Army Special Services produced newsreel “Prelude to War” which also won the Academy Award for Best Short Film Documentary that same year in 1943 had the following inscribed on its Oscar, “A special award to ‘Prelude to War’ for its trenchant conception and authentic and stirring dramatization of the events which forced our nation into the war and of the ideals for which we fight” (The Academy of Motion Picture Arts and Sciences, n.d.).

Propaganda was a primary issue for the Nazi regime and the newsreel played a central role. Together with the more popular pro-Nazi regime films, newsreels were regarded by the Nazi regime as the most appropriate tool to spread their propaganda. For example, German film historian David Welch wrote: “Newsreels increasingly became a formalistic, carefully planned artistic transformation of reality in an attempt to achieve the propaganda intentions of the Nazi regime” (Hoffmann, 2010, p. 136). The newsreel became a central part of the Nazi media system, which included radio and newspapers, and eventually developed into a unique Nazi symbolism. The Nazi media system produced newsreels that determined the image of the Third Reich and by and large that image remains to this day. As a historical artifact, they helped form the foundation of what we know about the Nazi regime.

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The first video clip chosen is a collection of German newsreels filmed during World War II called the “Deutsche Wochenschau” series (ZenosWarbirds, 2013). In this specific German newsreel, the propagandist language described earlier in this paper is clearly present through its use of manipulative techniques such as censored images, dramatized background music, and editorialized narration. Firstly, the images of the Nazi leaders in the parades are manipulated to portray them as victors even during German retreats. In the clip of the German Folgore fighters opposing the Allied air attacks in Italy, the German fighter pilot Pips Priller is shown smiling and giving a thumbs up, this despite the fact that the Germans were in a full retreat. Secondly, the background music chosen is very nationalistic as the trumpets are set to match the explosions on the screen. Even the tone of the narrator’s voice rises to match the images as can be seen when the big German guns are firing, and the narrator’s pitch rises to a climax. Finally, in the clip where Rommel visits the 21st Panzer Division in France, there are images of big explosions interlaced with the footage making it impossible to discern whether the explosions come from the same battlefield as the original footage.

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This second newsreel broadcast recaps the events of December 7, 1942 when Japan fighter airplanes attacked Pearl Harbor thus drawing the United States into the war (Doc45Publications, 2012). Although not as obvious as the German newsreel, many of the same manipulative language are used in an attempt to proselytize their nationalistic agenda. The pitch and tone of the background music is set to match the explosions on the screen. In comparison to the newspaper editions, the narration in the newsreel is highly editorialized. For example, with reference to the Japanese, the narrator uses such descriptive words as “cunning deceit” and “murderous rampage”. By contrast the narrator uses “the bravery of the sailors” and “actual footage from a courageous soldier” to describe the American side.

By the late 1960s, the newsreel phenomenon had finally subsided. The demise of the newsreel was due to a number of factors, with the rise of television news being the most impactful. Newsreel producers simply could not compete with the quickened news cycle that television news was capable of delivering. And with audiences quickly becoming used to watching the six o’clock news every night, the thought of watching it all again in review at the cinema became less and less appealing. With declining audience interest and diminishing quality with respect to what the television could deliver, the dwindling amount of revenue produced by newsreels over the final decade spelled the end of an era for the newsreel. However, many of the same techniques used by newsreel producers are present in the many 24-hour news channels that exist. The newsreel producers that preceded them first perfected this language of propaganda that exists in television news today. This paper will be further developed into a major project comparing and contrasting the techniques used in newsreels to the 24-hour news channels that exist today.

 References

Campbell, B. (2010). A Bijou Flashback. The History of Movie Newsreels. Retrieved from http://www.moviefanfare.com/the-history-of-movie-newsreels/

Doc45Publications (2012, August 5). Bombing of Pearl Harbor [Video file]. Retrieved from https://www.youtube.com/watch?v=iUYlZZbiPNc

Hoffmann, K. (2004). Propagandistic problems of German newsreels in World War II. Historical Journal of Film, Radio and Television, 24(1), 133-142.

Pronay, N. (1971). Film Section: British Newsreels in the 1930s 1. Audience and Producers. History, 56(188), 411-417.

Pronay, N. (1972). British Newsreels in the 1930s. History, 57(189), 63-72.

National Film and Sound Archive of Australia (n.d.). Newsreels boost morale. Retrieved from http://dl.nfsa.gov.au/module/166/

The Academy of Motion Picture Arts and Sciences (n.d). The 15th Academy Awards (1943) Nominees and Winners. Retrieved from http://www.oscars.org/awards/academyawards/legacy/ceremony/15th-winners.html

ZenosWarbirds (2013, April 23). German WW2 Newsreels [Video file]. Retrieved from https://www.youtube.com/watch?v=LHShxMiKUCk

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Hangeul and Literacy in Korea

The Evolution of Hangeul and its Impact on Literacy in Korea

by Heidi Corbett

Back in a time when China’s influence dominated Asia, there lived a king with a heart for his people, the nation of Korea.  He worked hard to better their lives.  Behind the rice paper doors of his palace institute, he met with his most trusted scholars.  King Sejong had a dream for his people, he wanted them to have the freedom to communicate and express their ideas in their own language.  Through the creation of Han-geul, the written script he developed, Sejong revolutionized the nation of Korea facilitating an opportunity for all his people to be literate.

King Sejong

King Sejong ruled during the Joseon Dynasty of Korea from 1418 – 1450.  Since childhood, Sejong had recognized the importance and value of reading.  He was well educated and had an understanding of linguistics among other subjects.  When he became king, one of his first achievements was establishing an institute on the palace grounds to conduct studies and research.  It was called Jip-hyeon-jeon (Jade Hall) and he invited scholars to come and live there.  King Sejong invested his time and resources into projects that would benefit his people.  Even today, he is revered in Korea for his many accomplishments and impact on Korean society.

Kbarends. (2007, June 24). “Hunminjeongeum Haerye.”
Retrieved from http://commons.wikimedia.org/wiki/File:Hunminjeongeumhaerye.jpg

The Birth of Hangeul

Chinese and Korean languages stem from different linguistic families (Sampson, 1985).  While both are syllabic, Chinese is an isolating language with each word having its own syllable.  Korean, on the other hand, combines syllables to form words.  Both languages also differ in terms of grammatical structure.  Chinese places the verb before the object, while Korean uses it at the end of a clause.  Due to China’s influence over Asia, Korea had adopted China’s written script to represent Korean vernacular (Diamond Sutra Recitation Group, 2007b).  However, this Chinese script was inadequate to qualify all the Korean sounds in the language and there were no characters available to represent proper nouns.

Lacking a native script, only a small minority in the nation was well read.  Rooted in Confucian ideology, the Joseon dynasty of Korea adhered to a social class order where the elite were highly trained and educated, while the lower classes were devalued and illiterate.  With literature being transmitted in Chinese, it was studied and read only by the yang-ban, the upper class in Korean society.  Although this was culturally accepted, this literacy gap was slowing down the nation’s progress.  With a background in linguistics, Sejong sought to bring about a radical change for his people.  His goal was a literate society stemming from a written script that would accurately represent the Korean vernacular.

In his 25th year of reign, King Sejong committed his time to this new literacy project.  With the help of esteemed scholars, he created an alphabet unique to Korea.  He named it Hun-min Jeong-eum, which is translated “the proper sounds for instructing the people.”  There were 28 symbols or alphabet phonemes designed, each representing an individual sound (Sampson, 1985).  (Four of them are no longer used today).  Organized into two categories, consonants and vowels were created.  The consonants were developed to represent the speech organ’s position articulating the sound (see Appendix).  Additional strokes were added to some of the consonants to show an emphasized aspiration, thus creating 18 different consonant symbols.  Vowels were formed based on the Eastern Philosophy symbols of Heaven, Earth, and Man (see Appendix).  Different arrangements of these symbols were applied to create 10 separate vowel phonemes.  Together the consonants and vowels combine to form syllabic units.  Syllables may be combined in the following ways:  CV, CVC, CVCC, V, VC, or VCC (Lee, 2009).  Compared to its Chinese counterpart, the simplicity of the graphic elements was thought to make the new Korean script easy and efficient to read.  The syllabic units could be read from left to right or arranged and read from top to bottom.

Only 3 years after its drafting, Hun-min Jeong-eum was first published in 1446.  Along with its introduction into society, King Sejong provided a manual, which explained the theory and purpose behind its creation.  It was not derived from ancient written languages, but rather based on scientific principles and the cultural philosophy of that time.  Linguists remark at this impressive written script because of its short development period and its unique alphabet.  Most writing systems begin as hieroglyphics (or pictographs) and progress to ideographs, followed by syllabic characters, and finally become phonemic alphabets (Diamond Sutra Recitation Group, 2007a).  Hun-min Jeong-eum was initiated as both a phonemic and syllabic written script.  It was later renamed Han-geul, which translates “the Script of Korea.”

Implementing Hangeul Into Society

Upon publishing and releasing Hun-min Jeong-eum, King Sejong was quick to receive opposition from his court officials and criticism from other scholars.  They were concerned that the use of this “made up” language would reflect poorly on the nation and cause them to be associated with other nations who were not using the preferred Chinese script.  Compared to the esteemed Chinese script, this new system had no value and, in their minds, would be of no benefit to government.  The yang-ban, the upper class of the nation, were also fearful of the potential disruption in government that could arise from the lower class having access to written materials and being given voice.

King Sejong disregarded their concerns and maintained his belief that all people, no matter what their class, should have equal opportunity to read and learn, and express their opinions about society.  He promoted the new alphabet among his people and asked scholars to produce literature using the Han-geul script.  One of the first documents created in Han-geul was the Yong-bi-eo-cheon-ga (Wright, 1996).  It was valued not only for its content of folk songs and poetry, celebrating the Joseon Dynasty, but it was also regarded as an important historical document that outlined Confucian principles.  Moreover, King Sejong delivered his speeches and ordinances both in Chinese and the Han-geul script (Diamond Sutra Recitation Group, 2007b).  He required that all public notices be written in Han-geul and that there be a compulsory section on the civil and military examinations requiring its use.  With conviction and persistence, King Sejong pursued his dream of a literate society until his death in 1450.

Impacting a Nation

While the creation and original publication of Han-geul was accomplished in three years, it took centuries before it became the dominant writing script of Korea.  Although enforced by the King during his reign, the upper class was not interested in its implementation.  Instead, Han-geul was first adopted amongst the “commoners”, the lower class, and then gradually over time its influence expanded.  Women, who culturally were considered at the bottom of the societal scale, helped spread the popularity of Han-geul as they used it in personal correspondence (Yeom, Yi, Kang, & Kim, 2008).  Also, fiction that was imported from China by the upper class, was passed around in the literary world and eventually translated into Han-geul.  Thirdly, literature pertaining to medical and agricultural developments was made available in the Korean Script to be read and practiced by the working class.  This dissemination of new knowledge through Han-geul was one factor that led to affluence or economic prosperity in 16th century Korea (Wright, 1996).  When Korea decided to open itself up to the West, the use of Han-geul was further applied in an attempt to strengthen and modernize the nation.  The use of Han-geul was helping to establish Korea’s national identity.  In 1895, it was finally adopted as the nation’s official written language and was applied in the national education system (Yeom et al., 2008).  King Sejong’s dream of universal literacy among his people was realized.

Today UNESCO recognizes the linguistic achievement of King Sejong through the “King Sejong Literacy Prize”.  He is honored and esteemed because of his desire for the nation’s literacy.  The South Korean government celebrates the creation of Han-geul with a national holiday on October 9, while North Korea commemorates this achievement on January 15.  According to the World Factbook Statistics (2013), both North and South Korea are maintaining high literacy rates for their total populations.  South Korea’s fast growing economy can be attributed to the country’s commitment to education and literacy.  Furthermore, Han-geul has not been impeded by the use of new technologies.  With efficiency in mind, the Korean keyboard was developed having the consonants positioned on the left and the vowels on the right.  This ergonomic design matches the CVC syllabic units or left and right hand movements in typing (Yi, 2004).  Even though Korea has undergone significant changes in its history, Han-geul has withstood the test of time.

Conclusion

Although in its infancy, Han-geul was not well received, it is now recognized as one of the best scientific writing systems in the world.  Han-geul’s popularity continues to increase as Koreans and foreigners alike invest in learning this language system.  With its visual simplicity and syllabic organization, Han-geul is efficient as well as easy to process and read.  King Sejong can rest assured that his writing system fulfilled its purpose and will continue to benefit his people for generations to come.

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Appendix:

 

 

References:

Central Intelligence Agency.  (2013).  CIA world factbook library.  Retrieved from https://www.cia.gov/library/publications/the-world-factbook/fields/2103.html

Diamond Sutra Recitation Group.  (2007a).  Fifty wonders of Korea:  Volume 1. Culture and art.  Seoul, South Korea:  Samjung Munhwasa.

Diamond Sutra Recitation Group.  (2007b).  King Sejong the great:  The everlasting light of Korea.  Pohang, South Korea:  Yong Hwa.

Hwa-hyong, Y.  (2004).  Humanism: The power of Korean culture.  Seoul, South Korea: Kookhak.

Lee, S.  (2009).  The Korean alphabet: An optimal featural system with graphical ingenuity.   Written Language & Literacy, 12(2), 202-212.  doi: 10.1075/wll.12.2.05lee

Sampson, G.  (1985).  Writing systems:  A linguistic introduction.  Standford, CA: Stanford University Press.

Seemile.  (2011, February 21).  The Korean writing system-1 [Video file].  Retrieved from https://www.youtube.com/watch?v=0ZhOeA0RD90

Thomas, M.  (2011).  Fifty key thinkers on language and linguistics.  New York, NY:Routledge.

Wright, C.  (1996).  Korea:  Its history and culture.  Seoul, South Korea:  Samjung Munhwasa.

Wright, S.  (2013).  Linguistic and philosophical origins of the Korean alphabet (Hangul).  Retrieved from http://www.wright-house.com/korean/korean-linguistics-origins.html

Yeom, J., Yi, H., Kang, E., & Kim, H.  (2008).  Living in Joseon part 1.  Seoul, South Korea: Sakyejul Publising Ltd.

 

 

 

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Cinematic Impact on Literacy and Education

Cinematic Impact on Literacy and Education Timeline

by Marc Aubanel, Jessica Dickens & Kimberly Wagner

We created a Timeline for our research project which allowed us to use a multi-modal format for presenting our work. There is a combination of text, visual, and audio formats, using a variety of Web platforms for embedding the objects. We used YouTube, Storify, Soundcloud and Prezi to present different aspects of cinema and literacy. These objects are not equivalent in length and content. Each of our set of contributions is meant to be about equivalent to a 2000 word paper. We combined our reference list at the end of the timeline.  You have to click the link to the website (by following the Timeline link) to view our work as you cannot embed on the UBC blog.

Kim’s Rationale:

I had an interest in the Greek roots of drama and narrative fiction and that continuing influence on Literature and then film. This study led me to other sources that related Shakespeare’s audience to film audience and the difference in the nature of reality on stage and in film. I finished with educational perspectives on how to use film in schools after the development of the feature film and the production of some major literary works.

Jessica’s Rationale: 
I have a background in film and chose to challenge myself and the concept of film by focusing on the roots of independent film.  This perspective took me through a time period with which I had limited knowledge and allowed me to see the true revolution that it caused.  I created a Prezi and an explanatory podcast on this topic as well as two other podcasts on the NFB and educational film.

Marc’s Rationale & Work:

I set up the timeline on my website and did some small scripting and aesthetic tasks on the project. I contributed two pieces, one in Storify and the other in Prezi as well as added a few supporting video to illustrate my work. I looked from the beginning of photography to the start of the 20th century before sound in film. I was struck by the similarity of the debate today as it was when the technology was first introduced. It goes to support McLuhan’s “the medium is the message” and that even though we have progressed – the medium and its social perceptions have stagnated. This just goes to show how powerful the medium is over the content which has changed dramatically over the last century.

In viewing the past projects, we determined that there was little in terms of impact on education in the early Twentieth Century; thus, we felt we could add to that topic in that area.

List of Objects with Creators:

The Influence of Greek Dramatis (video essay)—Kim Wagner

The Shakespeare Connection (text)—Kim Wagner

A Precursor to Cinema (text)—Marc Aubanel

Turn of the 20th Century Cinema (Prezi)—Marc Aubanel

Indie Film History (podcast)—Jessica Dickens (this was just Jessica, Marc is only credited because it was using his Soundcloud account.)

Film & Education: 1900-1950 (Prezi)—Kim Wagner

Theatre Artifice and Film Reality (video essay)—Kim Wagner

A Short History of Independent Film (Prezi)—Jessica Dickens

Irony of Film Reality (text)—Kim Wagner

National Film Board (podcast)—Jessica Dickens (this was just Jessica, Marc is only credited because it was using his Soundcloud account.)

Educational Film (podcast)—Jessica Dickens (this was just Jessica, Marc is only credited because it was using his Soundcloud account.)

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Dissecting Manga—Between the Images, Texts, Stories and Popular Culture

By Yuki

The visualized work for this research is on

https://sites.google.com/site/etec540manga/home

The rise of manga is not only a Japanese phenomenon, but an international happening. Manga is seen more as a sub-culture than a literal work. While texts are dominant in other printed media (Bolter, 2001), in manga, both graphics and texts play integral rolls in the multimodal narrative story. What makes manga significant from other books or even from Western comic books? What is the role of manga in literacy?

What is Manga?: Illustrated Narrative, Visual Language, Narrative Art…or Popular Culture?

“Japanese manga is a visualized narrative”

                    (Schodt, 1996 as sited in Murakami and Bryce).

Manga is a term used to describe Japanese comics or their style of artistic expression. In Japan, manga refers to any printed comics including all genres for all generations. Manga combines images and scripts. Like any other forms of visual art and literature, “manga is immersed in a social environment including history, language, culture, politics, economy, gender and education” (Ito, 2005). Recently manga expanded to readers across the world. Especially in the North America, the manga market in 2006 had grown to an estimated two hundred million dollars (Poitras, 2008).

Distinctiveness of Manga from Comics by Ingulsrud & Allen (2009)
1. Graphic and Language
The representation of characters is both “symbolic” (simple) and “iconic” (photograph-like) depending on the characters’ situation, identity and emotional state. While western comic characters are unchanging in image, the same characters are sometimes drawn ironically or in a caricatured way in manga. McCloud (1994 as sited in Ingulsrud & Allen)  says that symbolic representations are closer to language. In manga, while the linguistic representation constitutes symbols, similarly, graphics involve symbols.
Japanese language has shaped manga. A variety of Japanese onomatopoeia written in the background becomes a part of the graphics.
2. Presentation and Publication
Variation of panel arrangement—Size, shape and arrangements of images, texts and panels create more expressive effects. Panel arrangement is an essential technique for manga expression.
Narrative and serialized contents—Since the majority of manga is published in weekly or monthly magazines, the manga publishing industry is large.
3. Relationship with other media
The competition between manga and other newer media is not threatening as manga survives in spite of the growth in animation, TV, and the Internet. Manga is a part of media mixing where many television animations and drama programs are based on manga stories.
4. History
The history of manga is original in its early age, at the same time, it is a part of the history of writing technology.

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Manga History

Origin and Pre-Manga Scrolls
Although the beginning of manga is still controversial between academic researchers, the history is connected with traditional drawings. Researchers find grounds in traditional Japanese pictorial arts for manga’s distinctive graphics (Intgurlud &Allen, 2009). The precursors of manga are associated with the caricatures of people and animals. The oldest is written on the backs of a temple ceiling that was built around 600 CE (Ito, 2005).

Artist unknown.(1200s). “Choju Jinbutsu Giga”. Retrieved from Wikimedia Commons.

Among narrative arts and stories with sequential images, scrolls written around the twelfth century are famous (Choju Giga image ). There are no texts in the paintings, and events are described progressively as the scroll is unrolled from right to left. A limited number of high-class citizens such as clergy and powerful warrior families viewed these scrolls. (Ito, 2005)

Woodblock Printed Manga
The commercialization of manga started in the beginning of the eighteenth century. The term, “manga” is coined by a Ukiyoe (Japanese woodblock prints and paintings) artist, Hokusai, whose book became a bestseller.

Hokuai Katsuchika. (1800s ). “Hokusai Manga”. Retrieved from Wiikimedia Commons.

The genre of folk pictures was popular among the urban merchant classes. While the printing press has had a great impact on the history of Western comics, Japanese manga had its first rise with wood block prints instead of movable types (Ingurlud &Allen, 2009) since texts and graphics can be carved on a single page. Because of the large numbers of kanji (logographic Chinese characters), wood block prints were dominant at the time (Kamei-Dyche, 2011). In other words, the technology reflected textual preferences (Ingurlud &Allen, 2009). A lot of woodblock print artists used multiple panels on one sheet, and it became sequential panels in manga. Publishing in Japan expanded during the Edo Period (1608-1868) and a wider audience gained access to manga (Ingurlud & Allen, 2009). Literacy, which had been limited to the elite, gradually became accessible to the urban middle classes with help of the small local schools and private schools (Ito, 2005).
(Ukiyoe images Hokusai Manga)
Besides the single page prints, the influential tradition relating to manga is the “Kibyoshi” books that “braid pictures into a textual tale” (Natsume, 2011).

Modern Civil Rights Movement and Manga
One of the important functions of manga, satire was most dynamic during the civil rights and political reform movement in the Meiji period (1868–1912) (Ito, 2005). “Manga journalism” is pressed on the newspapers and magazines, increasing influence on politics. Western artistic styles are imported rapidly. In this period, the public education system was established, and a greater population gained literacy (Ingkurlud & Allen, 2009) while the regional gap continued.

After the WWⅡ
The rise of manga is primarily in the post-World War time, when influences from America and gifted creators came about (Ingursurd & Allen, 2009). The current manga style started after the war through the publications of manga magazines and works from pioneers such as Osamu Tezuka. Cinemas influenced manga artists for the panel design. Manga gained a rich novel-like story with realistic and graphic pictures (Ito, 2005). With development of the printing technologies, such as zinc relief printing, copperplate printing, lithography, metal type, and photo engraving technology, manga became a medium of the masses (Ito, 2005).

Visual and Verbal Effect of Manga

Bolter (2001) discusses that in the print medium, pictorial space and verbal space are opposite and texts subordinate images. Manga is nothing but a print media; yet images, texts, and constitution of pages and panels are all integral part of manga.
The Structure of Manga

  • Panels, graphics, and symbols indicate

    Shuho. Sato.(2002). “Give My Regards to Black Jack”. Retrieved from Manga on Web. http://mangaonweb.com/creatorTop.do?cn=1
    Used with Permission.

-movement and sound
-tactile qualities
-emotional states of the characters

  • Graphic onomatopoeia expresses auditory and tactile information.
  •  Qualities of texture and non-linguistic graphic symbols represent the characters’ movements. Cohn (2007) defines their visual grammar as “Japanese Visual Language”.
  •  Speech balloons develop dialogue
  •  Variation of panels in size, shape and number creates a literacy effect of “a grammatical block analogous to a conventional sentence”(McCaffery and Nichol, 2000) .

These effects are similar to the effect that Bolter (2001) describes “the word transforms the picture into a writing space, while the picture invites the words becoming images or abstract shapes rather than signs.” Ingulsrud & Allen (2009) stresses that graphics and languages are interrelated, that is why manga cannot be read aloud. Therefore, the language component alone is insufficient to understand the text.

Criticism

Although positive effects of manga have been recognized gradually, manga has been claimed to be harmful because of the extreme description relating to violence and sexual topics. In Japan, Tokyo Metropolitan Government controls some extreme manga by the regulation act (Inoue, 2011). The decline of book reading in Japan is another issue. Critics associated comics with the hazards of young people’s lack of literacy skills or their commitment to crimes (Inculsurd & Allen, 2009).

Manga Reading and Literacy

  • Strategies for reading manga

It is claimed that manga requires multimodal reading skills and a sharp critical inquiry stance (Schwartz & Rubinstein, 2006), because meaning is conveyed at different levels, such as layout of pages, illustrations, words, and scripts. Ingulsurd & Allen (2009) studied Japanese junior and senior high school students in order to investigate their manga reading strategies. Their research in tracking a reader’s eye movement finds that most of the readers focus on the speech balloons and texts when reading manga. On the other hand, the readers responded that their main reason to read manga was because of its graphics. Learning the panel order for reading requires much practice and experience.

  • Communicty of practice

Unlike school literacy that is formally taught, readers gain manga literacy informally from other readers such as friends and older siblings. Children borrow and lend manga or they read manga together at home, sharing the same interests. Ingulsurd & Allen (2009) finds Wegner’s (2011) notion of “the communities of practice” in manga literacy development. They discusses, “manga literacy is scaffolded by individual agency and other readers”. In fact, comics are important shared texts for young children. On the other hand, their research result suggests that the readers, especially older students, tend to solve difficulties in reading by rereading, rather than asking someone, and it is against the concept of “community of practice”.

  • Cognitive effect (Murakami & Bryce, 2009)

The researchers suggest that multimodal information presented both in verbal and non-verbal format enhances readers’ memory. In addition, illustrations written with thematic focuses promote readers’ understanding. Effective learning occurs by “multiple layers of information in context and project a focused content”.

  • Multimodal literacy and visual literacy

Manga literacy involves understanding and responding to the multiple modes used in forming meaning. One of which is the visual literacy that is interpreting graphic images (Nakazawa, 2005). Schwartz & Rubinstein (2006) believe that manga literacy can be applied to not only school literacy, but also other media in enhancing literacy that hyper media requires us. They encourage manga use for development of analytical and critical visual texts. The multimodality of manga texts “extends the traditional notions of text and literacy” (Carrington, 2004, as sited in Schwartz & Rubinstein).

Education

It was only in the 1980s when school libraries in Japan started a positive discussion revolving manga. There had been reluctance for students’ manga reading among parents and educators. After the 90’s, more teachers had tried to use Manga in Japanese classrooms (Inoue, 2011). Educational benefits were carefully considered, and the Japanese government officially accepted the use of manga in the classrooms. Manga is by nature understandable and motivating (Nakazawa,2005). Classic literature in the manga format and students’ comic creation for literacy education are common outside of Japan as seen in “Comic Book Project”.

  • Manga as a study aid

Gakushu Manga (learning manga) has been one of the most popular holdings as a study aid, for history, science, and classic literature in Japan. These manga books are stimulating children’s curiosity for studying. Therefore, manga has been a primer or supplement for children to study and read more on school subjects. (Inoue, 2011).

  •  Japanese government guidance

The guidance indicates elementary school and junior high school manga use for each subject.
Elementary school—Students are able to use manga as learning materials and students can express their opinion by using manga.

In high school — official math textbook explains the concept using manga.

Criteria of Manga at school libraries –SLA criteria to select Manga(1988)

  •  Manga literature outside of Japan—Pop culture, after all?

Educational manga has also been created outside of Japan, as seen in “Manga Shakespeare”. While the series won awards from publishers, they receive critical claims questioning simplification and over pragmatic means. Moreover, Grande (2010) argues the problem of “double access” to Shakespeare that the series gained: “pure gaze” that is a high-culture of traditional British literary studies and “popular gaze” that is a new young popular culture. This division apparently rooted in the position of manga in academic and educational world.

Conclusion

Manga in Japanese educational environments focuses more on breaking down the subject matter than on literacy education. More analysis on multimodal literacy development with manga should be examined. In the late age of print that is “visual rather than linguistic” (Bolter, 2001), it is natural that manga has attracted readers all around the world. Multimodality and unity of text and images overlap with hypertext writing. Manga is rooted in the print medium, yet as it moves technologically beyond print, the manga characters move across mobile phones, the Internet and game devices fuelled by popular demand (Ingulsrud & Allen, 2009).

References

Bolter, Jay David. (2001). Writing space: Computers, hypertext, and the remediation of print [2nd edition]. Mahwah, NJ: Lawrence Erlbaum.

Cohn, N. (2007). Japanese Visual Language: The structure of manga. In Manga: An Anthology of Global and Cultural Perspectives. New York, NY: Continuum Books. Retrieved, 5 October 2013, from
http://www.visuallanguagelab.com/P/japanese_vl.pdf

Grande,T. (2010). Manga Shakespeare and the Hermeneutic Problems of “Double Access”. Retrieved, 24 October 2013, from
http://ourspace.uregina.ca/bitstream/handle/10294/3091/QueenCityComics-3-Troni_Grande.pdf?sequence=1

Inoue, Y. (2011). Manga as a study aid at school libraries. Paper presented at the World Library and Information Congress San Juan, Puerto Rico. Retrieved from
http://conference.ifla.org/past/2011/214-inoue-en.pdf

Ingelsrud, J. and Allen. K. (2009). Reading Japan Cool: Patterns of Manga Literacy and
Discourse. Lanham, MD: Lexington.

Ito, K. (2005). A history of manga in the context of Japanese culture and society. The Journal of Popular Culture, 38(3), 456-475.

Kamei-Dyche, A. (2011). The History of Books and Print Culture in Japan: The State of the Discipline. Book History, 14 (1), DOI: 10.1353/bh.2011.0008

Keep, C., McLaughlin, T., & Parmar, R. (1995). The electronic labyrinth. Retrieved, 10 October 2013, from: http://www2.iath.virginia.edu/elab/hfl0206.html

Murakami, S and Bryce, M. (2009). Manga as an Educational Medium. The International Journal of the Humanities, 7.

Nakazawa, J.( 2005 ) . Development of Manga (Comic Book) Literacy in Children. Applied developmental psychology: Theory, practice, and research from Japan. Greenwich, Con: Information Age Publishing.

Natsume, F. (2011). Pictotext and panels: commonalities and differences in manga, comics, 37 and BD. Paper presented at the Comics Worlds and the World of Comics: Towards Scholarship on a Global Scale, Kyoto, Japan. Retrieved from
http://imrc.jp/2010/09/26/20100924Comics%20Worlds%20and%20the%20World%20of%20Comics.pdf

Poitras, G. (2008). What is Manga?. Knowledge Quest, 36(3), 49-49.

Schwartz, A., & Rubinstein‐Ávila, E. (2006). Understanding the Manga Hype: Uncovering the Multimodality of Comic‐Book Literacies. Journal of Adolescent & Adult Literacy, 50(1), 40-49.

Wenger, E. (2011). Communities of Practice: A Brief Introduction. Retrieved, 20 October 2013, from
https://scholarsbank.uoregon.edu/xmlui/bitstream/handle/1794/11736/A%20brief%20introduction%20to%20CoP.pdf?sequence=1

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From Slate to Notebook (or From Rote to Note)

From Slate to Notebook (or From Rote to Note)

Ashley Bayles and Lauren MacDonald

Introduction

Albert Einstein took a test designed by Thomas Edison and one of the questions asked him to know the speed of sound. Upon not knowing the answer, he responded that he did not carry such information in his mind but it was readily available in textbooks (The New York Times, 1921).  This view on the less important role of rote learning  is a very modern one and has only come about since personal notebooks have become available. Originally, slates were used in schools. This meant that students copied information from the teacher which they then needed to memorize. The slates were wiped clean and used for another task later. With the invention of the personal notebook, students now had a space where they could then ¨train their mind to think¨ and keep a personal record of information. There was no longer a need to memorize facts. Information could be kept for later reference. There are still debates on the value of rote learning today and looking back at the historical context helps to explain some of the confusion about this issue.

Historical Context of Slates and Notebooks

Slates were commonly used in schools in the late 18th and early 19th centuries (Fernley, 2008). These tools were similar to larger blackboards but were small enough to be handheld by students. To make slates sturdier they were bound in a wooden frame (Fernley, 2008). All students had their own slate and brought it with them daily back and forth to school. Students wrote on their slate by scratching it with a slate pencil. Eventually, these slate pencils were replaced with soft chalk which made the writing process easier.

Students used their slate to practise math, writing and penmanship. Once work was completed and checked by the teacher, students used a cloth or sponge from home to clean their slate before being able to continue on with their work. Slates had other uses outside of schools. For example, sailors used them to chart a ship’s location at sea and factory workers used slates for keeping inventory of goods (Wikipedia, 2013). It was the writing device of the time.

After the American Civil War, pencils appeared which were easier for smaller students to hold (PBS, 2001). It was around this time that the cost of paper decreased and became inexpensive. Writing on paper became more prominent in schools. Slates were used less frequently as students began writing on paper. They were able to keep a more permanent written record of their school work and of what had been taught by the teacher. Eventually in the early 20th Century, these loose leaf sheets of paper were bound together in a spiral notebook (Modern Mechanix, 2006). The notebook in its various forms allowed students to keep all their work in the same place and continues to be used in the 21st Century because of its versatility.

Slates and Notebooks: The influence on thought

The transition from slates to notebooks greatly influenced what we value in society and even how we think. The slate is reminiscent of the oral tradition. The limited permanency of this technology required the use of mnemonic aids, repetition of thoughts and formulaic patterns of speech in order to remember and recall information (Ong, 1982). Teachers dictated information to students and while they could write it down on the slate, this was only temporary as in order to write down more information at a later time, the slate needed to be wiped clean. As a result, the slate was really a tool that continued the oral tradition and was part of the slow change to written society. Students recited information back to the teacher, rather than writing it down and submitting it.

As loose leaf paper and eventually notebooks came into use, thoughts shifted from being oral and recall based to a more text-based culture. We were now able to keep information outside the mind and access it for later reference at any point in time. The information did not even need to be our own, we could access information that previously was only available through discussions with other people.  Now we had unlimited access to their mind in the form of notes on paper or in notebooks. This new literacy of writing notes establishes a line of continuity outside the mind (Ong, 1982).  Information is less likely to be lost, as we can retrieve it if we forget it. The ability to have physical notes and to review them at any time moved our thought focus from memorising and recall to analysis and reflection (Ong, 1982).

The transition to notebooks also shifted what teachers valued in student work. Now rather than just being able to recall information, students needed to be able to make connections with the information and place it in context, making critical analysis of the material. As Miller states, ¨each tool involves a different cognitive style or skill. For example the invention of paper influenced cognition by making rote memorization of oral texts less important” (2002, p.384).

In his book Technopoly: The surrender of culture to technology,  Postman writes of King Thamus´ response to Theus, when he presented the king with the invention of writing saying, “those who acquire it [writing] will cease to exercise their memory and become forgetful; they will rely on writing to bring things to their remembrance by external signs instead of by their own internal resources” (1992, Ch. 1, para 2).  In the transition away the slate, where the focus was on rote learning and memorization, to the notebook, this does not seem to be the case. The ability to take written notes with paper and pen/pencil is beneficial for students, which is supported by Boch and Piolat (2005). The authors explain how not only does note taking help students learn to write and learn the content of their studies, but it fulfills “two major functions: to record information and/or to aid with reflection” (p.101).

Note taking is useful for students to store, learn and think about the information presented by the teacher. They are able to create a “stable external memory” of information which can be accessed later on if needed and so that they won’t forget (Boch & Piolat, 2005, p.101). Kiewra explained that the outcome of note taking is more than passively taking notes to create an external memory source, the action of note taking is part of the memorization process and results in a form of “internal” storage (as cited in Boch & Piolat, 2005, p.104).

Lin and Bigenho (2011) also support the idea that note taking is beneficial for students. They argue that note taking requires the learner to attend to the information and the learning goal, select and organize what is relevant and move it through their working memory and into long term memory. Piolat, Olive and Kellogg assert that when taking notes students need to maintain their short term memory so as to acquire, represent, choose and understand the information being presented to them by the teacher in order to access and update their long term memory (as cited in Lin & Bigenho, 2011, p. 202). Further to this, note taking helps with student attention when listening to a lecture or reading. This assists students in expanding on the information further by connecting it with their prior knowledge.

The transition from slates to notebooks altered how we think and what is valued in society. Writing in notebooks not only helps students learn the information being presented by the teacher, but also acts as a permanent record of what was learned so that it can be reviewed and reflected on later by students.

A Shift in the Phenomenology of Reading and Writing

Ferdinand de Saussure noted that writing ¨has simultaneously ´usefulness, shortcomings and dangers’” (as cited in Ong, 1982, p.5). He felt that oral speech ¨underpins all verbal communication¨ and therefore writing is a complement to it rather than a transformer (Ong, 1982, p.5). This is similar to how the transition from slates to notebooks changed the look and feel of reading and writing. While it did not transform reading and writing, it did change communication in a discreet way. The more an individual can write their own thoughts down and work through them, the less they need to orally communicate with others in order to work through these ideas. As Ong says, orality stresses group learning, cooperation and a sense of social responsibility while print stresses individual learning, competition and personal autonomy (1982). This is not to say that oral communication was less important, but the process and uses of it altered. Now an individual could take time to make notes before speaking and then refer to them when speaking so as to ensure they cover all the points they would like to make. The great forums and oral debates of the past no longer have the same status in society. Print has taken over and we know that ¨embedded in every tool is an ideological bias, a predisposition to construct the world as one thing rather than another, to value one thing over another, to amplify one sense or skill or attitude more loudly than another¨ (Postman, 1992, Ch. 1, para 13). A notebook could be seen as a place to play and explore, to experiment. There is less authority present in a personal notebook than in recording information on a slate. The privacy provided by the spiral notebook afforded writers a place outside their own mind to record thoughts and information. Writing became much more personal and less controlled.

Additionally, the personal notebook changed what it meant to be a student writer. Slates were places for students to record the words of their teacher, rather than adding anything of their own. Its limited space meant that students were unable to add their own interpretations or annotations. The notebook changed all that. Students now had the space and time to add their own words. While teachers remained the central source of information, students took on a slightly more active role in the learning process. A student who did not understand material could now take the time independently to go over their notes again, review and reflect on the content. Notes could also be shared with people outside of the classroom so in a sense the notebook extended the walls of the classroom.

Changes to Literacy

As technology changes, so does our definition of literacy and our expectations of what it means to be literate in our society. The transition from slate to loose leaf paper and eventually spiral notebooks transformed the spaces of reading and writing in the classroom. No longer did students have to memorize everything they wrote on their slate for later reference. They could now keep track of their work, refer to it later, and make connections between previous and current learning. Notebooks created the ability to keep a record of work that had been completed and review it in order to improve upon it at a later time.  This is important in terms of our understanding of how we remember information. In terms of Bloom´s Taxonomy, the slate only allowed for the lower levels of cognitive domain, whereas paper and personal notebooks allow for more analysis, synthesis, and evaluation.

With the slate as a form of writing, literacy would be defined in basic terms of the ability to read and write. Knowledge of facts and information that has been provided by an authority was what makes someone literate. As the notebook came along individuals had the ability to write down not only the information given, but also take the time to make their own notes about that information through personal connections and previous knowledge. There was time to reflect on information because it would not be lost from the page as soon as new information needed to be recorded, such was the case when the slate was in use. ¨Literacy is, among other things, the realization that language can have a visual as well as an aural dimension, that one´s words can be recorded and shown to others who are not present, perhaps not even alive at the time of recording¨ (Bolter, 2001, p.19).

The ability to reference information allows almost anyone to be literate in terms of the way it was defined by the slate. If anyone could have information and be literate, the definition and what we valued as knowledge began to change. With a personal notebook there was a need to have more skills than just the facts (although those remained important and to this day create debate). This new technology was a remediation of the slate and ¨remediation involves both homage and rivalry, for the new medium imitates some features of the older medium, but also makes implicit or explicitly claim to improve the older one¨ (Bolter, 2001, p.24). Additionally, Bolter claims that ¨the fixity and permanence that printing seemed to give the written word was just as important in changing the nature of literacy¨ (2001, p.14).

Mass literacy had started its transformation. No longer was it sufficient to be able to write and record another person´s thoughts. It became necessary to record your own thoughts alongside another person’s information in your notebook. In a way, the change from slate to notebook created a collaborative space in the world of print that had not previously existed.

Implications and Changes to Teaching and Learning

Slates and notebooks encouraged different teaching and learning practices. Slates encouraged teacher-led group instruction during the 18th and 19th centuries. During this time, class recitation of information played a significant role (PBS, 2001). Group learning, recitation and memorization, or rote learning were the primary presentation methods of information for teachers.

Rote learning is defined as “a learning technique which avoids understanding the inner complexities and inferences of the subject that is being learned and instead focuses on memorizing the material so that it can be recalled by the learner exactly the way it was read or heard”  (K12 Academics, 2013, para 1). This type of learning is done through repetition, with students being able to recall the information the more it is repeated.

This type of learning requires little effort on behalf of students and is inefficient (Novak, 1998). Novak (1998) asserts that when students memorize information they do not make connections with their prior or existing knowledge base. In order to link new information to what exists students are required to study material repeatedly, or overlearn the information. However because arbitrary connections are made, this information cannot be recalled hours or days later. Students who used slates were not expected to make connections on their own, but rather to copy exactly what they were told by their teacher. Their work could not be preserved when using slates which meant that students had to memorize their work. A good student was essentially a good memorizer.

As a learning tool, slates were easy for students to use, had low maintenance, and were inexpensive. Students only needed a slate pencil and the slate itself. They were long lasting as they were cleaned and used repeatedly by students.  Slates were also inexpensive.  Paper and pencils were difficult to come by and were expensive, and thus not affordable for many families during this time period (Fernley, 2008; Ergo in Demand, 2013). Slates therefore kept financial costs to schools minimal. Slates were ideal for students to practise their penmanship and for drawing (Gwynedd Council, 2003).

However, there were complications in teaching and learning when using slates. Teachers were initially required to go from student to student, copying problems for students to work through onto the slates. This method of teaching, along with the cost of supplies at the time, resulted in small class sizes and slower instruction (Ergo in Demand, 2013). When the blackboard appeared in schools in the 1800s, teachers could then copy problems and information onto the blackboard for students to copy themselves onto their slates, instead of the teacher copying the information onto each slate. Although the blackboard changed the presentation method for teachers, what did not change was the fact that teachers had to correct student work on the spot and could not take student work home. Slates also meant that there was no storage or permanent record of student work as once work was completed and checked by the teacher, students were required to clean their slate in order to continue.

Bolter (2001) writes that when new technologies appear they supplement or replace those which are already established. This may result in a change of the culture’s writing space. Such a change took place in schools with the move from students’ using slates to notebooks. The appearance of pencils and paper altered teaching and learning and the educational practices of both students and teachers. Teachers continued to present information to their students through lectures and teacher-led didactic instruction; however students were able to make notes on information presented by the teacher and to keep them for future reference, review and for studying at a later date. Student work could also be preserved as a permanent record of student learning and achievement. Notebooks allowed students who joined the class part way through the school year or who missed a class due to illness to have access to the notes of his or her classmates in order to catch up. They were easily portable for students and teachers, the latter of which could take student work home to correct and review. The shift from slates to notebooks also provided the very early beginnings to the current changes that we are seeing now in education with more personalized learning.

While rote learning and memorization are frowned upon as valid educational practices today, they are still covertly present in many areas of our daily lives without us realizing. Blumenfield (2000) states that  “repetition, in fact, is not only the easiest way to learn something, it often is the only way to learn something” (para 2). If we take for example learning to sing our countries’ national anthem. The more we hear it and sing it, the more we learn it. The same can be said of any song on the radio, a prayer or congregational response in church, or a pledge in Girl Guides or Scouts. The more we hear these words, the more we internalize and memorize them. When we do this, we are in fact engaging in rote learning.

Novak (1998) does acknowledge that there are occasions when being able to recall information verbatim is useful, such as recalling phone numbers. He also states that school testing often promotes rote learning (Novak, 1998).  Memorization or rote learning is therefore advantageous for students. Those who know names, dates and places in history, or their multiplication tables by memory, for example, are at more of an advantage when testing requires recalling such information. Students who learn information through meaningful learning, relating new information to prior knowledge, are thus at a disadvantage when recalling information verbatim is required.

Conclusion

Slates placed value on orality, rote learning and memorization. They provided only a temporary storage of student learning. During this time the basic skills of reading and writing defined literacy.  When notebooks appeared in classrooms what was important and valued in terms of learning shifted. With the transition from slate to notebook, students took on a more active role in the classroom by becoming more responsible for their own learning. Notebooks allowed them to make connections, thinking critically and analytically. They afforded students a more permanent record of their learning, as they could collect their thoughts and note information for future review and reflection. Student work could also be checked by a teacher later or referenced for another assignment to help scaffold learning. Scaffolding learning and the knowledge that students could take notes and were no longer required to memorize what was previously taught allowed teachers to delve further into the curriculum and teach more advanced materials. Despite this change, elements of rote learning continue to have subtle influences on learning and a presence in our daily lives. Notebooks  transformed literacy, learning and the classroom, and had a far reaching impact on education for years to come.

References

Blumenfeld, S. (2000). Home School World- The importance of Rote Learning. Retrieved from http://www.home-school.com/Articles/phs34-samblumenfeld.html

Boch, F., & Piolat, A. (2005). Note Taking and Learning: A Summary of Research. The WAC Journal ,16, 101-113.

Bolter, J. D. (2001). Writing space: Computers, hypertext, and the remediation of print [2nd edition]. Mahwah, NJ: Lawrence Erlbaum

Ergo in Demand. (2013). About blackboards – Blackboard technology and chalkboard history advances. Retrieved from http://www.ergoindemand.com/about_chalkboards.htm

Fernley, W. (2008). History of the chalkboard. Retrieved from http://www.articlesbase.com/education-articles/history-of-the-chalkboard-660163.html

Gwynedd Council. (2003). SlateSite. Retrieved from http://www.llechicymru.info/writingslates.english.htm

K12 Academics. (2013). Rote Learning. Retrieved from http://www.k12academics.com/educational-psychology/rote-learning

Lin, L., & Bigenho, C. (2011).  Note-taking and memory in different media environments. Computers in the Schools, 28(3), 200-216. Retrieved from http://dx.doi.org/10.1080/07380569.2011.594989

Miller, P. H. (2002). Theories of Developmental Psychology (4th ed). New York: Worth.

Modern Mechanix. (2006, July 15). First Spiral Notebook (Sep, 1934). [Web log message]. Retrieved from http://blog.modernmechanix.com/first-spiral-notebook/

The New York Times. (1921, May 18). Einstein sees Boston; Fails on Edison Test. The New York Times. Retrieved from http://query.nytimes.com/mem/archive-free/pdf?res=F60D15FE345B1B7A93CAA8178ED85F458285F9

Novak, J. D. (1998). Learning, Creating, and Using Knowledge: Concept Maps as Facilitative Tools in Schools and Corporations.  Mahwah, NJ: Erlbaum.

Ong, Walter. (1982.) Orality and literacy: The technologizing of the word. London: Methuen.

Postman, N. (1992). Technopoly: The surrender of culture to technology. New York: Vintage Books.

PBS. (2001) School: The story of American Public Education-Evolving Classroom. Retrieved from http://www.pbs.org/kcet/publicschool/evolving_classroom/slate.html

Wikipedia-Slate (writing). (n.d.). Retrieved October 8, 2013 from Wikipedia, the free encyclopedia: http://en.wikipedia.org/wiki/Slate_(writing)

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Literacy and the Underground Railway

I chose to complete my Module 3 Research Project in a program called Zooburst. Zooburst is a digital storytelling tool that helps users create their own 3D pop up book on a topic of their choice. The topic for my Research Project is Literacy and the Underground Railway. My pop up book may be found at the link provided. I have added my references to this post. Enjoy!

http://www.zooburst.com/zb_books-viewer.php?book=zb01_52644b60ccb87

Christina

References:

All pictures retrieved October 20, 2013 from www.search.creativecommons.org

Dobard, R, Tobin, J (1999) Hidden in plane view: A Secret story of quilts and the underground railroad. New York, Random House Inc.

Gorrell, G. (1997) North star to freedom. Delacore Books for Young Readers

Freedsom Quilt retrieved October 20, 2013 from www.youtube.com/watch?v=T2VzlC-hOBA

Follow the Drinking Gourd retrieved October 20, 2013 from https://www.youtube.com/watch?v=pw6N_eTZP2U

Stono Rebellion retrieved October 20, 2013 from http://en.wikipedia.org/wiki/Stono_Rebellion
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